LitCharts assigns a color and icon to each theme in The Hunchback of Notre Dame, which you can use to track the themes throughout the work.
Gothic Architecture, History, and Art
Lust, Sin, and Misogyny
Appearances, Alienation, and Hypocrisy
Fate and Predestination
The Supernatural, Rationalism, and Knowledge
Justice, Punishment, and Freedom
Summary
Analysis
In the Bastille, another light is burning. This light is a candle in the bedchamber of Louis XI. Unlike other monarchs, Louis XI prefers to sleep in the Bastille rather than in the Louvre. It suits his tastes better and is more heavily protected. There is not much furniture in the room: only one chair and one bed, both for the king. The room has been preserved as it was and can still be visited in modern Paris. Only one candle burns, and four figures stand around the walls of the room.
The Bastille was a famously secure prison in Paris where political traitors were kept. The existence of the Bastille suggests that the French monarchy is oppressive and corrupt, and that people do not have freedom of speech and can be locked up for their political opinions. The fact that Louis XI prefers to sleep in the Bastille, rather than the Louvre (which was a royal hotel at the time and is now a famous art gallery), suggests that he is afraid of losing his power and wants to be protected from the populace, who may rebel against him.
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One of these men is a sly-looking nobleman named Olivier le Daim, who holds a manuscript and stands beside the chair in which Louis XI sits. The king is an elderly, decrepit man who is not finely dressed and who hunches over his papers. Further back, in the shadows, stand the two Flemish ambassadors: Guillaume Rym and Jacques Coppenole. A large, well-armed man guards the door.
Olivier le Daim was a real historical figure and a famously devious politician who was involved in many intrigues alongside Louis XI. His nickname translates to “Olivier the Bad” because of his ruthless style of government, which reinforces the point that the nobility was extremely corrupt in medieval France.
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Jacques Coppenole complains quietly to Guillaume Rym that he is tired of standing. Guillaume hushes him discreetly. Louis XI suddenly exclaims that Olivier will ruin the Kingdom. The manuscript Olivier reads from is a list of expenses for all the nobles in Paris. Louis XI snatches it from Olivier and looks over it in horror. The king reads the list aloud, coughs, and then complains that luxury should never be allowed to get out of hand in a court.
Louis XI was a famously frugal monarch. However, although he saved money (which was collected from the people in taxes) by cutting back on the nobility’s expenses, he did not use this money to benefit the populace and, instead, spent it on wars and political disputes with other nations. This suggests that medieval France is extremely corrupt and that both the ambitious king and the greedy nobles try to take as much money from the people as they can, even if their reasons are different.
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Louis XI complains angrily that the nobles bleed money from the king. He prefers the philosophy of “kill the lords, save the people.” His bad temper subsides, and he listens sullenly to the rest of the list. When Olivier reaches an entry that accounts for the cost of feeding a prisoner who has been locked up for treason, Louis XI sits up and demands to know why a prisoner is being fed when he should be hanged. The next entry is for instruments of torture and public execution. Louis XI gladly agrees to these expenses as, he says, they are very necessary.
Louis XI was a famously frugal monarch and wanted to cut back on the nobility’s power. In the medieval period, nobles got their wealth through taxes that were taken from the people and allocated to them by the king. However, Louis XI would rather give money to the people because the people are more numerous than the nobles and, therefore, more powerful in a group. Louis XI is afraid of the populace, who may rebel against him if they mobilize in large numbers. Louis XI also wants the populace to fear him, however, and he accomplishes this by spending money on public execution. This suggests that he does not care about the people; he simply wants to maintain his power over them by giving them what they want. Although people were, of course, afraid of being executed, public executions were a popular form of entertainment in the medieval period and there was a public demand for them. Hugo suggests that a brutal king who murders his people breeds a brutal populace who fear the king but want to see others murdered.
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The next item is a large cage. This seems to jog Louis XI’s memory and he suddenly seems excited. He wants to see the cage himself and he invites Guillaume Rym and Jacques Coppenole to accompany him. Louis signals to the man at the door, the Captain of the Bastille, Tristan l’Hermite, and he leads the way from the room. The party wanders through the dingy tunnels of the Bastille.
The Bastille was a vast fortress in which political prisoners were incarcerated. The architectural design of the Bastille, with its many tunnels, contributes to its function as a place that is hard to escape from. In the French Revolution, in 1789, a mob of Parisians stormed the Bastille, freed the prisoners, and overthrew the monarchy.
