The Life You Save May Be Your Own

by

Flannery O’Connor

Mrs. Crater Character Analysis

Lucynell Crater is an old widow who lives on a remote farm with her disabled daughter (who is also named Lucynell Crater). Mrs. Crater is described as toothless and tiny, “about the size of a cedar fence post.” Her husband died fifteen years before the story begins, and she wants a son-in-law to stay and help around the farm. But she also loves her daughter very much and says numerous times that she wouldn’t give her up for anything, which puts her desire for a son-in-law in conflict with her desire to protect her daughter. While Mrs. Crater initially doubts that Tom Shiftlet is capable of working on her farm (due to his missing arm), she invites him to stay and eat in exchange for his labor. Once he demonstrates that he can fix things and shows his bond with Lucynell, Mrs. Crater begins scheming to get them to marry. She points out how sweet and innocent Lucynell is, even lying that she’s around 16 to make her seem more attractive. Mrs. Crater is so desperate for a son-in-law that she agrees to give Shiftlet money and access to the fixed-up car to take Lucynell on a honeymoon, even though she’s always said she would never let a man take Lucynell away. By the end, she’s gotten what she wanted (a son-in-law), but Shiftlet leaves Lucynell at a roadside diner, and it’s unclear how she will find her way home. In this way, Mrs. Crater’s selfishness and disregard for protecting her daughter may cost her the most important person in her life.

Mrs. Crater Quotes in The Life You Save May Be Your Own

The The Life You Save May Be Your Own quotes below are all either spoken by Mrs. Crater or refer to Mrs. Crater. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Free Will and Redemption Theme Icon
).
The Life You Save May Be Your Own Quotes

He swung both his whole and his short arm up slowly so that they indicated an expanse of sky and his figure formed a crooked cross. The old woman watched him with her arms folded across her chest as if she were the owner of the sun, and the daughter watched, her head thrust forward and her fat helpless hands hanging at the wrists.

Related Characters: Tom Shiftlet, Mrs. Crater, Lucynell Crater
Page Number: 146
Explanation and Analysis:

Mr. Shiftlet's pale sharp glance had already passed over everything in the yard—the pump near the corner of the house and the big fig tree that three or four chickens were preparing to roost in—and had moved to a shed where he saw the square rusted back of an automobile. "You ladies drive?" he asked.

"That car ain't run in fifteen year," the old woman said. "The day my husband died, it quit running."

"Nothing is like it used to be, lady," he said. "The world is almost rotten."

"That's right," the old woman said.

Related Characters: Tom Shiftlet (speaker), Mrs. Crater (speaker)
Related Symbols: The Car
Page Number: 146
Explanation and Analysis:

"Lady," he said, and turned and gave her his full attention, "lemme tell you something. There's one of these doctors in Atlanta that's taken a knife and cut the human heart—the human heart," he repeated, leaning forward, "out of a man's chest and held it in his hand," and he held his hand out, palm up, as if it were slightly weighted with the human heart, "and studied it like it was a day-old chicken, and lady," he said, allowing a long significant pause in which his head slid forward and his clay-colored eyes brightened, "he don't know no more about it than you or me."

Related Characters: Tom Shiftlet (speaker), Mrs. Crater
Page Number: 147
Explanation and Analysis:

"Are you married or are you single?" the old woman asked.

There was a long silence. "Lady," he asked finally, "where would you find you an innocent woman today? I wouldn't have any of this trash I could just pick up."

Related Characters: Tom Shiftlet (speaker), Mrs. Crater (speaker)
Page Number: 149
Explanation and Analysis:

He had patched the front and back steps, built a new hog pen, restored a fence, and taught Lucynell, who was completely deaf and had never said a word in her life, to say the word "bird." The big rosy-faced girl followed him everywhere, saying "Burrttddt ddbirrrttdt," and clapping her hands. The old woman watched from a distance, secretly pleased. She was ravenous for a son-in-law.

Related Characters: Lucynell Crater (speaker), Tom Shiftlet, Mrs. Crater
Page Number: 150
Explanation and Analysis:

"Listen here, Mr. Shiftlet," she said, sliding forward in her chair, "you'd be getting a permanent house and a deep well and the most innocent girl in the world. You don't need no money. Lemme tell you something: there ain't any place in the world for a poor disabled friendless drifting man.”

The ugly words settled in Mr. Shiftlet's head like a group of buzzards in the top of a tree. He didn't answer at once. He rolled himself a cigarette and lit it and then he said in an even voice, "Lady, a man is divided into two parts, body and spirit.”

