LitCharts assigns a color and icon to each theme in The Idiot, which you can use to track the themes throughout the work.
Innocence v. Foolishness
Money, Greed, and Corruption
Social Hierarchy, Authority, and Rebellion
Absurdity and Nihilism
Passion, Violence, and Christianity
Summary
Analysis
Two weeks pass. The story of what happened to Myshkin has been told, in many different versions, all over town. The basic tale is that the prince, having provoked a scandal at “an honorable and well-known house,” was abandoned by his fiancée (Aglaya), lured away by a “well-known tart” (Nastasya), and agreed to marry her in Pavlovsk despite the enormous disgrace this would involve. Other versions of the story suggest that Myshkin could barely speak Russian and that he had been driven mad by “modern nihilism.” Another holds that Myshkin broke the vase on purpose in order to publicly humiliate Aglaya.
This passage illustrates the extent to which the truth of a given matter is obscured by the way it circulates as gossip. By presenting the inaccurate rumors before explaining the truth of what actually happened, the narrator creates a sense of mystery, reminding us that our access to the characters’ inner thoughts is inherently limited. It is clear that some of these rumors are obviously wrong, but the truth also remains concealed.
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There are rumors that Myshkin loves Aglaya but is actually a nihilist himself, which leads him to want to marry a “fallen woman” because the “woman question” makes him prefer her to a virtuous young lady. Because of all this contradictory speculation, it is hard to say exactly what Myshkin’s true reasons were for getting engaged to Nastasya. The wedding is set to be quick and expensive, with Keller, Lebedev, and another friend in charge of planning. Keller will be Myshkin’s groomsman, while Burdovsky, at Nastasya’s request, will attend to the bride.
Everything about Myshkin and Nastasya’s wedding is strange and surreal. There is a strong sense in which it shouldn’t be happening conveyed by the fact that no information is given about why Myshkin is marrying her. This impression is further emphasized by the hasty nature of the wedding planning and the odd (if not entirely surprising) selection of people chosen for the wedding party.
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There are rumors that the Epanchins have ended their friendship with Myshkin, while Aglaya is in a “terrible state” and is hiding at Nina’s. However, when Aglaya sees that her mother and sisters are not angry with her but just sad for her, she agrees to come home with them. During this time, Ganya decides to confess his love to Aglaya, who, despite her torment, still laughs at him for being so delusional and runs away. At this point everyone feels “indignant” toward Myshkin, even Kolya, Vera, Keller, and Lebedev. About a week after the incident at Darya’s, and the day after the Epanchins have left Pavlovsk, Evgeny comes to see Myshkin.
What Myshkin has supposedly done to Aglaya is thought to be so terrible that even those friends who love him completely feel angry and resentful of him. This is strange, as all of these people know that Myshkin would never purposefully hurt anyone, let alone Aglaya, whom everyone knows he loves. Yet the nature of scandal means that people turn against those they have loved and trusted for a long time.
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Evgeny tells Myshkin that Aglaya was sick for three days after what happened at Darya’s. General and Mrs. Epanchin have been considering going abroad after Adelaida’s wedding, which will take place in the autumn. Evgeny asks how Myshkin could have abandoned Aglaya, although he concedes that nothing could be done to stop Nastasya’s deranged behavior. He chastises Myshkin for having an inappropriate attitude toward Nastasya, one that was too democratic and egalitarian, and thus overly influenced by “the woman question.” He says he understands Myshkin’s intention in wanting to express support for Nastasya, whose corruption was Totsky’s fault, not her own. However, this does not excuse Nastasya’s “demonic pride” and “greedy egoism.”
Evgeny stands out as being the only character who actually speaks directly to Myshkin about the scandal and clearly explains his (complex and contradictory, but nonetheless lucid) feelings. Evgeny feels sympathy for everyone involved, which highlights that he is a good person. However, he, like most other characters in the novel, is also biased by his suspicion of “the woman question.” He is convinced that this must be the reason for Myshkin’s abandonment of Aglaya, when in fact this is not the case.
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Myshkin admits that he’s entirely at fault, but also explains that he didn’t actually take any action at Nastasya’s. Aglaya ran away, Nastasya fainted, and afterward, he was banned from seeing Aglaya again. He adds that if he’d left Nastasya when she fainted, she would have killed herself. Myshkin suddenly tries to rush out, saying he needs to speak with Aglaya. He tells Evgeny that he secretly hates Nastasya’s face, that she scares him and that he believes she is insane. Evgeny asks Myshkin why he is marrying someone out of fear, but Myshkin replies: “I love her with all my soul,” calling Nastasya “a complete child.”
Myshkin’s feelings about Nastasya are basically impossible for the other characters—even wise and sympathetic ones like Evgeny—to understand. This is because he is alone in seeing her as an innocent “child” rather than a demon, an insane person, or a “fallen woman.”
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When asked by Evgeny, Myshkin confirms that he loves both NastasyaandAglaya, and that he somehow needs to make Aglaya understand the truth. He demands that they go to see Aglaya but Evgeny reminds him that she is no longer in Pavlovsk, and when Myshkin asks him to deliver a letter to her, Evgeny refuses. They part ways, and Evgeny murmurs that Myshkin is a “poor idiot.”
Myshkin’s love for Aglaya and Nastasya is not a form of romantic indecision or a desire to have it both ways. Instead, it is a manifestation of the pure, universal love he feels for all humankind (though with particular intensity for these two women).