The Handmaid’s Tale

by

Margaret Atwood

The Handmaid’s Tale: Tone 1 key example

Definition of Tone
The tone of a piece of writing is its general character or attitude, which might be cheerful or depressive, sarcastic or sincere, comical or mournful, praising or critical, and so on. For instance... read full definition
The tone of a piece of writing is its general character or attitude, which might be cheerful or depressive, sarcastic or sincere, comical or mournful, praising or critical... read full definition
The tone of a piece of writing is its general character or attitude, which might be cheerful or depressive, sarcastic or sincere, comical... read full definition
Chapter 10
Explanation and Analysis:

Offred's tone as a narrator varies throughout The Handmaid's Tale. She alternates between hope and nihilism, lost to memories of the past in response to her traumatic present.

As the primary narrator, Offred will often merge her narrative voice with those of other characters. At times, this introduces ambiguity to the question of whether or not Offred has begun to believe Gilead's propaganda. This merging of the narrator's voice with other characters' voices is called free indirect discourse (distinct from dialogue, or direct discourse, which is placed in quotation marks).

In Chapter 10, Offred uses free indirect discourse (FID) when relating a memory of Aunt Lydia. By introducing FID to this passage, Atwood makes it tonally unclear whether or not Offred actually agrees with the sentiments she's parroting:

No worry about sunburn though, said Aunt Lydia. The spectacles women used to make of themselves. Oiling themselves like roast meat on a spit, and bare backs and shoulders, on the street, in public, and legs, not even stockings on them, no wonder those things used to happen.

Offred repeats the words of "Aunt Lydia" to herself, but uses her own narrative voice instead of remembering these words as dialogue. Aunt Lydia's voice merges with Offred's, indicating that these teachings have penetrated Offred's mind as more than just a memory. Despite largely resisting propaganda, Offred falls victim to it in small ways.