Papa Character Analysis

I was born and raised in East Flatbush, Brooklyn, and have never even been to my parents' birthplace. Still, I answer “Haiti” because it is one more thing I've always longed to have in common with my parents.

My father has never liked having his picture taken. We have only a few of him at home, some awkward shots at my different school graduations, with him standing between my mother and me, his hand covering his scar. I had hoped to take some pictures of him on this trip, but he hadn't let me. At one of the rest stops I bought a disposable camera and pointed it at him anyway. As usual, he protested, covering his face with both hands like a little boy protecting his cheeks from a slap. He didn't want any more pictures taken of him for the rest of his life, he said, he was feeling too ugly.

I’d used a piece of mahogany that was naturally flawed, with a few superficial cracks along what was now the back. I’d thought these cracks beautiful and had made no effort to sand or polish them away, as they seemed like the wood's own scars, like the one my father had on his face. But I was also a little worried about the cracks. Would they seem amateurish and unintentional, like a mistake? Could the wood come apart with simple movements or with age? Would the client be satisfied?

Anne had closed her eyes without realizing it. Her daughter knew she reacted strongly to cemeteries, but Anne bad never told her why, since her daughter had already concluded early in life that this, like many unexplained aspects of her parents’ life, was connected to “some event that happened in Haiti.”

Besides, soon after her husband had opened his barbershop, he’d discovered that since he'd lost eighty pounds, changed his name, and given as his place of birth a village deep in the mountains of Leogane, no one asked about him anymore, thinking he was just a peasant who'd made good in New York. He hadn't been a famous “dew breaker,” or torturer, anyway, just one of hundreds who had done their jobs so well that their victims were never able to speak of them again.

What if it were Constant? What would she do? Would she spit in his face or embrace him, acknowledging a kinship of shame and guilt that she'd inherited by marrying her husband? How would she even know whether Constant felt any guilt or shame? What if he'd come to this Mass to flaunt his freedom? To taunt those who'd been affected by his crimes? What if he didn't even see it that way? What if he considered himself innocent? Innocent enough to go anywhere he pleased? What right did she have to judge him? As a devout Catholic and the wife of a man like her husband, she didn't have the same freedom to condemn as her daughter did.

He’d wound you, then try to soothe you with words, then he’d wound you again. He thought he was God.

And yet he had not been completely defeated. The wound on the fat man’s face wasn’t what he had hoped, he hadn’t blinded him or removed some of his teeth, but at least he’d left a mark on him, a brand that he would carry the rest of his life. Every time he looked in the mirror, he would have to confront this mark and remember him. Whenever people asked what happened to his face, he would have to tell a lie, a lie that would further remind him of the truth.

I was born and raised in East Flatbush, Brooklyn, and have never even been to my parents' birthplace. Still, I answer “Haiti” because it is one more thing I've always longed to have in common with my parents.

My father has never liked having his picture taken. We have only a few of him at home, some awkward shots at my different school graduations, with him standing between my mother and me, his hand covering his scar. I had hoped to take some pictures of him on this trip, but he hadn't let me. At one of the rest stops I bought a disposable camera and pointed it at him anyway. As usual, he protested, covering his face with both hands like a little boy protecting his cheeks from a slap. He didn't want any more pictures taken of him for the rest of his life, he said, he was feeling too ugly.

I’d used a piece of mahogany that was naturally flawed, with a few superficial cracks along what was now the back. I’d thought these cracks beautiful and had made no effort to sand or polish them away, as they seemed like the wood's own scars, like the one my father had on his face. But I was also a little worried about the cracks. Would they seem amateurish and unintentional, like a mistake? Could the wood come apart with simple movements or with age? Would the client be satisfied?

Anne had closed her eyes without realizing it. Her daughter knew she reacted strongly to cemeteries, but Anne bad never told her why, since her daughter had already concluded early in life that this, like many unexplained aspects of her parents’ life, was connected to “some event that happened in Haiti.”

Besides, soon after her husband had opened his barbershop, he’d discovered that since he'd lost eighty pounds, changed his name, and given as his place of birth a village deep in the mountains of Leogane, no one asked about him anymore, thinking he was just a peasant who'd made good in New York. He hadn't been a famous “dew breaker,” or torturer, anyway, just one of hundreds who had done their jobs so well that their victims were never able to speak of them again.

What if it were Constant? What would she do? Would she spit in his face or embrace him, acknowledging a kinship of shame and guilt that she'd inherited by marrying her husband? How would she even know whether Constant felt any guilt or shame? What if he'd come to this Mass to flaunt his freedom? To taunt those who'd been affected by his crimes? What if he didn't even see it that way? What if he considered himself innocent? Innocent enough to go anywhere he pleased? What right did she have to judge him? As a devout Catholic and the wife of a man like her husband, she didn't have the same freedom to condemn as her daughter did.

He’d wound you, then try to soothe you with words, then he’d wound you again. He thought he was God.

And yet he had not been completely defeated. The wound on the fat man’s face wasn’t what he had hoped, he hadn’t blinded him or removed some of his teeth, but at least he’d left a mark on him, a brand that he would carry the rest of his life. Every time he looked in the mirror, he would have to confront this mark and remember him. Whenever people asked what happened to his face, he would have to tell a lie, a lie that would further remind him of the truth.