LitCharts assigns a color and icon to each theme in The Idiot, which you can use to track the themes throughout the work.
Innocence v. Foolishness
Money, Greed, and Corruption
Social Hierarchy, Authority, and Rebellion
Absurdity and Nihilism
Passion, Violence, and Christianity
Summary
Analysis
It is November, and a train is pulling into St. Petersburg. In the third-class carriage, two rather similar-looking young men sit facing each other. One of them is 27 and has dark hair and a “mocking, and even malicious smile.” The other is around the same age and is wearing a hooded cloak that is certainly not warm enough for a Russian winter day. The man in the clock is blond and looks a little sickly, but his face is “pleasant.” He shivers and explains to his neighbor that he’s coming from Switzerland and had forgotten how cold it gets at home in Russia.
The opening of the novel introduces two key characters who, even from the limited information provided, are clearly opposites. Where Rogozhin is dark-haired and somewhat sinister, Myshkin has lighter features and seems kind, if a little innocent or naïve. Importantly, this passage also establishes the binary between light and dark, which will play a central role in the novel.
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The blond man happily answers the dark-haired man’s questions, explaining that he has been away for more than four years receiving treatment for “some strange nervous illness” which causes fits. He is still not cured, and he can no receive treatment because the man who had been paying for it, Pavlishchev, recently died. The blond man tried writing to his “distant relation” in St. Petersburg, Mrs. Epanchin, but didn’t get a response, and thus was forced to come back to Russia. He admits that he doesn’t know where he’s going to stay once he gets to the city, and that the small bundle he is carrying with him contains all his possessions.
This passage further confirms the sense that Myshkin is naïve, and also rather vulnerable. The combination of his epilepsy and his apparent poverty means that he must depend on the kindness of others to survive. There is certainly something naïve or overly trusting in the fact that Myshkin is coming to St. Petersburg with no money, or even a guarantee that anyone will receive him there.
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The blonde man also says he is not surprised that he didn’t receive a reply from the Epanchins, because they are so distantly related. A nearby clerk joins the conversation, someone the narrator describes as a “Mr. Know-it-all” who is always up to date on society gossip. Know-it-alls like him basically treat gossip as a profession. The blond man introduces himself to the clerk as Prince Lev Nikolaevich Myshkin, and the clerk responds that he has never even heard of this name. The prince explains he is the last in his line.
Myshkin comes from a noble family, which is why the “Mr. Know-it-all” clerk recognizes his name. Yet, at the same time, Myshkin has very little money or security. This was not a particularly uncommon occurrence in Russia at the time. Coming from a noble family, while often associated with wealth, does not guarantee that one has money.
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The dark-haired man then introduces himself as Parfyon Rogozhin, and the clerk, astonished, asked if he’s the descendant of the non-noble Rogozhin who recently died, leaving 2.5 million rubles. Rogozhin rudely replies that he is, and then furiously adds that neither his mother nor his brother told him about the money. He also explains that before he died, his father almost killed him. Rogozhin admits that his father possibly had the right to be angry with him. When his father died, the telegram containing the news was sent to his aunt, an old widow who “sits with the holy fools” all day. The aunt took the telegram to a police station because she was too scared to open it.
Again, it becomes clearer that Rogozhin and Myshkin are opposites. Whereas Myshkin is noble, poor, innocent, and naïve, Rogozhin is non-noble, rich, and seemingly mired in violence and corruption. The reader can already intuit that Rogozhin is a rather cold person, who fixates on his incoming fortune with seemingly little care about the poor relationship he has with his family.
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Rogozhin mentions Nastasya Filippovna, and the clerk exclaims that he knows her. He explains that she is a noblewoman who only associates with one man, a noble “landowner and big capitalist” called Afanasy Ivanovich Totsky, who is himself friends with General Epanchin. The clerk, who mentions that his name is Lebedev, proudly says that he “knows everything.” For a moment Rogozhin thinks that Lebedev is implying Nastasya Filippovna is engaged, and panics. However, Lebedev assures him that she remains unattached and no one knows anything about her.
As this passage shows, the social world depicted in the novel is fast-paced, and having the latest information about what is going on is very important to the characters. This is why Lebedev is proud of being a “know-it-all,” and why Rogozhin panics at the thought that Nastasya might be engaged without him knowing. Of course, it also seems clear that Rogozhin himself is interested in Nastasya.
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Rogozhin wearily explains that this is always the problem with Nastasya. She has been living with Totsky, but now Totsky is 55 and planning to marry the most beautiful woman in St. Petersburg, so wants “to get rid of her.” Rogozhin explains that he bought diamond earrings for Nastasya with money his father had given him to pay off a debt on his behalf. His father went to Nastasya and pleaded to have the earrings back, and she threw the box at him. Rogozhin promptly took a train to Pskov, where he got so drunk that he passed out and spent the night unconscious on the street.
Here, it becomes inescapably clear that Rogozhin is a passionate, corrupt, and irresponsible person with questionable morals. He is evidently in love with Nastasya, but rather than pragmatically setting himself up to marry her, he commits rash acts (such as effectively stealing money from his father to buy her gifts) and then gets blackout drunk when things don’t go to plan. This foreshadows the instability of morality and behavior that Rogozhin will go on to demonstrate throughout the novel.
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As the train pulls into the station, Rogozhin confesses that although he doesn’t know why, he “loves” Myshkin, and says he hopes that Myshkin will come and see him. He promises to buy the prince fancy clothes and “stuff your pockets with money,” at which point they’ll go to see Nastasya Filippovna together. Myshkin tells Rogozhin that he likes him too, “despite [his] gloomy face,” and that he is grateful for the offer of clothes, which he desperately needs.
Rogozhin has been won over by Myshkin, but the way he chooses to express this love and admiration is rather suspicious. He seems to only be able to connect with others through ostentatious displays of his own wealth. As a result, he tries to endear himself to Myshkin by offering to buy him things.