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Hyperbole
Definition of Imagery
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines... read full definition
Imagery
Explanation and Analysis—No Garden So Lovely:
Early in the Linnet's story, he describes Hans's garden in great detail. The beauty and purity of this imagery verges on hyperbole, which serves to foreshadow for the reader that, over the course of the story, the garden will likely face the threat of ruin.
After the Linnet's introductory "Once upon a time," he establishes the story's main character as "an honest little fellow named Hans." Although he for the most part seems ordinary and unassuming, Hans's main identifying feature is that he works in his garden every day. According to the Linnet, "there was no garden so lovely as his" in the whole countryside. He goes on to name all the flowers that grow there:
Sweet-Williams grew there, and Gilly-flowers, and Shepherds’-purses, and Fair-maids of France. There were damask Roses, and yellow Roses, lilac Crocuses and gold, purple Violets and white. Columbine and Lady-smock, Marjoram and Wild Basil, the Cowslip and the Flower-de-luce, the Daffodil and the Clove-Pink bloomed or blossomed in their proper order as the months went by, one flower taking another flower’s place, so that there were always beautiful things to look at, and pleasant odours to smell.
The teeming purity of the garden mirrors Hans's innocence, which sets him up to be exploited as the narrative progresses. The overstated perfection of the Linnet's description exaggerates the garden's true nature and, in doing so, subtly foreshadows that something will alter the state of Hans's garden—and, by extension, will impact Hans himself. By including a long list that establishes the garden's abundance and beauty at the start of the story, the Linnet signals to the Water-rat and the reader that this blissful paradise is unlikely to last.
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Explanation and Analysis—Water-rat vs. Ducks:
The imagery in the opening paragraph of "The Devoted Friend" indicate that the story is a fable. Describing the animals and their surroundings through colorful descriptions, Wilde signals to the reader that the story—or at least some portion of it—will take place in a lively setting populated by animals with strong, human-like personalities:
ONE MORNING the old Water-rat put his head out of his hole. He had bright beady eyes and stiff grey whiskers, and his tail was like a long bit of black india-rubber. The little ducks were swimming about in the pond, looking just like a lot of yellow canaries, and their mother, who was pure white with real red legs, was trying to teach them how to stand on their heads in the water.
This paragraph draws a connection between the ducklings and yellow canaries. Initially, this doesn't seem to be a particularly clever comparison—especially for Wilde, who makes active use of interesting figurative language. After all, he is comparing a group of small, yellow birds to a group of slightly different small, yellow birds. The only real contribution this comparison makes is to indicate that the baby birds are yellow and energetic. However, although the comparison fails to contribute a great deal of meaning on its own, it does offer the reader more information when juxtaposed with the description of the rat. Whereas the rat's body looks like a dark, inanimate material (rubber), the lively birds look like lively birds. The comparison's relative simplicity and its contrasting use of visual imagery (color, to be specific) gives the reader the impression that the ducks are simpler and more accessible than the slimy rat.
The imagery in this paragraph establishes a contrast in the characterization of the Water-rat and the Duck (and her ducklings). Whereas the former is stiff and dark with beady eyes and a rubber-like tail, the latter is bright and soft. As the reader will discover in subsequent paragraphs, these contrasting visual descriptions align with the characters' respective personalities, behavior, and approaches to life.
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