Class Envy Theme Analysis

The story ran on, Caroline and Roderick prompting more of it; they spoke to each other rather than to me, and, shut out of the game, I looked from mother to daughter to son and finally caught the likenesses between them, not just the similarities of feature—the long limbs, the high-set eyes—but the almost clannish little tricks of gesture and speech. And I felt a flicker of impatience with them—the faintest stirring of a dark dislike—and my pleasure in the lovely room was slightly spoiled. Perhaps it was the peasant blood in me, rising. But Hundreds Hall had been made and maintained, I thought, by the very people they were laughing at now. After two hundred years, those people had begun to withdraw their labour, their belief in the house; and the house was collapsing, like a pyramid of cards. Meanwhile, here the family sat, still playing gaily at gentry life, with the chipped stucco on their walls, and their Turkey carpets worn to the weave, and their riveted china . . .

The road we had taken, too, was one I remembered going up and down as a boy at just about this time of year—carrying out the midday ‘snap’ of bread and cheese to my mother’s brothers as they helped with the Hundreds harvest. No doubt those men would have been very tickled to think that, thirty years on, a qualified doctor, I would be driving up that same road in my own car with the squire’s daughter at my side. But I felt overcome suddenly with an absurd sense of gaucheness, and falseness—as if, had my plain labourer uncles actually appeared before me now, they would have seen me for the fraud I was, and laughed at me.

‘Extraordinary place this, isn’t it?’ he murmured, with a glance at the others. ‘I don’t mind admitting, I was glad to be invited, simply for the chance to have a bit of a look around. You’re the family doctor, I gather. They like to keep you on hand, do they, for the sake of the son? I hadn’t realised he was in such poor shape.’

I said, ‘He isn’t, as it happens. I’m here on a social call tonight, just like you.’

‘You are? Oh, I had the impression you were here for the son, I don’t know why . . .’

‘You don’t mean that, Caroline. You couldn’t bear to lose Hundreds, surely?’

Now she spoke almost casually. ‘Oh, but I’ve been brought up to lose it. —To lose it, I mean, once Rod marries. The new Mrs. Ayres won’t want a spinster sister-in-law about the place; nor a mother-in-law, come to that. That’s the stupidest thing of all. So long as Roddie goes on holding the estate together, too tired and distracted to find a wife, and probably killing himself in the process—so long as he goes on like that, Mother and I get to stay here. Meanwhile Hundreds is such a drain on us, it’s hardly worth staying for . . .’

To think that all this time people had been watching us, speculating—rubbing their hands—! It made me feel fooled, somehow; it made me feel exposed. A part of my upset, I’m sorry to say, was simple embarrassment, a basic masculine reluctance to have my name romantically linked with that of a notoriously plain girl. Part of it was shame, at discovering I felt this. A contradictory part, too, was pride: for why the hell shouldn’t I—I asked myself—bring Caroline Ayres along to a party, if I chose to? Why the hell shouldn’t I dance with the squire’s daughter, if the squire’s daughter wanted to dance with me?