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Deep down, in a cellar of the Bastille, Louis XI shows the Flemish ambassadors a huge wooden cage. It is like a tomb, with barred windows and only one door. Louis XI walks around it admiringly. Olivier reads the inventory and reveals that the cage replaces an old one, inside which a prisoner has lived for several years. From inside the new cage, a voice can be heard pleading for mercy. Although the others wince at this sound, Louis XI seems oblivious to it. The prisoner cries out that he is innocent and that he has lived in a cage for 14 years.
Louis XI is very proud of his power and his ability to torture and imprison people. This suggests that the monarchy in medieval France is very cruel and is interested in frightening and controlling the populace rather than helping them.
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As the group makes to leave, the voice cries out in despair. On his way back up the stairs, Louis XI asks casually if there was someone in the cage. Olivier is horrified and tells the king that it is a bishop who was condemned for treason. Louis XI is satisfied with this and makes his way back to his room. Back in his chamber, Louis XI leans over his desk and begins to write.
This incident makes it clear that Louis XI doesn’t care much at all about his people; he doesn’t even remember when he imprisons prominent figures for treason.
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Eventually, Louis XI glances up and says to Olivier that the soldiers have complained about their rations and the conditions of their uniforms. He demands they be punished for their greed. Jacques Coictier suddenly bursts into the room and says that there is a riot in Paris. The King demands to know what is going on and Coictier replies that it is a group from the “Court of Miracles” who rebel against the bailiff, who is lord of that district.
Louis XI is an oppressive monarch. Not only can he imprison people at will, he also oppresses people financially because he does not provide enough for them to eat and live on and then punishes them if they complain. Because medieval society was so oppressive, riots and rebellions among the people were common.
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Louis XI seems rather pleased by this. He asks if the mob is armed and Coictier replies that they are. Louis XI says he will send help in the morning, but Coictier pleads with him to intervene earlier. Louis asks Coictier which part of Paris the bailiff controls and Coictier replies that it is the district near Notre Dame. Louis XI murmurs happily that the bailiff has a “nice slice of Paris” there. Louis XI suddenly gives an angry cry and complains that there are too many nobles who aspire to be kings in Paris. This is sacrilege, he says—there must only be one king as there is only one God.
Louis XI does not care about the people but wants to use them to get his own way and maintain his power. He feels that the bailiffs, who control districts of Paris, are competitors for his power. Louis XI knows that, when the people mobilize in large numbers, they are powerful and might kill or overthrow the bailiff for him. This suggests that Louis XI is a controlling and power-hungry monarch who is only willing to give the people freedom if doing so suits his own goals.
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Coictier says that two of the rioters have been caught and Louis XI demands to see them. The guards bring in two men. One is drunk and stupid and can give the king no information, and the other is Pierre Gringoire. The king dismisses the first man and sends him to be hanged. He then questions Gringoire, who insists that he has nothing to do with the riot and that his arrest is just a cruel twist of fate.
Capital punishment was common in the medieval period and Louis XI sentences people to death indiscriminately, regardless of whether they are guilty or not. Although Gringoire has orchestrated the riot, he now pretends that he is an innocent bystander who has simply been caught up in the revolt, a choice that highlights how Gringoire’s lack of passion can lead him to immoral behavior like lying.
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Louis XI orders that Gringoire should be hanged too, but Gringoire throws himself at the king’s feet and begs for mercy. He begs the king to remember that cruelty only strikes fear in people’s hearts, whereas mercy breeds loyalty. Louis XI listens to Gringoire’s lengthy tirade, then irritably dismisses him. Gringoire rushes from the chamber, hardly able to believe his luck.
Gringoire’s words strike a chord with the king because, although Louis XI wants to be feared by the people, he also knows that, to a certain extent, he must keep the people happy, because otherwise they may turn on him. This suggests that even the most powerful monarchs fear the people because the people greatly outnumber the ruling classes.
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Louis XI is clearly in an excellent mood—the attack upon the bailiff has greatly cheered him up. Jacques Coictier asks the king how his chest pain is and the king replies that it is severe. Jacques Coictier takes the king’s pulse and then somberly announces that the case is very serious. This is a slight exaggeration, but this is how the king’s doctor makes his money. Louis IX is very anxious over his health and asks Jacques Coictier for a cure.
Louis XI dislikes the bailiffs because he feels they are competitors for his power; he wants to shrink the nobility and keep all the money and power for himself. Coictier’s behavior demonstrates the way that nobles took advantage of their social system and tried to constantly take money from the king. Coictier knows that the king isn’t really sick, but selling him cures is the easiest way for Coictier to get what he wants.
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While Coictier considers an appropriate cure, he casually reminds Louis XI that he has a nephew in need of a noble position. Louis XI says that Coictier can have whatever he wants so long as he provides a cure. Seeing that the king is in a generous mood, Olivier reminds him that the Councilor for the Execution of Justice has died and that the position is vacant. Louis XI snaps at Olivier that he is arrogant and orders Olivier to shave him. Olivier sullenly leaves the room to get his razor.
In the medieval period, nobles relied on the king for wealth and social status, which the king could allocate. But clearly, Louis XI doesn’t give out positions based on qualifications or worthiness; he ready to let Coictier’s nephew take charge of the justice system as a reward for his uncle. This scene highlights just how corrupt Paris’s ruling classes and justice system really are.
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Louis XI looks out of the window and happily admires the distant fire, which the rioters have lit at Notre Dame. Jacques Coppenole joins him by the window and says that it must be a huge revolt, like one that they had in Burgundy a few years previously. Louis XI shrugs this off and says that his guards will easily overcome the mob. Jacques Coppenole warns him not to be too sure of this, as this was not the case in Burgundy.
While Louis XI looks down on the people, Jacques Coppenole knows that people in large numbers, especially those who have legitimate grievances with unjust and oppressive rulers, can be surprisingly powerful. Coppenole is a tradesman rather than a noble by birth, and he represents the gradual development of democracy and decline of the nobility in Europe as the medieval period gives way to the Renaissance.
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Louis XI says that the assault in Burgundy was a “battle,” not a riot. Jacques Coppenole says that, if this is true, it just means that “the people’s hour has not yet come.” Louis XI asks suspiciously how he will know if the hour does arrive and Coppenole replies that when the Bastille falls, and when the nobles and soldiers begin to kill each other, then the hour will have come. Louis XI asks Coppenole how a riot starts. Coppenole replies that it is easy: all one needs to do is shout about injustice in the street. The people have all experienced injustice and will readily join in.
Coppenole refers to a skirmish in Burgundy where the people did not just riot but organized an army to fight the nobles. This suggests that ordinary people in large groups can be a powerful force to bring down injustice. Coppenole’s mention of the “people’s hour” —when the people will reclaim their freedom from the oppressive reign of the monarchy—foreshadows the French Revolution in 1789, when a group of Parisians stormed the Bastille, freed the prisoners, and overthrew and executed the monarchy. It is ironic that Louis XI uses the Bastille as a prison for the people and protection for himself because, one day, the people will use the Bastille to imprison monarchs.
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Olivier returns with the provost of Paris and the Captain of the Chevaliers, who both look very worried. Olivier looks secretly pleased and tells Louis XI that the riot is not against the bailiff but against the king himself. He explains that the rioters have attacked Notre Dame because a witch, whom they want dead, has taken sanctuary there. Notre Dame, and anyone seeking sanctuary in it, are under the king’s protection, so therefore the riot is against the king.
Nobles like Olivier were in constant competition for power and wealth in the medieval period, which is why he’s pleased to see the king himself threatened. Louis XI knows that large groups of ordinary people are extremely powerful and that, although the monarchy is the ruling class, he may not be able to suppress large numbers of people who are mobilized against him.
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Louis XI flies into a fury. He demands that the soldiers arm themselves and descend upon the mob. He orders every member of the riot to be killed or imprisoned. Olivier asks what should be done with the witch and Louis XI replies that they should hang her. Guillaume Rym slyly whispers to Coppenole that the king murders the people only to give them what they want.
Louis XI is afraid of the people because he is a cruel and unjust monarch and he fears that, because of this, they want to overthrow him. He is willing to use violence to suppress them, which demonstrates that he does not care about the people themselves, but only about maintaining his power. Rym’s comment suggests that, before the advent of democracy in Europe, kings controlled the populace by oppressing them with violence and then pandering to their demands when the people finally rebelled against this violent treatment.
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After he has given his order, Louis XI falls to his knees and prays to Notre Dame for forgiveness. He swears he will only break the sanctity of her refuge this once. Louis XI dismisses Coppenole and Guillaume Rym and orders Olivier to shave him. On their way out, Coppenole complains to Rym that Louis XI is cruel when he is sick.
Gothic cathedrals like Notre Dame were symbolic in the medieval period because they represented the king’s power, which was joined to the Church’s. Although, as the king, Louis XI has almost unlimited power, according to medieval religious beliefs he still answers to the will of God—which the church symbolizes—and cannot foresee his destiny. Louis XI’s power is also limited by his mortality and his ill health, which suggests that, no matter how powerful someone is, they are still subject to the course of time and fate.