Presence in Absence Theme Analysis

Should I stand guard on this side while you explore? Subhash asked him.

What fun would that be?

What do you see?

Come see for yourself.

Subhash nudged the kerosene tin closer to the wall. He stepped onto it, feeling the hollow structure wobble beneath him.

Let's go, Subhash.

Udayan readjusted himself, dropping down so that only his fingertips were visible. Then he released his hands and fell. Subhash could hear him breathing hard from the effort.

You're all right?

Of course. Now you.

Subhash gripped the wall with his hands, hugging it to his chest, scraping his knees. As usual he was uncertain whether he was more frustrated by Udayan's daring, or with himself for his lack of it. Subhash was thirteen, older by fifteen months. But he had no sense of himself without Udayan. From his earliest memories, at every point, his brother was there.

In the courtyard of their family's house was the most enduring legacy of Udayan s transgressions. A trail of his footprints, created the day the dirt surface was paved. A day they'd been instructed to remain indoors until it had set. […] Subhash had listened. He had watched through the window he had not gone out. But when their mother's back was turned, Udayan ran down the long wooden plank temporarily set up to get from the door to the street. Halfway across the plank he lost his balance, the evidence of his path forming impressions of the soles of his feet, tapering like an hourglass at the center, the pads of the toes disconnected.

The following day the mason was called back. By then the surface had dried, and the impressions left by Udayan's feet were permanent. The only way to repair the flaw was to apply another layer. Subhash wondered whether this time his brother had gone too far. But to the mason their father said, Leave it be. Not for the expense or effort involved, but because he believed it was wrong to erase steps that his son had taken. And so the imperfection became a mark of distinction about their home. Something visitors noticed, the first family anecdote that was told.

Subhash remembered climbing over the wall of the Tolly Club. This time, Subhash wasn’t afraid of being caught. Perhaps it was foolish of him, but something told him that such a thing could happen only once. And he was right, no one noticed what they did, no one punished them for it, and a few minutes later they were crossing the bridge again, quickly, smoking cigarettes to calm themselves down.

This time it was only Udayan who was giddy. Only Udayan who was proud of what they'd done. Subhash was angry with himself for going along with it. For still needing to prove he could. He was sick of the fear that always rose up in him: that he would cease to exist, and that he and Udayan would cease to be brothers, were Subhash to resist him.

Like the solution to an equation emerging bit by bit, Subhash began to perceive a turn things might take. He was already eager to leave Calcutta. There was nothing he could do for his parents. He was unable to console them. Though he'd returned to stand before them, in the end it had not mattered that he had come. But Gauri was different. Around her, he felt a shared awareness of the person they'd both loved. He thought of her remaining with his parents, living by their rules. His mother's coldness toward Gauri was insulting, but his father's passivity was just as cruel. And it wasn't simply cruelty. Their treatment of Gauri was deliberate, intended to drive her out. He thought of her becoming a mother, only to lose control of the child. He thought of the child being raised in a joyless house.

The only way to prevent it was to take Gauri away. It was all he could do to help her, the only alternative he could provide. And the only way to take her away was to marry her. To take his brother's place, to raise his child, to come to love Gauri as Udayan had. To follow him in a way that felt perverse, that felt ordained. That felt both right and wrong.

Every night, at Bela's insistence, he lay with her until she fell asleep. It was a reminder of their connection to each other, a connection at once false and true. And so night after night, after helping her brush her teeth and changing her into her pajamas, he switched off the light and lay beside her. […] Some nights he, too, fell asleep briefly beside Bela. Carefully he removed her hands from the collar of his shirt, and adjusted the blanket on top of her. Her head was thrust back on the pillow, in a combined posture of pride and surrender. He'd experienced such closeness with only one other person. With Udayan. Each night, extracting himself from her, for a moment his heart stopped, wondering what she would say, the day she learned the truth about him.

[Gauri] was failing at something every other woman on earth did without trying. That should not have proved a struggle. Even her own mother, who had not fully raised her, had loved her; of that there had been no doubt. But Gauri feared she had already descended to a place where it was no longer possible to swim up to Bela, to hold on to her.

Nor was her love for Udayan recognizable or intact. Anger was always mounted to it, zigzagging through her like some helplessly mating pair of insects. Anger at him for dying when he might have lived. For bringing her happiness, and then taking it away. For trusting her, only to betray her. For believing in sacrifice, only to be so selfish in the end.

She no longer searched for signs of him. The fleeting awareness that he might be in a room, looking over her shoulder as she worked at her desk, was no longer a comfort. Certain days it was possible not to think of him, to remember him. No aspect of him had traveled to America. Apart from Bela, he'd refused to join her here.

She carries a large shallow basket meant to store extra coal. She walks over to the lowland, hoisting up her sari so that her calves are revealed, speckled like some egg-shells with a fine brown spray. She wades into a puddle and bends over, stirring things around with a stick. Then, using her hands, she starts picking items out of the murky green water. A little bit, a few minutes each day; this is her plan, to keep the area by Udayan’s stone uncluttered.

