Most work of the Modernist Era—a literary period between the late 19th and early 20th centuries marked by the two World Wars—comprised themes of isolationism, self-reflection, and consciousness, and raised questions about human rationality. The major writers of the period, including James Joyce, Virginia Woolf, T.S. Eliot, and William Faulkner, broke from traditional writing conventions of the Romantic and Victorian periods in favor of stylistic exploration and more “realistic” subject matter. “The Most Dangerous Game,” like other modernist works, examines humanity’s inner workings with a realistic and even pessimistic tone. “The Most Dangerous Game” also has clear roots in the adventure story tradition of
Robinson Crusoe with its themes of survival on a remote island, and the story’s dark, ominous atmosphere harkens to the Gothic period and Edgar Allan Poe’s short stories. Additionally, the narrator mentions near the end of the story Zaroff’s affinity for reading classical philosophy, specifically Marcus Aurelius. Considered the last of the great Roman emperors, Aurelius’ most famous work is
Meditations, a piece of stoic philosophy warning against material indulgences and emphasizing strong ethical principles. Zaroff, ironically, is the opposite of the ideal stoic, and the reference may have been a comment on materialism and weakened ethical resolve in the early 20th century. “The Most Dangerous Game” has influenced numerous later stories, including “Seventh Victim,”
The Running Man, and
The Hunger Games.