Bijoli’s Sisyphean task, which she has undertaken with steady and unwavering dedication, finally becomes too much to bear when she is confronted with the remnants of a wedding. The refuse reminds her of all she never had—all her children never had—and all the ways in which she has failed both her children, the living and the dead. This scene also shows the deep isolation and insularity of grief—such pain is only felt by those who have known it, and is inscrutable to everyone around them.