A complicated ballet of rhetorical manipulation is happening in this scene. Subhash has already established, privately, that he wants to marry Gauri for selfish reasons as well as noble ones. He finds her attractive, and on some level feels that marrying his brother’s bride—however “perverse” it may be—would be the ultimate victory against Udayan. At the same time, Subhash doesn’t want Gauri or her child to face the political persecution that claimed Udayan’s life. His true intentions are a mix of various desires and feelings of obligation.