LitCharts assigns a color and icon to each theme in The Idiot, which you can use to track the themes throughout the work.
Innocence v. Foolishness
Money, Greed, and Corruption
Social Hierarchy, Authority, and Rebellion
Absurdity and Nihilism
Passion, Violence, and Christianity
Summary
Analysis
The Epanchins are hosting a gathering at their dacha, which Princess Belokonsky will attend. General and Mrs. Epanchin are hoping that if Belokonsky comes to approve of Myshkin, the rest of “society” will follow suit. The evening they have planned is thus a way for a select number of their high-ranking friends to meet Myshkin. Most of the guests are rather old, although Evgeny is also coming as Belokonsky’s escort. Through watching the Epanchins prepare for the event, Myshkin can tell that it—and particularly Belokonsky’s presence—is of utmost importance to them.
The Epanchins may love Myshkin for who he is on a personal level, but when it comes to their public reputation they cannot resist trying to mould Myshkin into something he’s not: a man who can charm elite, high society individuals, who by all accounts are rather judgmental and snobby. This attempt to force Myshkin to be something else seems doomed to end in disaster.
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Themes
The day before the gathering, Aglaya speaks with Myshkin alone. She mocks Mrs. Epanchin’s obsession with high society and its “rules,” and especially her attachment to Belokonsky, whom Aglaya calls a “trashy little hag.” Myshkin suggests that perhaps Aglaya is worried that he will fail to impress at the party, but Aglaya scoffs at this idea. She sarcastically begs him to break the expensive Chinese vase in their drawing room, which was a gift to Mrs. Epanchin. She promises that her mother would “lose her mind and cry in front of everybody” if anything happened to it. She tells Myshkin to sit near the vase and break it by gesturing while he speaks.
Aglaya’s appetite for chaos can be read as a crude and rather immature way in which she wants to rebel against her family. While it understandable that she feels frustrated with their elitist whims, it is also not fair that she wants Myshkin to embarrass himself in order to fulfil her own desire to embarrass her family. Although her comment about the Chinese vase is a sarcastic joke, there seems to be an underlying sense in which Aglaya is fantasizing that it will actually happen.
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Distressed, Myshkin is worried that he’ll talk excessively from nerves and will indeed break the vase. However, he promises her that he will sit next to her and stay quiet the whole evening. Myshkin notices that he often sees flashes of darkness on Aglaya’s face. He admits that the presence of a certain person still haunts them, but Aglaya immediately shushes him with a look of intense alarm.
Aglaya and Myshkin seem to indeed be haunted by Nastasya, since they can barely bring themselves to discuss her directly. This gives her an even greater power to disrupt and destroy their relationship.
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That night, Myshkin sleeps badly, gripped by fear that he will have an epileptic fit at the party. He wakes up with a headache and an inexplicable desire to see Rogozhin, and then Ippolit. That morning Lebedev comes to see him, looking ragged and dirty. Lebedev tearfully tells an “incoherent” story, which culminates in Mrs. Epanchin throwing a letter he gave her at him. Lebedev’s answer is highly unclear but seems to indicate that the letter was from Aglaya and addressed to Nastasya, or possibly Rogozhin. Myshkin is horrified. Lebedev eventually shows him the letter, which is actually the note Aglaya wrote to Ganya asking him and Varya to meet her in the park.
Something as simple as a note requesting for Ganya and Varya to meet Aglaya at the park might not seem like anything particularly scandalous. However, in the restrictive and gossip-hungry world of the novel, even very mild things can get turned into a dramatic source of scandal—particularly when the truth gets manipulated and exaggerated into being much more scandalous than it actually is.
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Myshkin scolds Lebedev for interfering in this business and showing the letter to Mrs. Epanchin, thereby violating Aglaya’s right to “correspond with whomever she likes.” Eventually Lebedev departs, and Myshkin is left feeling deeply concerned by Aglaya’s evident distress and jealousy. He also realizes that he doesn’t trust Ganya, although he still intends to give him the letter. On the way he runs into Kolya and gives him the letter to give to Ganya. Back at home, Myshkin tells Vera, to her horror, that Lebedev took the letter.
Again, it is difficult to prevent even minor things from turning into scandal when there are so many busybodies ready to interfere in and speculate about other people’s business. This demonstrates the underlying chaos of the social upper-class world in which The Idiot’s characters engage.
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Themes
Two hours later Kolya runs to Myshkin with news of General Ivolgin’s stroke. Hoping to help in some way, Myshkin stays at Nina’s, where she and Varya remain constantly at Ivolgin’s bedside. Ganya, meanwhile, is in a state of profound distress but will not go to see his father. Later that day Lebedev arrives, weeping and blaming himself for Ivolgin’s stroke. Seeing how upset he is, Nina assures Lebedev that God will forgive him. During the day, Mrs. Epanchin sends two messengers to check on the general. When Myshkin arrives at the Epanchins’ party, the first thing Mrs. Epanchin does is ask him about Ivolgin’s health.
The fallout from General Ivolgin’s stroke highlights that a person’s imminent death does indeed shift people’s attitudes in a major way. At the same time, Ganya’s refusal to see Ivolgin shows that not even death is enough to transform the way that someone as bitter, resentful, and stubborn as Ganya feels toward his father.
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Looking around him, Myshkin cannot recognize the terrible scene that Aglaya warned him about. In fact, he is quite charmed by the event. In reality, all this charm hides the fact that the people in attendance are “empty.” Although they are all theoretically friends, some of the guests actually hate each other. Those present include a “little old dignitary” and his wife, a high-ranking general, a “baron or a count” with a German name, and an elderly, English-seeming man who is supposedly a distant relative of Mrs. Epanchin. This man is a “fancier of the female sex” and, strangely, Mrs. Epanchin harbors hope that he will propose to Alexandra.
The seductive nature of high society is so strong that it impacts Myshkin, someone famously uninterested in glamor, luxury, and elitist values. Perhaps Myshkin’s willingness to believe that the people present are actually not so bad is less a product of him being charmed by high society and more due to his desire to see the good in everybody.
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The younger generation of guests includes Prince Shch., Evgeny, and a wealthy heartbreaker named Prince N., who is 45. There are also a few guests who, like the Epanchins, are only middle-ranking yet have some connection to high society. Everyone at the party is in a happy mood. The Epanchins have decided not to introduce Myshkin to the dignitary, who is their benefactor, even though he would not be happy to learn that Aglaya was engaged to someone to whom he had not been introduced. Meanwhile, Prince N. prepares to tell a story that he believes will charm everyone. The Epanchin women look particularly special that evening. Aglaya flirts with Evgeny, but keeps looking at Myshkin, who remains quiet for a while. However then, without necessarily meaning to, he begins to speak.
The successful start to the party seems to be too good to be true, yet it would also be wrong to blame whatever happens next entirely on Myshkin. The Epanchins themselves have already committed social wrongs, from General and Mrs. Epanchin failing to introduce Myshkin to the dignitary to Aglaya flirting with Evgeny in order to get a rise out of Myshkin. The Epanchins might like to think of themselves as people with impeccable etiquette and manners, but this might not be so true after all.