LitCharts assigns a color and icon to each theme in The Hunchback of Notre Dame, which you can use to track the themes throughout the work.
Gothic Architecture, History, and Art
Lust, Sin, and Misogyny
Appearances, Alienation, and Hypocrisy
Fate and Predestination
The Supernatural, Rationalism, and Knowledge
Justice, Punishment, and Freedom
Summary
Analysis
The man who watches Esmeralda from the tower of Notre Dame is, in fact, Claude Frollo. He is in his cell inside the tower, where he goes every evening at sunset. The place is full of spiders and bats, who do nothing but eat flies. Tonight, as he climbs the stairs, he hears the music from Esmeralda’s tambourine and leans over the parapet to watch her dance.
Frollo watches Esmeralda from a great height and this reflects his powerful social class relative to Esmeralda’s lowly and powerless status as a gypsy girl. Throughout the novel, Frollo is often referred to as a predator preying on Esmeralda, because he is so powerful compared with her and can easily use his power against her. The fact that Frollo’s cell is full of predators preying on vulnerable flies symbolizes this power dynamic.
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Frollo watches Esmeralda with a strange, fiery look in his eyes. He notices that there is a man with Esmeralda in the crowd. The man wears a street performer’s outfit and, from time to time, pets Esmeralda’s goat, Djali. Frollo wonders who this man is because Esmeralda is usually alone. Frollo begins to descend the tower and, on his way, he passes Quasimodo.
Frollo is a passionate man and his passion is often depicted as a fire that runs through his veins. This suggests that Frollo’s emotions, including his response to Esmeralda, are unusually intense and extreme.
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Quasimodo also leans over the parapet and stares intently down into the square. Frollo stops to observe him, but Quasimodo is lost in thought and does not notice. Frollo thinks this is odd. He hurries downstairs and bursts out into the square. Esmeralda has gone. Frollo looks around and sees the street performer, who holds a chair in his teeth and balances a cat on it.
Quasimodo is interested in Esmeralda because she is his extreme opposite—he is extremely ugly while she is extremely beautiful. In this sense, Quasimodo and Esmeralda represent the extremes of Gothic architecture—its extreme beauty of design and its grotesque and unappealing elements.
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Frollo recognizes this man as Pierre Gringoire and cries out in surprise. Hearing his name, Gringoire is frightened and loses his balance. This sends the chair and cat toppling into the crowd and the audience begins to boo him. Frollo motions for Gringoire to follow him inside the church and Gringoire hurriedly obeys in order to escape from the angry crowd.
Gringoire is afraid of the crowd because large numbers of people are powerful and, if they turn on him, they may hurt him. This brief scene again emphasizes that, although medieval people are oppressed by the monarchy and the Church, they have more power than they realize.
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Inside Notre Dame, the hall is dark and gloomy. Frollo looks very serious when he turns to Gringoire, and he comments on the strange, colorful outfit that Gringoire wears. Gringoire explains that his own smock fell apart and this was all he could find. Once he had the outfit, Gringoire explains, it was hard not to become a street performer because this was what he looked like. Frollo makes a sarcastic comment, but Gringoire insists that he will starve to death if he cannot make money—he never got paid for his plays or his philosophy.
Gringoire does not fight against his fate but rather goes along with whatever life throws at him. Instead of trying to find a new robe, he simply puts on the first one he finds and changes his career to suit his dress. This suggests that Gringoire is not committed to any role in life and feels that, since he is at the whims of fate, he may as well accept things as they are.
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Frollo asks Gringoire how he has ended up as Esmeralda’s companion and Gringoire answers that Esmeralda is his wife. At this, Frollo becomes enraged and seizes Gringoire by the collar. He demands to know if Gringoire has slept with Esmeralda, but Gringoire insists he has not, and that Esmeralda is a virgin. Frollo seems to calm down and asks how Gringoire can be sure of this. Gringoire says that Esmeralda has taken a vow of chastity because she believes that, if she remains pure, the amulet she wears around her neck will lead her to her parents, from whom she was separated at a young age.