She piles refuse into the basket, empties the basket a little ways off, and then begins to fill it again. With bare hands she sorts through the empty bottles of Dettol, Sunsilk shampoo. Things rats don't eat, that crows don’t bother to carry away. Cigarette packets tossed in by passing strangers. A bloodied sanitary pad.

She knows she will never remove it all. But each day she goes out and fills up her basket, once, then a few times more. She does not care when some people tell her, when they stop to notice what she’s doing, that it is pointless. That it is disgusting and beneath her dignity. That it could cause her to contract some sort of disease. She's used to neighbors not knowing what to make of her. She's used to ignoring them.

In the house in Rhode Island, in her room, another remnant of her mother began to reveal itself: a shadow that briefly occupied a section of her wall, in one corner, reminding Bela of her mother's profile. It was an association she noticed only after her mother was gone, and was unable thereafter to dispel.

In this shadow she saw the impression of her mother's forehead, the slope of her nose. Her mouth and chin. Its source was unknown. Some section of branch, some overhang of the roof that refracted the light, she could not be sure.

Each day the image disappeared as the sun traveled around the house; each morning it returned to the place her mother had fled. She never saw it form or fade.

In this apparition, every morning, Bela recognized her mother, and felt visited by her. It was the sort of spontaneous association one might make while looking up at a passing cloud. But in this case never breaking apart, never changing into anything else.

She was establishing her existence apart from him. This was the real shock. He thought he would be the one to protect her, to reassure her. But he felt cast aside, indicted along with Gauri. He was afraid to exert his authority, his confidence as a father shaken now that he was alone.

[Subhas] learned to accept [Bela] for who she was, to embrace the turn she'd taken. At times Bela's second birth felt more miraculous than the first. It was a miracle to him that she had discovered meaning in her life. That she could be resilient, in the face of what Gauri had done. That in time she had renewed, if not fully restored, her affection for him.

And yet sometimes he felt threatened, convinced that it was Udayan's inspiration; that Udayan's influence was greater. Gauri had left them, and by now Subhash trusted her to stay away. But there were times Subhash believed that Udayan would come back, claiming his place, claiming Bela from the grave as his own.

Were her mother ever to stand before her, even if Bela could choose any language on earth in which to speak, she would have nothing to say.

But no, that's not true. She remains in constant communication with her. Everything in Bela's life has been a reaction. I am who I am, she would say, I live as I do because of you.

The coincidence coursed through [Subhash,] numbing, bewildering. A pregnant woman, a fatherless child. Arriving in Rhode Island, needing him. It was a reenactment of Bela’s origins. A version of what had brought Gauri to him, years ago.

[Gauri’s] impressions were flickering, from a lifetime ago. But they were vivid inside Dipankar. All the names, the events of those years, were at his fingertips. […] Dipankar had studied the movement's self-defeating tactics, its lack of coordination, its unrealistic ideology. He'd understood, without ever having been a part of things, far better than Gauri, why, it had surged and failed.

I’ve known for years about Udayan, she went on. I know who I am.

Now it was Gauri unable to move, unable to speak. Unable to reconcile hearing Udayan's name, coming from Bela.

And it doesn't matter. Nothing excuses what you did, Bela said.

Bela's words were like bullets. Putting an end to Udayan, silencing Gauri now.

Nothing will ever excuse it. You're not my mother. You're nothing. Can you hear me? I want you to nod if you can hear me.

There was nothing inside her. Was this what Udayan felt, in the lowland when he stood to face them, as the whole neighborhood watched? There was no one to witness what was happening now Somehow, she nodded her head.

You're as dead to me as he is. The only difference is that you left me by choice.

She was right; there was nothing to clarify, nothing more to convey.

The courtyard no longer existed. […] She walked past the house, across the lane, and over toward the two ponds. She had forgotten no detail. The color and shape of the ponds clear in her mind. But the details were no longer there. Both ponds were gone. New homes filled up an area that had once been watery open.

Walking a bit farther, she saw that the lowland was also gone. That sparsely populated tract was now indistinguishable from the rest of the neighborhood, and on it more homes had been built. Scooters parked in front of doorways, laundry hung out to dry.

She wondered if any of the people she passed remembered things as she did. […] Somewhere close to where she stood, Udayan had hidden in the water. He'd been taken to an empty field. Somewhere there was a tablet with his name on it, commemorating the brief life he'd led. Or perhaps this, too, had been removed. She was unprepared for the landscape to be so altered. For there to be no trace of that evening, forty autumns ago. […] Again she remembered what Bela had said to her. That her reappearance meant nothing. That she was as dead as Udayan.

Standing there, unable to find him, she felt a new solidarity with him. The bond of not existing.