The Fall

by

Albert Camus

The Narrator Character Analysis

The narrator claims to be a former lawyer, well known in Paris, who took on pro bono defense cases and engaged in other charitable works—ultimately not out of genuine moral conviction but out of egotism and a desire that others should admire him. One night after hearing mysterious laughter whose source he could not discover, the narrator began remembering unflattering and alarming incidents from his past that destroyed his elevated self-opinion. In particular, he remembered walking past a woman in black on an otherwise deserted Parisian bridge, hearing her attempt suicide by jumping into the river below the bridge, and failing to help her even after she began crying out. After this memory resurfaced, the narrator tried to escape his own crushing self-condemnation through public self-criticism, sentimental love affairs, and sexual debauchery and alcohol. He thought he had finally escaped until, one day, he mistook a piece of trash in the water for a drowning person and realized the woman in black would always haunt him. At that point, he moved to Amsterdam and decided to become a “judge-penitent,” someone who through self-aware penitence manipulates others into similar agonized confessions of unworthiness—thus allowing him to feel superior to them. Throughout the novel, the narrator engages in conversations with his unknown listener for just this manipulative purpose. Notably, all information that readers have about the narrator comes from his manipulative conversations with the listener, during which he admits to lying; for example, he introduces himself to the listener as “Jean-Baptiste-Clamence,” only to admit a little later that he invented the name. Thus, it’s unclear how much of the narrator’s story about himself is true.

The Narrator Quotes in The Fall

The The Fall quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Guilt and Judgment Theme Icon
).
Pages 3-16 Quotes

Anyone who has considerably meditated on man, by profession or vocation, is led to feel nostalgia for the primates. They at least don’t have any ulterior motives.

Related Characters: The Narrator (speaker), The Listener, The Bartender
Page Number: 4
Explanation and Analysis:

Have you noticed that Amsterdam’s concentric canals resemble the circles of hell?

Related Characters: The Narrator (speaker), The Listener
Page Number: 14
Explanation and Analysis:
Pages 17-41 Quotes

Of course, I didn’t tell you my real name.

Related Characters: The Narrator (speaker), The Listener
Page Number: 17
Explanation and Analysis:

The feeling of the law, the satisfaction of being right, the joy of self-esteem, cher monsieur, are powerful incentives for keeping us upright or keeping us moving forward.

Related Characters: The Narrator (speaker), The Listener
Page Number: 18–19
Explanation and Analysis:

A very Christian friend of mine admitted that one’s initial feeling on seeing a beggar approach one’s house is unpleasant. Well, with me it was worse: I used to exult.

Related Characters: The Narrator (speaker), The Listener
Page Number: 21
Explanation and Analysis:

Even in the details of daily life, I needed to feel above. I preferred the bus to the subway, open carriages to taxis, terraces to closed-in places.

Related Characters: The Narrator (speaker), The Listener
Page Number: 23
Explanation and Analysis:

That’s the way man is, cher monsieur. He has two faces: he can’t love without self-love.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 33–34
Explanation and Analysis:
Pages 42-71 Quotes

Power, on the other hand, settles everything. It took time, but we finally realized that. For instance, you must have noticed that our old Europe at last philosophizes in the right way. We no longer say as in simple times: “This is the way I think. What are your objections?” For the dialogue we have substituted the communiqué: “This is the truth,” we say. “You can discuss it as much as you want; we aren’t interested. But in a few years there’ll be the police who will show you we are right.”

Related Characters: The Narrator (speaker), The Listener
Page Number: 45
Explanation and Analysis:

You, for instance, mon cher compatriote, stop and think of what your sign would be. You are silent? Well, you’ll tell me later on. I know mine in any case: a double face, a charming Janus, and above it the motto of the house: “Don’t rely on it.”

Related Characters: The Narrator (speaker), The Listener
Page Number: 47
Explanation and Analysis:

Oh, I don’t know. Really, I don’t know. The next day, and the days following, I didn’t read the papers.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 71
Explanation and Analysis:
Pages 72-96 Quotes

I have no more friends; I have nothing but accomplices. To make up for this, their number has increased; they are the whole human race. And within the human race, you first of all. Whoever is at hand is always the first.

