The Dressmaker depicts a small, conservative community which condemns outsiders and those who stray from its strict moral codes. In this way, the book is reminiscent of Shirley Jackson’s short story “The Lottery,” which famously depicts a group of townspeople who stone an outcast to death. Shirley Jackson’s novels, such as
We Have Always Lived in the Castle, also deal with themes of conformity and alienation, and they use gothic tropes and black humor in a similar way to Ham. The depiction of Tilly and Molly’s mother-daughter relationship, as outcasts in a small town, is reminiscent of Joanne Harris’s novel
Chocolat or Alice Hoffman’s magical-realist novel
Practical Magic. Ham’s depiction of the gossiping townspeople and the spread of rumors and tales is reminiscent of Stephen King’s description of a small American town in his novel
Salem’s Lot, while Ham’s dark humor is similar to Scottish writer Muriel Spark’s grotesque and comedic characters in novels like
The Girls of Slender Means or
The Prime of Miss Jean Brodie. Ham’s work has also been compared to the novels of Jane Austen because of her astute and comedic portrayals of social dynamics. The chapters in
The Dressmaker in which the town frantically prepares for the ball are similar to Isaac Bashevis Singer’s short story, “The Gentleman from Krakow,” in which a small town’s population goes into a frenzy of competition and corruption as they prepare for a ball. Additionally, the townspeople in the novel put on a production of Shakespeare’s
Macbeth, and certain characters (like Sergeant Farrat, who plays Banquo) have experiences that parallel their roles in Shakespeare’s play.