Appearance vs. Reality
“The Model Millionaire” is full of deceptive appearances. Physical attractiveness goes a long way in late-19th-century London society: Hughie Erskine’s good looks make him widely admired, but he lacks brilliance and ambition. His friend Alan Trevor, meanwhile, is an unattractive “strange rough fellow” but a brilliant artist who reaps financial success from his work. Although the characters seem to invest themselves in the idea that appearances bring themselves to bear on wealth and…
read analysis of Appearance vs. RealityArtists and Society
In “The Model Millionaire,” Wilde examines the social function of artists, posing questions about their responsibility when it comes to depicting the world around them. Alan Trevor, for his part, confidently declares that artists should simply depict the world “as [they] see it, not […] reform it as [they] know it.” In other words, he suggests that art is purely representational—an impartial reflection of its subject matter.
At first, Alan’s perspective seemingly aligns with…
read analysis of Artists and SocietyGenerosity and Compassion
In “The Model Millionaire,” Wilde suggests that generosity and compassion are the most consequential traits a person can have. The story opens with a catalogue of pragmatic “great truths of modern life,” asserting that romance and charm are privileges of the wealthy. Tenderhearted Hughie Erskine never learned these truths: both charming and romantic, he nevertheless subsists on a meager family allowance. He lacks the intellect and competitive edge to succeed in any of his attempted…
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