The Goldfinch

by

Donna Tartt

The Goldfinch: Part 1, Chapter 2 Summary & Analysis

Summary
Analysis
When Theo was a little kid, his biggest fear was Audrey not coming home to him. He would imagine horrific things he’d heard about on the news happening to her. The fear was compounded by the fact that his father, Larry, was so unstable, with wildly unpredictable mood swings and a drinking problem. He was irritable with Theo and Audrey, which convinced Theo his bad moods were their fault. In the mornings, Larry would shake while drinking his coffee, and he often wouldn’t come home for long periods of time, particularly on paydays.
In some ways, Theo had a sheltered childhood. This is mostly due to the fact that Audrey was such a caring mother, and Theo had the advantages of growing up in a wealthy, privileged community. However, having to deal with a parent’s alcoholism is difficult for any child, and can force children to grow up very quickly.
Themes
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
Because of these habits, Audrey and Theo were not surprised or concerned when Larry first disappeared. College football season had just begun, and it seemed likely that Larry had gone to Atlantic City to gamble. After three days they began to worry, and soon after they received a strange, brief note from Larry saying that he’d left to “start a new life.” Neither Theo nor Audrey were too sad about this, but it put them a tough position financially, with Audrey struggling to afford their rent-stabilized apartment. Now, Theo imagines Larry hearing about the bomb on the news, and thinks he probably won’t worry about them.
The lack of emotional attachment between Larry and Audrey and Theo is one of the first ways in which the novel explores the failures of family. While it might be presumed that Larry would automatically feel attachment and love for his wife and son, this does not seem to be the case. In fact, Theo is so sure that Larry doesn’t love them that he implies Larry wouldn’t care if they died.
Themes
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
On the walk home, Theo hears people muttering about North Korea, Iran, Iraq, and Al-Qaeda. He worries that Audrey must be sick with worry, and tries to send her a “psychic message” that he is alright. However, when he gets home he is shocked to find the apartment empty. Everything is just as they’d left it that morning. Audrey took Theo’s phone when he was suspended, and he doesn’t know where she’s hidden it. At some point Theo falls asleep on the sofa and wakes up hours later, feeling disoriented, and still alone in the apartment. He checks the landline, where there is a single voicemail from someone in Audrey’s office updating her on a postponed deadline.
Theo’s concern that Audrey will be worried about him and his desperation to send her a “psychic message” that he is alright shows the ways in which the parent-child dynamic is not one directional. Although Audrey is the parent, Theo does not think of her as superhuman. He is more worried about protecting her from worrying about him than he is about looking after himself. 
Themes
Friendship and Family Theme Icon
Hope, Despair, and Addiction Theme Icon
Theo calls Audrey’s cell and leaves a worried voicemail. Feeling increasingly panicked, he calls downstairs, hoping to reach one of the friendly doormen. However, the phone is answered by the building’s new maintenance man instead, who doesn’t speak much English and tells Theo to call back later. Theo switches on the news and sees that the bridges to the outer boroughs are all shut down. He sees a helpline for people who are missing someone and plans to ring it in half an hour if Audrey still isn’t back. After an hour, Theo calls.
Theo’s initial certainty that Audrey is alright gives way to hope that she is. In a sense, it is strange that Theo was ever confident about her wellbeing in the first place. Although she was not in the part of the museum where the bomb went off, it would be normal to fear that something happened to her. Yet perhaps, because they are so close, Theo cannot imagine that she is not alright when he is.
Themes
Friendship and Family Theme Icon
Hope, Despair, and Addiction Theme Icon
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The woman on the other end of the line tells Theo that Audrey isn’t listed among the dead or injured and asks him to leave his number. Theo sees on the news that 21 people are dead and many more are injured. Terrified, he calls the helpline again, but is again told they don’t have any information. By now it is almost midnight, and Theo realizes his hands are shaking. He eats leftover lo mein from the fridge and then cleans the kitchen, thinking this will please Audrey. On TV, the news declares that the attack was committed by “homegrown” right-wing terrorists, who placed explosives inside the display platforms in the museum shop.
There are obvious connections between this fictional terrorist attack and the attack on the World Trade Center on September 11th. However, there are also crucial differences: the fictional attack on the Met is much smaller in scale (with a preliminary death toll of 21, compared to the almost 3,000 people who died in the Twin Towers attack). Even more importantly, this is the work of domestic terrorists who seem opposed to or threatened by what the Met represents.
Themes
The Value of Art and Beauty Theme Icon
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
Theo tries to open one of the kitchen drawers, which has been jammed shut for months. He thinks about the fact that Audrey is an only child. His only living grandparents are Larry’s dad and stepmother, who live in Maryland. Theo does not have a good relationship with them. He manages to open the drawer, then wraps himself in a blanket and sits on the sofa, facing the front door. On TV, a curator is being interviewed about the incident, noting how important it is that the pieces inside the museum are rescued before they are damaged by water, chemicals, smoke, or heat.
The words of the curator echo Audrey’s statement earlier in the novel, that while human mortality is inevitable, losing “things” is a genuine tragedy. Emphasizing the importance of rescuing objects at a time when people have died might seem frivolous or callous, but one of the main messages of the novel is that it actually isn’t. Art is so important that it should be prioritized on an equal level to human life.  
Themes
The Value of Art and Beauty Theme Icon
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
Suddenly the phone rings. A social worker from the Department of Child and Family Services asks to speak to Theo’s father. She won’t tell Theo if Audrey is alright, and instead insists on speaking to an adult. Theo pleads with her to tell him, but she leaves her contact information and asks that Theo’s father call her back. Theo sits very still. It is almost 3am, and the city will soon start waking up again. He almost decides to go out and look for Audrey himself when the doorbell rings. Theo calls out “Mom?” but when he sees two strangers standing on the doorstep, he realizes “that my life, as I knew it, was over.”
The woman refusing to tell Theo what has happened is another example of the way that families can fail. Because Theo lives in a nontraditional family, the woman who calls him can’t understand that without Audrey, he is at home alone. This is torturous for Theo, and it delays his inevitable confrontation with the unbearable truth of his mother’s death.
Themes
Friendship and Family Theme Icon
Hope, Despair, and Addiction Theme Icon