The Magician’s Nephew

by

C. S. Lewis

The Magician’s Nephew: Chapter 13 Summary & Analysis

Summary
Analysis
Polly wakes up Digory and Fledge the next morning—a toffee-tree has indeed grown where they planted the piece of candy; it has papery leaves and little toffee-fruits that look like dates. After the children have taken turns bathing in the nearby river, they have a breakfast of toffee-fruits, then clamber onto Fledge’s back for the remainder of the journey. In the morning light, the green valleys and tumbling glacier-streams below them look like “gigantic pieces of jewelry.” But before long, they all notice a delicious smell, which seems to be coming from the valley below. They see the lake Aslan had mentioned.
Narnia is so filled with energy and life that the toffee-tree blooms as expected—the land is seemingly filled with delights for anyone who is open to believing in them, showing Aslan’s kindness even in the midst of an important and no doubt perilous journey.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Fledge alights on a green slope, and the children tumble off. Atop the hill, there’s a high wall made of turf, inside of which is a garden. They find that the garden is enclosed by high, golden gates. When they see the gates, Fledge and Polly realize that Digory will need to enter the garden alone.
The remote garden is meant to be reminiscent of the biblical Garden of Eden. Though Digory is faithfully supported by his friends, he is solely charged with undoing the wrong for which he is responsible.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
When Digory approaches the golden gates, he sees a silver inscription: “Come in by the gold gates or not at all, / Take of my fruit for others or forbear, / For those who steal or those who climb my wall / Shall find their heart’s desire and find despair.” Digory supposes it means that he can’t take any fruit for himself. He wonders why anyone would try to climb a wall if they could enter by a gate. When he simply touches the gates, they swing open.
The poem on the gates echoes the one beside the bell which Digory rang in Charn, unleashing the Witch. The warning is quite different: it enjoins the reader to take, but only for others’ sake; and it’s important to enter the garden in the right way. Aslan’s gifts are meant to be enjoyed in a particular way, not just in the way that seems best to the taker.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
The interior of the garden is solemnly quiet and filled with a lovely smell. Digory immediately recognizes the tree Aslan had spoken of—it’s loaded down with shining silver apples. He immediately plucks an apple and can’t help smelling it before he puts it in his pocket. Immediately, he’s overcome by hunger and thirst and longs to taste the fruit. He wonders if it would be wrong to do so—what if the inscription on the gate was merely advice?
Even hypothetically savoring the apple for oneself—taking its scent, even if one refrains from eating it—is dangerous, because it deepens the temptation to eat the fruit for oneself. The temptation prompts Digory to question the poem’s warning words, forcing him to wrestle with his selfishness more than he might have otherwise.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
Quotes
Get the entire The Magician’s Nephew LitChart as a printable PDF.
The Magician’s Nephew PDF
While Digory is considering these things, he notices a large bird roosting in the branches above him. It’s saffron, scarlet, and purple, and it appears to be almost sleeping, but one eye is open just a slit. Digory later tells people that you can never be too careful in magical places, because you’re probably being watched. Yet perhaps “Do Not Steal” was sufficiently impressed upon him that he wouldn’t have eaten the apple anyway.
Aslan’s servants are watching everywhere in Narnia, yet there’s a sense that Digory (like the biblical Adam) had a real choice to eat or not—to obey what he innately knew to be right or to second-guess it.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
As Digory is heading out the gates, he’s shocked to see the Witch standing just a few yards away. She has just eaten an apple. Digory realizes she must have climbed over the wall. She looks proud, triumphant, and as white as salt. Digory thinks of the poem saying that despair comes of getting one’s heart’s desire. Digory runs for the gates, calling for Polly and Fledge, but the Witch catches up with him somehow by climbing over the wall.
Just when Digory thinks he’s dodged the peril of temptation, it appears in a worse form. The Queen herself has both taken an apple for herself and attained it illicitly, and already appears to be suffering the ill effects.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
The Witch says that Digory shouldn’t run—she has some knowledge for him that will bring him lifelong happiness. She explains that she heard them talking in the woods last night. She understands his errand. She tells him he’s foolish for taking the apple back to Aslan, untasted: it is “the apple of youth.” She herself has tasted it and can feel that she will never age or die. If Digory eats his apple, he can join her in becoming a ruler of this world.
The Witch here symbolizes the figure of the tempting servant in the biblical story. She presents herself as understanding what’s best for Digory even better than Aslan does. She seeks to plant a doubt in Digory’s mind as to the best course of action.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Digory refuses that offer, but then the Witch points out that one bite of the apple would cure Digory’s mother. All he has to do is use his ring to return to his world—the Lion isn’t here to stop him. Within minutes, his mother might be enjoying a pain-free sleep, and within days, she will be recovered. Digory gasps, pained by the weight of the choice before him. The Witch argues that the Lion has made him heartless and willing to let his own mother die. Surely Digory didn’t understand what he was promising. And his mother never needs to know that Digory broke a promise. Nobody needs to know how he got the apple; even Polly can be left behind in this world.
Endless life doesn’t hold much appeal to Digory, but then the Witch goes straight for his heart by reminding him of his mother’s plight. She tries to plant a doubt in Digory that the Lion really knows what’s best, suggesting that in fact the Lion’s kindness is cruelty. While Digory has narrowly avoided the temptation to selfishly eat the apple himself, he is far more tempted to pit his mother’s wellbeing against the protection of Narnia.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
The Witch makes a great mistake by saying this. She doesn’t know that Polly could get away by herself by using her own ring. But more to the point, the cruelty of the suggestion snaps Digory back to reality. He realizes that the Witch doesn’t really care about his mother after all, and must have some ulterior motive.
The Witch’s comments tap into Digory’s innate sense of justice and loyalty and make him second-guess her supposed “kindness.” He is able to see clearly to make the right decision.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
Digory and Polly scramble onto Fledge’s back and are airborne before the Witch’s mocking voice fades. During the flight back to Narnia, Digory is sad and silent. He keeps wondering if he’s done the right thing, but the memory of Aslan’s tears convinces him that he has. They reach Narnia at sunset. A crowd of creatures makes way for Digory as he approaches Aslan with apple in hand.
Even though Digory appears to have passed the test, that doesn’t mean his sorrows are over. He just has Aslan’s own tenderheartedness to trust in.
Themes
Human Selfishness vs. Divine Selflessness  Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon