The Girl Who Smiled Beads

by

Clemantine Wamariya

The Girl Who Smiled Beads: Chapter 13 Summary & Analysis

Summary
Analysis
On the way to the Mozambique border, Clemantine sees a father drinking soda with his daughter. She wishes she was on a trip with her parents, but she no longer imagines that she’ll reunite with them in Kigali. Everything has changed, including her own body. Claire, who is five months pregnant, sits up front by the driver, tired of Clemantine’s whining. Clemantine sits in the back with Mariette. Clemantine is happy that they will be passing through Zaire; Zaire was the only place that felt like home in the three years since they left Rwanda.
Because of her young age, Clemantine’s experience as a refugee is unique. Her sense of shattered identity that came from her initial displacement is exacerbated by her changing body. It has been three years since she and Claire left Kigali. Clemantine has grown significantly since then, becoming a person she no longer recognizes, since she still attaches her identity to her six-year-old self in Kigali.
Themes
Displacement and Identity  Theme Icon
However, Kazimia is destroyed when they arrive. Rob’s family huddles in their house and eats sweet potato leaves. The electricity has been cut off and most of the water pumps are dry. It is too dangerous to fish in the lake, and no one is allowed to leave their homes after five p.m. Zaire is now the Democratic Republic of Congo. It is a battlefield of violence: dead people lie in the streets and bombs go off everywhere. When there is an explosion, the family crawls under the beds. When one of the kids cries and asks if they will die, his sister says God is sending angels. Clemantine doesn’t believe in angels.
During this time in 1996, a revolt broke out in Zaire against its dictator, Mobuto, who robbed from his citizens and abused human rights. A rebel group supported by many other African countries, including Rwandan refugees, rallied and drove out dictator Mobuto, changing Zaire’s name to the Democratic Republic of the Congo. This caused the conflict and poverty that Clemantine and Claire find back in Zaire.
Themes
Trauma and Faith Theme Icon
One day, Mama Nepele sends Clemantine, Dina, Mwasiti and the other kids to fetch water. They walk 20 minutes, each carrying two 20-liter containers. When they arrive, a guard has closed the pump. They walk an hour over a hill to a large house with running water. A guard, who is building a stone house, demands boulders in exchange for water. They comb the shore for large rocks. Mwasiti ties a huge one to her dress; she is now 13 and very proud. The guard fills their jugs, and they start home, carrying the jugs on their heads. The sun sets and Clemantine is afraid; after dark, no one is safe. She has overheard the older women say that all young girls will be raped eventually.
Dangers of all kinds threaten Clemantine’s life. She and her family are starving and must undertake exhausting journeys just to get water. Furthermore, no one in town is trustworthy; many of the guards manipulate the starving people. Clemantine also fears the dark because it brings a whole new set of dangers. Rape is seen not as a possibility but as an inevitability: it is a constant and ever-looming threat for women, and this makes many women feel as though they are already violated.
Themes
Women, War, and Survival Theme Icon
A white priest lives next door to Rob’s family in Kazimia. People line up at his door, screaming and crying, hoping he’ll chase away the evil. Mama Nepele wakes early and waits in line at the mill, trying to beat the rush. When the rest wake up, they join her. Clemantine wants to leave her body; she hates it for having needs.
During these hardships, many people turn to religion as the only hope that things will get better. Clemantine, however, seems to have lost her faith. She wants to escape her body, suggesting that she has no hope for a good life anymore.
Themes
Trauma and Faith Theme Icon
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Back home after waiting in line, the family spends the day under the bed. Claire’s belly is huge, and when she falls asleep, she has nightmares about people turning into animals. She remembers when, a few months earlier, rebels broke in and nailed a crocodile skin to the wall. Clemantine watches military trucks go by, filled with little boys and girls with guns. The family pushes the beds to the middle of the room, but Clemantine still feels like she’s on an island surrounded by violence. Everyone shakes with fear, but no one cries.
The crocodile skin that gets nailed to the family’s door gives a grotesque and illogical feeling to the conflict. After all, a crocodile skin feels like a purposeless and barbaric expression of violence. This ultimately contributes to Clemantine’s disillusioned sense that the evil around her is irrational and needlessly outlandish.
Themes
Trauma and Faith Theme Icon
Clemantine gets sick with malaria and malnutrition. She can’t eat and is too weak to walk. Mama Nepele ties Clemantine’s skinny 10-year-old body to her back and takes her to the hospital. The war is everywhere and has no logic or meaning. At the hospital, doctors pray over Clemantine, but they have no medicine. Back at home, Mama Nepele lays Clemantine under the trees and reads the Bible, sending her off to her death. Everyone believes Clemantine will die. Clemantine feels that her sickness was her way of mourning her old life.