The old woman clamped her gums together.

"A body and a spirit,” he repeated. “The body, lady, is like a house: it don't go anywhere; but the spirit, lady, is like a automobile: always on the move, always…"

Related Characters: Tom Shiftlet (speaker), Mrs. Crater
Related Symbols: The Car
Page Number: 152
Explanation and Analysis:
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Mrs. Crater Character Timeline in The Life You Save May Be Your Own

The timeline below shows where the character Mrs. Crater appears in The Life You Save May Be Your Own. The colored dots and icons indicate which themes are associated with that appearance.
The Life You Save May Be Your Own
Brokenness and Repair Theme Icon
An old woman and her daughter are sitting on their porch when a stranger, Mr. Shiftlet, approaches. Even... (full context)
Free Will and Redemption Theme Icon
Gender and Disability Theme Icon
...daughter weren’t at all “afflicted.” They can see that he’s a fairly young man. The old woman greets him and he doesn’t answer, instead raising his arms—including his shorter one—towards the sunset,... (full context)
Brokenness and Repair Theme Icon
Deception and Unknowability Theme Icon
...so he offers her a piece of gum. She takes it, but when he offers the old woman one, she shows him that she doesn’t have any teeth. By this point, Shiftlet has... (full context)
Deception and Unknowability Theme Icon
As the woman asks more about Shiftlet, his eyes remain fixed on the car. She introduces herself as... (full context)
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
...Lucynell, the daughter, begins making worried noises, and he blows it out. Slyly, he tells Mrs. Crater that these days, people will say anything. He can tell her that his name is... (full context)
Free Will and Redemption Theme Icon
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
Mrs. Crater asks Shiftlet what he carries in his toolbox. He replies that he’s carrying tools because... (full context)
Gender and Disability Theme Icon
Mrs. Crater asks Shiftlet if he’s married. He says no, asking where a man could find an... (full context)
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
...even with one arm. He exclaims that he’s a man, if not a “whole one.” Mrs. Crater , unimpressed, says he can stay and work for food if he doesn’t mind sleeping... (full context)
Free Will and Redemption Theme Icon
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
...and even teaches Lucynell to say the word “bird,” the first word she’s ever spoken. Mrs. Crater watches him work with pleasure, “ravenous” for a son-in-law. (full context)
Brokenness and Repair Theme Icon
...setup in the backseat. In the evening he sits on the porch and talks while Mrs. Crater listens and Lucynell rocks back and forth. He says he’s working to improve the farm... (full context)
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
...out how he was able to teach Lucynell a word just by taking the time. Mrs. Crater asks Shiftlet to teach Lucynell another word. He asks which word and Mrs. Crater, wearing... (full context)
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
The next day Shiftlet tells Mrs. Crater that if she buys a fan belt he can make the car run. She agrees... (full context)
Free Will and Redemption Theme Icon
Brokenness and Repair Theme Icon
...next day Shiftlet goes into town and buys the missing part and some gasoline. Later, Mrs. Crater hears a strange noise and rushes into the shed, thinking Lucynell is having a fit.... (full context)
Gender and Disability Theme Icon
That night, Mrs. Crater asks Shiftlet sympathetically whether he wants an “innocent” woman, not “none of this trash.” Shiftlet... (full context)
Gender and Disability Theme Icon
Mrs. Crater tells him they can drive into town on Saturday and get married. Shiftlet protests that... (full context)
Free Will and Redemption Theme Icon
Brokenness and Repair Theme Icon
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
...put, Shiftlet says, but a man’s spirit is like an automobile, “always on the move.” Mrs. Crater responds by listing her home’s amenities: it’s warm in winter, has a well that never... (full context)
Free Will and Redemption Theme Icon
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
Mrs. Crater offers $15 for a weekend trip, saying it’s the best she can do. Shiftlet barters,... (full context)
Deception and Unknowability Theme Icon
Shiftlet, Lucynell, and Mrs. Crater drive into town on Saturday. Shiftlet and Lucynell are married at the courthouse. Shiftlet complains... (full context)
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
They get in the car. Mrs. Crater comments on how pretty Lucynell looks, like a baby doll. Lucynell has a “placid expression,”... (full context)
Free Will and Redemption Theme Icon
Gender and Disability Theme Icon
Deception and Unknowability Theme Icon
They drive back to the farm, where Shiftlet drops Mrs. Crater off. She cries as she says goodbye to Lucynell, saying she has never been parted... (full context)