Related Characters: The Narrator (speaker), The Listener
Page Number: 73
Explanation and Analysis:

To be sure, I knew my failings and regretted them. Yet I continued to forget them with a rather meritorious obstinacy. The prosecution of others, on the contrary, went on constantly in my heart. Of course—does that shock you? Maybe you think it’s not logical? But the question is not to remain logical. The question is to slip through and, above all—yes, above all, the question is to elude judgment.

Related Characters: The Narrator (speaker), The Listener
Page Number: 76
Explanation and Analysis:

As I told you, it’s a matter of dodging judgment. Since it is hard to dodge it, tricky to get one’s nature simultaneously admired and excused, they all strive to be rich. Why? Did you ever ask yourself? For power, of course. But especially because wealth shields from immediate judgment, takes you out of the subway crowd to enclose you in a chromium-plated automobile, isolates you in huge protected lawns, Pullmans, first-class cabins.

Related Characters: The Narrator (speaker), The Listener
Page Number: 82
Explanation and Analysis:

Then I realized, as a result of delving in my memory, that modesty helped me to sin, humility to conquer, and virtue to oppress.

Related Characters: The Narrator (speaker), The Listener
Page Number: 84
Explanation and Analysis:
Pages 97-118 Quotes

I realized likewise that it would continue to await me on seas and rivers, everywhere, in short, where lies the bitter water of my baptism.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 108
Explanation and Analysis:

I had to submit and admit my guilt. I had to live in the little-ease. To be sure, you are not familiar with that dungeon-cell that was called the little-ease in the Middle Ages. In general, one was forgotten there for life. That cell was distinguished from others by ingenious dimensions. It was not high enough to stand up in nor yet wide enough to lie down in.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Related Symbols: The Little-Ease
Page Number: 109
Explanation and Analysis:

They have hoisted him onto a judge’s bench, in the secret of their hearts, and they smite, they judge above all, they judge in his name. He spoke softly to the adulteress: “Neither do I condemn thee!” but that doesn’t matter; they condemn without absolving anyone.

Related Characters: The Narrator (speaker)
Page Number: 115
Explanation and Analysis:
Pages 119-147 Quotes

Justice being definitively separated from innocence—the latter on the cross and the former in the cupboard—I have the way clear to work according to my convictions.

Related Characters: The Narrator (speaker), The Listener
Related Symbols: The Painting
Page Number: 130
Explanation and Analysis:

Alone in a forbidding room, alone in the prisoner’s box before the judges, and alone to decide in the face of oneself or in the face of others’ judgment. At the end of all freedom is a court sentence; that’s why freedom is too heavy to bear, especially when you’re down with a fever, or are distressed, or love nobody.

Related Characters: The Narrator (speaker), The Listener
Page Number: 133
Explanation and Analysis:

Brr . . . ! The water’s so cold! But let’s not worry! It’s too late now. It will always be too late. Fortunately!

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 147
Explanation and Analysis:
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The Fall PDF

The Narrator Quotes in The Fall

The The Fall quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Guilt and Judgment Theme Icon
).
Pages 3-16 Quotes

Anyone who has considerably meditated on man, by profession or vocation, is led to feel nostalgia for the primates. They at least don’t have any ulterior motives.

Related Characters: The Narrator (speaker), The Listener, The Bartender
Page Number: 4
Explanation and Analysis:

Have you noticed that Amsterdam’s concentric canals resemble the circles of hell?

Related Characters: The Narrator (speaker), The Listener
Page Number: 14
Explanation and Analysis:
Pages 17-41 Quotes

Of course, I didn’t tell you my real name.

Related Characters: The Narrator (speaker), The Listener
Page Number: 17
Explanation and Analysis:

The feeling of the law, the satisfaction of being right, the joy of self-esteem, cher monsieur, are powerful incentives for keeping us upright or keeping us moving forward.

Related Characters: The Narrator (speaker), The Listener
Page Number: 18–19
Explanation and Analysis:

A very Christian friend of mine admitted that one’s initial feeling on seeing a beggar approach one’s house is unpleasant. Well, with me it was worse: I used to exult.

Related Characters: The Narrator (speaker), The Listener
Page Number: 21
Explanation and Analysis:

Even in the details of daily life, I needed to feel above. I preferred the bus to the subway, open carriages to taxis, terraces to closed-in places.

