Mathilde Loisel Character Analysis

Unable to adorn herself, she remained simple, but as miserable as if she’d come down in the world. For women have no caste or breed; their beauty, their grace, and their charm serve them in lieu of birth and family background. Their native finesse, their instinct for elegance, their versatile minds are their sole hierarchy, making shopgirls the equals of the grandest ladies.

She suffered endlessly, feeling that she was meant for all delicacies and all luxuries. She suffered from the poverty of her apartment, the dinginess of the walls, the shabbiness of the chairs, the ugliness of the fabrics. All these things, which wouldn’t have even been noticed by any other woman of her station, tortured her and infuriated her. The sight of the Breton girl who did her humble housework aroused woeful regrets in her and desperate dreams.

Whenever she sat down for supper at the circular table covered with the same tablecloth for three days, she faced her husband, who, removing the lid from the tureen, ecstatically declared: “Ah! A good stew! I don’t know of anything better!”

But she fantasized about elegant dinners, about shiny silverware, about tapestries filling the walls with ancient figures and exotic birds in the midst of a magic forest; she fantasized about exquisite courses served in wondrous vessels, about gallantries whispered and listened to with sphinxlike smiles, while the diners consumed the rosy flesh of a trout or the wings of a grouse.

The night of the ball was approaching, and Madame Loisel appeared sad, worried, anxious. Still, her gown was ready.

One evening, her husband said to her: “Listen, what’s wrong? You’ve been acting funny for three days now.”

And she replied: “I’m annoyed that I don’t have any jewelry—not a single gem, nothing to put on. I’ll look downright poverty-stricken. I’d almost rather not go to the ball.”

Madame Loisel looked first at some bracelets, then at a pearl necklace, then at a marvelously crafted Venetian cross made up of gold and precious stones. She tried the pieces on before the mirror, wavering, unsure whether to keep them or leave them. She kept asking: “Don’t you have anything else?”

“Of course. Keep searching. I can’t tell what you’ll like.”

All at once, in a black satin box, Madame Loisel unearthed a superb diamond necklace, and her heart began pounding with unrestrained desire. Her hands trembled when she picked up the necklace. She placed it on her throat, against her high-necked dress, and remained ecstatic in front of her reflection.

Monsieur Loisel, bringing the wraps for their exit, tossed them over her shoulders: they were the modest garments of ordinary life, their poverty clashing with the elegance of the ball gown. She sensed the discord and wanted to flee, to avoid being noticed by the other women, who were bundling up in expensive furs.

[The carriage] brought them to their front door on Rue des Martyrs, and they sadly trudged up to their apartment. It was all over for her. And as for him, he knew he had to be at the Ministry by ten a.m.

Madame Loisel now knew the horrible life of necessity….She performed the gross household tasks, the odious kitchen chores. She washed the dishes, wearing down her rosy nails on greasy pots and on the bottoms of pans. She washed the dirty linen, the shirts and the dishcloths, and let them dry on a line. She lugged the garbage down to the street every morning and hauled up the water, stopping at every landing to catch her breath. And dressed like a pauper, she went to the produce store, the grocer, the butcher, her basket on her arm, haggling, insulted, defending her miserable cash sou by sou.

Madame Loisel looked old now. She had become the strong, and hard, and crude woman of poor households. Her hair ill kempt, her skirts awry, and her hands red, she spoke loudly and she washed the floors with big buckets of water. But sometimes, when her husband was at the office, she would sit down at the window and daydream about that long-ago ball, where she had been so beautiful and celebrated.

“You say you bought a diamond necklace to replace mine?”

“Yes. You didn’t catch on, did you? They were fairly alike.”

And she smiled with proud and naïve joy.

Madame Forestier, deeply moved, took hold of Madame Loisel’s hands. “Oh, my poor Mathilde! My necklace was paste. It was worth at most five hundred francs!”

Unable to adorn herself, she remained simple, but as miserable as if she’d come down in the world. For women have no caste or breed; their beauty, their grace, and their charm serve them in lieu of birth and family background. Their native finesse, their instinct for elegance, their versatile minds are their sole hierarchy, making shopgirls the equals of the grandest ladies.

She suffered endlessly, feeling that she was meant for all delicacies and all luxuries. She suffered from the poverty of her apartment, the dinginess of the walls, the shabbiness of the chairs, the ugliness of the fabrics. All these things, which wouldn’t have even been noticed by any other woman of her station, tortured her and infuriated her. The sight of the Breton girl who did her humble housework aroused woeful regrets in her and desperate dreams.

Whenever she sat down for supper at the circular table covered with the same tablecloth for three days, she faced her husband, who, removing the lid from the tureen, ecstatically declared: “Ah! A good stew! I don’t know of anything better!”

But she fantasized about elegant dinners, about shiny silverware, about tapestries filling the walls with ancient figures and exotic birds in the midst of a magic forest; she fantasized about exquisite courses served in wondrous vessels, about gallantries whispered and listened to with sphinxlike smiles, while the diners consumed the rosy flesh of a trout or the wings of a grouse.

The night of the ball was approaching, and Madame Loisel appeared sad, worried, anxious. Still, her gown was ready.

One evening, her husband said to her: “Listen, what’s wrong? You’ve been acting funny for three days now.”

And she replied: “I’m annoyed that I don’t have any jewelry—not a single gem, nothing to put on. I’ll look downright poverty-stricken. I’d almost rather not go to the ball.”

Madame Loisel looked first at some bracelets, then at a pearl necklace, then at a marvelously crafted Venetian cross made up of gold and precious stones. She tried the pieces on before the mirror, wavering, unsure whether to keep them or leave them. She kept asking: “Don’t you have anything else?”

“Of course. Keep searching. I can’t tell what you’ll like.”

All at once, in a black satin box, Madame Loisel unearthed a superb diamond necklace, and her heart began pounding with unrestrained desire. Her hands trembled when she picked up the necklace. She placed it on her throat, against her high-necked dress, and remained ecstatic in front of her reflection.

Monsieur Loisel, bringing the wraps for their exit, tossed them over her shoulders: they were the modest garments of ordinary life, their poverty clashing with the elegance of the ball gown. She sensed the discord and wanted to flee, to avoid being noticed by the other women, who were bundling up in expensive furs.

[The carriage] brought them to their front door on Rue des Martyrs, and they sadly trudged up to their apartment. It was all over for her. And as for him, he knew he had to be at the Ministry by ten a.m.

Madame Loisel now knew the horrible life of necessity….She performed the gross household tasks, the odious kitchen chores. She washed the dishes, wearing down her rosy nails on greasy pots and on the bottoms of pans. She washed the dirty linen, the shirts and the dishcloths, and let them dry on a line. She lugged the garbage down to the street every morning and hauled up the water, stopping at every landing to catch her breath. And dressed like a pauper, she went to the produce store, the grocer, the butcher, her basket on her arm, haggling, insulted, defending her miserable cash sou by sou.

Madame Loisel looked old now. She had become the strong, and hard, and crude woman of poor households. Her hair ill kempt, her skirts awry, and her hands red, she spoke loudly and she washed the floors with big buckets of water. But sometimes, when her husband was at the office, she would sit down at the window and daydream about that long-ago ball, where she had been so beautiful and celebrated.

“You say you bought a diamond necklace to replace mine?”

“Yes. You didn’t catch on, did you? They were fairly alike.”

And she smiled with proud and naïve joy.

Madame Forestier, deeply moved, took hold of Madame Loisel’s hands. “Oh, my poor Mathilde! My necklace was paste. It was worth at most five hundred francs!”