The Book Woman of Troublesome Creek is a book about the power of books in a harsh world. Of the many titles it specifically mentions, two are particularly important. The first is J. M. Barrie’s
Peter and Wendy, which tells the story of Peter Pan, a boy who escaped growing up by fleeing to Never-Never Land. Peter represents the boundlessness and potential of childhood, and his story is especially poignant in a place and time where not all children do manage to grow up. The second is Pearl S. Buck’s
The Good Earth, which won the Pulitzer Prize in 1931. Set in early 20th century China,
The Good Earth tells the story of a rural farmer and his family’s triumphs and tragedies. Wang Lung and his wife, O-Lan, provide a mirror for Kentucky homesteaders like Cussy Mary Carter and Jackson Lovett in their deep connection with the land, but also their struggle and poverty. Other novels by author Kim Michele Richardson touch on similar themes to
The Book Woman, especially bigotry, hardship, and motherlessness.
The Liar’s Bench, which follows the story of a Black Kentucky teenager who discovers her mother dead on her 17th birthday, deals with themes of bigotry and isolation. And
GodPretty in the Tobacco Field engages with poverty and hardship in the lives of Kentucky coal miners and their communities as it follows RubyLyn Bishop, an orphaned girl taken in by her abusive uncle. Finally, both
The Book Woman of Troublesome Creek and Jojo Moyes’
The Giver of Stars build their stories around the real-life history of the Pack Horse library project and the difficulty of life in rural Kentucky during the Great Depression. Because both books were released within a period of six months, concerns were raised in the literary community about potential plagiarism that were eventually dispelled. Moyes’ book focuses almost exclusively on the economic hardships of the era and the Pack Horse librarians, while
The Book Woman also folds in the history of the Blue Fugates of Kentucky.