Clemantine nearly dies while she is in Zaire, but she seems almost thankful for her illness because it represents her mourning and finally breaks her ties with her past. She had been so ready to escape her body many times, and this illness answers that wish for a brief period. Clemantine’s appreciation of her near-death experience shows how awful existence is during this time.
Themes
Trauma and Faith Theme Icon
Clemantine recovers quickly, and then the family leaves for Uvira. But Uvira is no better than Kazimia. Mama Nepele sends the kids over the hill to look for sweet potato leaves, but the vines have been stripped bare. Clemantine starts dreaming that everyone around her is asleep and she has to wake them up so they can hear God. She starts praying in churches and dressing like a nun. However, she soon starts to doubt her faith. Priests tell refugees that they are sinners and refugee camps are hell. They instruct refugees to pray to end their punishment. But Clemantine doesn’t think she and the refugees are sinners; they are being killed by hateful men. She sees no reason why they are being punished.
Clemantine tries to explain what is happening, but she can’t find any logic in it. Religion offers the explanation that her suffering is punishment for sins. However, this makes no sense to her because she hasn’t sinned. Instead, she only sees the illogical hatred of the violent people around her who want to hurt her. In this way, life lacks both religion and logic for Clemantine. Later, when she tries to write her memoir in the United States, Clemantine strives to find the missing logic and beauty in her life story.
Themes
Trauma and Faith Theme Icon
Narrative, Memory, and Fragmentation  Theme Icon
In August, Claire goes to the hospital and gives birth to Freddy. The nurses are cruel and rebuke her for getting pregnant and for screaming from the pain of giving birth. Five hours after Freddy is born, the hospital is burned.  Claire walks Freddy home wrapped in a hospital sheet.
The nurses are harsh to Claire because they seem to think that the pain of childbirth is nothing compared to the pain of being alive through this war. In their view, having a child during this time is not a joyful thing.
Themes
Trauma and Faith Theme Icon
Women, War, and Survival Theme Icon
One day, there is shooting that lasts for days. Mama Nepele sneaks out for water and mixes it with sugar to give to Claire. The next day, she begs the neighbors for a banana to give Claire so that her milk won’t dry up. Everyone prays that Freddy won’t cry. The adults whisper about fleeing, but they don’t know where to go. All they can do is pray for tomorrow and make dark jokes about who will watch who while they use the bathroom outside. When the shooting stops, they hear boots and men laughing.
For three years, Claire and Clemantine have escaped danger by fleeing to the next place. Now, fleeing isn’t even an option because there is nowhere to go. Life becomes crude, and the only humor around Clemantine is dark and disturbing—something that likely upsets her, since she has tried to maintain a sense of resilience and optimism even in the most devastating circumstances.
Themes
Trauma and Faith Theme Icon
On days with no shooting, the adults still don’t let the children outside; they don’t want them to be corrupted by the evil men. The Congolese army (the enemy) is filled with orphans Clemantine’s age who were promised food and shelter by the soldiers. Clemantine doesn’t know who is evil—the starving orphans or the soldiers who offer them comfort. If she was offered release from her misery, she’d take it too.
Clemantine feels that even the lines of morality have become blurred. There is no clear enemy, since she can identify with both sides of the conflict. Everyone is suffering so much that both the victims and the enemy are justified in their actions. This blurry morality makes the world seem even more irrational.
Themes
Trauma and Faith Theme Icon
Clemantine’s family doesn’t talk about normal things; they talk about bombs and machine guns. Mama Dina wakes in the morning and prays for the kids to be saved. Clemantine has seen destruction so many times, but this is the first time she is aware of the cruel and terrible people who are causing it. Life is shattering and everyone is in pain, and no one tries to trace it back to its source.
Clementine is only just becoming aware that the violence around her is coming from actual people. Instead of clearing up the conflict’s blurriness, however, this only makes Clemantine even more skeptical of human nature and less faithful in the world.
Themes
Trauma and Faith Theme Icon
Clemantine starts having a recurring dream. She is on a big boat in the middle of the ocean. She has Mariette, and everyone on board is happy. Suddenly, the electricity goes off and everyone around her falls asleep. Clemantine runs around trying to find the captain. Then a voice whispers to her to get her backpack. Inside the backpack she finds a Bible. The Bible grows into a bigger Bible. Then, suddenly, the ship starts sinking. Clemantine finds Claire and tries to wake her. The letters start peeling off the pages of the Bible. But then the lights come back on, the ship steadies, and everyone wakes up. None of the passengers have any idea what happened.
Clemantine’s dream seems to be about her searching for the answer to the problems of the world. When life first starts crumbling (when the ship starts sinking) she first looks for the captain—the human responsible for the sinking and the one who can make it right. When she can’t find this person, she is given a Bible, but it dissolves in the air. This dream suggests that both logic (that the captain can right the ship) and religion (that the Bible will help) fail in the face of true hardship.
Themes
Trauma and Faith Theme Icon