Frollo is sexually attracted to Esmeralda and is jealous of Gringoire when he thinks Gringoire has slept with her. As a priest, however, Frollo cannot admit to feelings of lust because lust was associated with sin in the medieval period and priests were supposed to be holy and pure. Sexual purity was closely associated with spiritual purity in this era, which is further demonstrated by Esmeralda’s belief that her sexual innocence will be rewarded.
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Gringoire also explains that Esmeralda carries a dagger to fend off men’s advances. Frollo questions Gringoire about Esmeralda and Gringoire tells him everything he knows. Esmeralda is still very young and innocent, she loves to dance and to be outside, and she is a natural wanderer who has traveled all over Europe. The people around her love her and find her kind and cheerful. In fact, almost everyone in Paris seems to like her, except the recluse who lives in the rat-hole (who hates gypsies) and a priest who seems to bear a grudge against her.
As a woman, Esmeralda is under significant threat from men, as medieval society was misogynistic and women did not have legal rights to protect them. Esmeralda is associated with light, freedom, and virtue throughout the novel, and she is constantly pursued by dark forces like Frollo’s obsession with her. These extremes (light and dark, good and evil) reflect Hugo’s thesis that his Gothic novel is like a Gothic cathedral: it represents the extremes of beauty and horror, which were carved into Gothic buildings and which exist in the world.
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When Frollo hears about the priest, he seems upset. Gringoire continues that Esmeralda does not practice witchcraft, so she is not afraid of the priest. Gringoire helps her collect money at her performances and helps care for Djali, to whom Gringoire has grown very attached. People often believe that the goat is magic, Gringoire says, but really, Esmeralda has trained Djali to do different tricks when she moves her tambourine. Esmeralda has also taught Djali to spell out the word “Phoebus” in wooden blocks.
Frollo is the priest who pursues Esmeralda. He is upset because he loves her and learns that she dislikes him. Esmeralda believes that her innocence, both her innocence of supernatural practices and her sexual innocence, will protect her from evil forces. The rational explanation for Djali’s tricks that Gringoire reveals here underscores Hugo’s point that supernatural things almost always turn out to have reasonable explanations.
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Frollo asks Gringoire what “Phoebus” means to Esmeralda, and Gringoire says that she seems to think the word is magical and often murmurs it to herself like a prayer. Frollo suggests that perhaps it is a name, but Gringoire shakes his head and says that gypsies worship the sun. Suddenly, Frollo turns on Gringoire again and demands to know if Gringoire has ever touched Esmeralda. Gringoire assures him he has not and asks why Frollo is so interested.
Although Esmeralda teaches Djali to spell Phoebus because she is in love with a handsome soldier with this name, she is also associated with sunlight throughout the novel—because she is a virtuous character and sunlight is associated with goodness and God. It is ironic that Phoebus is named after the sun because, although he appears handsome and virtuous, he is really a selfish and ignoble man.
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Frollo blushes at this and seems taken aback. He says that he is worried for the sake of Gringoire’s soul. If Gringoire were to sleep with Esmeralda, Frollo says, then Gringoire would be ensnared by Satan and destined for Hell. Gringoire shrugs at this. He explains that he did, once, try to seduce Esmeralda, but she threatened him with her dagger. Another time, he peeped through the keyhole of her bedroom and saw her getting into bed. When Frollo hears this, he curses Gringoire and storms off into the church.
Frollo is interested in Esmeralda’s sexual purity because he is attracted to her and does not want other men to touch her. As a priest, however, Frollo cannot admit this because lust was considered sinful and priests were expected to be pure and voluntarily celibate. Therefore, Frollo hypocritically hides his lustful desires by suggesting that he is worried about Gringoire’s soul, rather than admitting to his own sexual desires, which he feels ashamed of.