Related Characters: The Narrator (speaker), The Listener
Page Number: 23
Explanation and Analysis:

That’s the way man is, cher monsieur. He has two faces: he can’t love without self-love.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 33–34
Explanation and Analysis:
Pages 42-71 Quotes

Power, on the other hand, settles everything. It took time, but we finally realized that. For instance, you must have noticed that our old Europe at last philosophizes in the right way. We no longer say as in simple times: “This is the way I think. What are your objections?” For the dialogue we have substituted the communiqué: “This is the truth,” we say. “You can discuss it as much as you want; we aren’t interested. But in a few years there’ll be the police who will show you we are right.”

Related Characters: The Narrator (speaker), The Listener
Page Number: 45
Explanation and Analysis:

You, for instance, mon cher compatriote, stop and think of what your sign would be. You are silent? Well, you’ll tell me later on. I know mine in any case: a double face, a charming Janus, and above it the motto of the house: “Don’t rely on it.”

Related Characters: The Narrator (speaker), The Listener
Page Number: 47
Explanation and Analysis:

Oh, I don’t know. Really, I don’t know. The next day, and the days following, I didn’t read the papers.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 71
Explanation and Analysis:
Pages 72-96 Quotes

I have no more friends; I have nothing but accomplices. To make up for this, their number has increased; they are the whole human race. And within the human race, you first of all. Whoever is at hand is always the first.

Related Characters: The Narrator (speaker), The Listener
Page Number: 73
Explanation and Analysis:

To be sure, I knew my failings and regretted them. Yet I continued to forget them with a rather meritorious obstinacy. The prosecution of others, on the contrary, went on constantly in my heart. Of course—does that shock you? Maybe you think it’s not logical? But the question is not to remain logical. The question is to slip through and, above all—yes, above all, the question is to elude judgment.

Related Characters: The Narrator (speaker), The Listener
Page Number: 76
Explanation and Analysis:

As I told you, it’s a matter of dodging judgment. Since it is hard to dodge it, tricky to get one’s nature simultaneously admired and excused, they all strive to be rich. Why? Did you ever ask yourself? For power, of course. But especially because wealth shields from immediate judgment, takes you out of the subway crowd to enclose you in a chromium-plated automobile, isolates you in huge protected lawns, Pullmans, first-class cabins.

Related Characters: The Narrator (speaker), The Listener
Page Number: 82
Explanation and Analysis:

Then I realized, as a result of delving in my memory, that modesty helped me to sin, humility to conquer, and virtue to oppress.

Related Characters: The Narrator (speaker), The Listener
Page Number: 84
Explanation and Analysis:
Pages 97-118 Quotes

I realized likewise that it would continue to await me on seas and rivers, everywhere, in short, where lies the bitter water of my baptism.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 108
Explanation and Analysis:

I had to submit and admit my guilt. I had to live in the little-ease. To be sure, you are not familiar with that dungeon-cell that was called the little-ease in the Middle Ages. In general, one was forgotten there for life. That cell was distinguished from others by ingenious dimensions. It was not high enough to stand up in nor yet wide enough to lie down in.

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Related Symbols: The Little-Ease
Page Number: 109
Explanation and Analysis:

They have hoisted him onto a judge’s bench, in the secret of their hearts, and they smite, they judge above all, they judge in his name. He spoke softly to the adulteress: “Neither do I condemn thee!” but that doesn’t matter; they condemn without absolving anyone.

Related Characters: The Narrator (speaker)
Page Number: 115
Explanation and Analysis:
Pages 119-147 Quotes

Justice being definitively separated from innocence—the latter on the cross and the former in the cupboard—I have the way clear to work according to my convictions.

Related Characters: The Narrator (speaker), The Listener
Related Symbols: The Painting
Page Number: 130
Explanation and Analysis:

Alone in a forbidding room, alone in the prisoner’s box before the judges, and alone to decide in the face of oneself or in the face of others’ judgment. At the end of all freedom is a court sentence; that’s why freedom is too heavy to bear, especially when you’re down with a fever, or are distressed, or love nobody.

Related Characters: The Narrator (speaker), The Listener
Page Number: 133
Explanation and Analysis:

Brr . . . ! The water’s so cold! But let’s not worry! It’s too late now. It will always be too late. Fortunately!

Related Characters: The Narrator (speaker), The Listener, The Woman in Black
Page Number: 147
Explanation and Analysis: