The Machine Stops

by

E.M. Forster

Teachers and parents! Our Teacher Edition on The Machine Stops makes teaching easy.
The air-ships are the sole mode of long-distance transportation in the futuristic society of “The Machine Stops,” operating similarly to commercial airlines. The air-ships are remnants of an earlier civilization, in which people still had a desire to travel and see the outside world. They continue to operate as part of the Machine simply because they have become so embedded in the system that it would be too much trouble to eliminate them. They also serve a practical purpose, such as when someone has to move from one part of the world to another in order to move to a new room or to reproduce. However, almost no one in this society travels simply for the sake of traveling, because the Machine, which makes it easy to contact anyone in the world instantly, has made travel seemingly unnecessary.

Air-Ships Quotes in The Machine Stops

The The Machine Stops quotes below are all either spoken by Air-Ships or refer to Air-Ships. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Technology vs. Nature Theme Icon
).
Part 1: The Air-Ship Quotes

And of course she had studied the civilization that had immediately preceded her own—the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms! And yet—she was frightened of the tunnel: she had not seen it since her last child was born. It curved—but not quite as she remembered; it was brilliant—but not quite as brilliant as a lecturer had suggested. Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.

Related Characters: The Machine , Vashti , Kuno
Page Number: 96-97
Explanation and Analysis:

Few traveled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.

The air-ship service was a relic from the former age. It was kept up, because it was easier to keep it up than to stop it or to diminish it, but it now far exceeded the wants of the population.

Related Characters: The Machine , Vashti
Page Number: 98
Explanation and Analysis:

And, as often happens on clear nights, [the stars] seemed now to be in perspective, now on a plane; now piled tier beyond tier into the infinite heavens, now concealing infinity, a roof limiting for ever the visions of men. In either case they seemed intolerable. “Are we to travel in the dark?” called the passengers angrily, and the attendant, who had been careless, generated the light, and pulled down the blinds of pliable metal. When the air-ships had been built, the desire to look direct at things still lingered in the world. Hence the extraordinary number of skylights and windows, and the proportionate discomfort to those who were civilized and refined.

Related Characters: The Machine , Vashti , Kuno , The Flight Attendant
Related Literary Devices:
Page Number: 100
Explanation and Analysis:
Part 2: The Mending Apparatus Quotes

“You know that we have lost the sense of space. We say ‘space is annihilated,’ but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it, and I began by walking up and down the platform of the railway outside my room. Up and down, until I was tired, and so did recapture the meaning of ‘Near’ and ‘Far.’ ‘Near’ is a place to which I can get quickly on my feet, not a place to which the train or the air-ship will take me quickly. ‘Far’ is a place to which I cannot get quickly on my feet; the vomitory is ‘far,’ though I could be there in thirty-eight seconds by summoning the train. Man is the measure. That was my first lesson. Man’s feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.”

Related Characters: Kuno (speaker), The Machine , Vashti
Page Number: 105
Explanation and Analysis:
Part 3: The Homeless Quotes

As he spoke, the whole city was broken like a honeycomb. An air-ship had sailed in through the vomitory into a ruined wharf. It crashed downwards, exploding as it went, rending gallery after gallery with its wings of steel. For a moment they saw the nations of the dead, and, before they joined them, scraps of the untainted sky.

Related Characters: The Machine , Vashti , Kuno
Related Literary Devices:
Page Number: 123
Explanation and Analysis:
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The Machine Stops PDF

Air-Ships Term Timeline in The Machine Stops

The timeline below shows where the term Air-Ships appears in The Machine Stops. The colored dots and icons indicate which themes are associated with that appearance.
Part 1: The Air-Ship
Technology vs. Nature Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
...she doesn’t have the time for a visit, but Kuno counters that it takes the air-ship barely two days to fly from where she lives to where he is. She responds... (full context)
Technology vs. Nature Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
...purposes.” Kuno says that he wants to see the stars again, but not from an air-ship—rather from Earth’s surface, as human beings did in the past. Vashti is shocked by this,... (full context)
Technology vs. Nature Theme Icon
Religion and Faith Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
...Machine! O Machine!” After performing this “ritual,” she looks up the departure times for the air-ships going from the island in the southern hemisphere underneath which she lives to the island... (full context)
Technology vs. Nature Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
...simply have to summon a car to bring her down this tunnel and into the air-ship station. This air-ship system was established by the previous civilization, before the creation of the... (full context)
Technology vs. Nature Theme Icon
Simulation vs. Experience Theme Icon
Emotion vs. Rationality Theme Icon
...no longer move around physically, and instead “all unrest is concentrated in the soul.” The air-ships are a “relic” of an earlier civilization, remaining in service only because this is easier... (full context)
Technology vs. Nature Theme Icon
Religion and Faith Theme Icon
Simulation vs. Experience Theme Icon
As Vashti catches sight of the air-ship, she is seized by the “horror of direct experience,” unused to the unfamiliar smells and... (full context)
Technology vs. Nature Theme Icon
Religion and Faith Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
Vashti’s anxiety increases as she boards the air-ship: there is a female flight attendant whom she will have to talk to if she... (full context)
Technology vs. Nature Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
The air-ship takes off. They fly over the coast of Sumatra, and Vashti looks at the stars,... (full context)
Technology vs. Nature Theme Icon
Emotion vs. Rationality Theme Icon
The previous civilization had tried to build air-ships that could travel as quickly, or even faster, than Earth’s rotation, but they found no... (full context)
Part 3: The Homeless
Technology vs. Nature Theme Icon
Religion and Faith Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
As Kuno and Vashti speak, the whole city breaks apart when an air-ship crashes into it. Before they die, they see the “nations of the dead” and a... (full context)