LitCharts assigns a color and icon to each theme in The Night Watchman, which you can use to track the themes throughout the work.
Power, Solidarity, and Community Action
Oppression and Supposed Good Intentions
Humor and Pain
Sex, Violence, and Gender
Agency and Exploitation
Summary
Analysis
When Wood Mountain is about to leave the train at Fargo, he copies down the addresses where Patrice is going to check for Vera. Patrice gives him two addresses but has another address that she doesn’t tell Wood Mountain about. That address is for Bernadette, Wood Mountain’s half-sister. When Wood Mountain gets off the train, he walks toward a bar. If he goes in, Patrice thinks, she’ll never speak to him again, but he walks past.
Patrice feels herself growing fonder of Wood Mountain, but, after seeing what alcohol has done to her father, she is ready to relinquish those feelings and never speak to him again if he goes into a bar, illustrating Patrice’s independence and willingness to stand up for herself.
Active
Themes
When Patrice arrives in Minneapolis, she doesn’t know how she’ll get to the first address where she wants to go. She asks a woman working at the ticket window, who says that she can take a taxi, and Patrice thinks, of course, just like in a story in a magazine. After she sits down on a bench by the curb, a car pulls up. She shows the address to the driver and asks how much it will cost. The driver says it will be free because he’s going there anyway. The driver tells Patrice to sit up front, but that doesn’t seem right to her, so she sits in the back. The man smells like Barnes, Patrice thinks, but also like he’s already had a drink.
Patrice finds herself again in a new situation with unfamiliar norms and expectations where she’s not sure what to do. The man who gives her a ride takes advantage of that. While leading Patrice into a bad situation, he also claims to be acting in her best interest.
Active
Themes
The driver says his name is Earl. He pulls up to a place with neon letters over the door that say Log Jam 26. To Patrice, it looks like a bar, and she says she doesn’t go into bars. The man says it’s not a bar. When Patrice gets out, the man tries to push her forward, and then another man comes, and the two of them hold her by the elbows and force her through the doors. In the middle of the club, Patrice sees a lighted tank of water.
When they arrive at a bar, which Patrice doesn’t want to enter, Earl takes Patrice in by force. The charade of his good intentions has been broken, but Patrice also doesn’t have the power, on her own, to overcome him.
Active
Themes
Patrice crumples on the floor and yells out that the men are trying to kidnap her. A third man approaches and asks Earl if that’s true. The third man apologizes to Patrice and introduces himself as Jack Malloy. Patrice tells the man that her name is Doris Barnes, and Jack offers Patrice a hamburger. He also offers her a job and explains that it would be swimming in the tank of water wearing a costume like an ox. He tells Patrice that it’s 50 dollars a night plus she gets to keep her tips every other night. Patrice says she’ll look at the outfit just for fun. Jack takes her to a dressing room and shows her a blue wetsuit with the hands and feet painted white like hooves. When Jack asks if she’ll try on what he calls the “waterjack” costume, Patrice says that she certainly won’t.
Jack Malloy acts similarly to how Earl acted (and similar to how Arthur Watkins frames his intentions): though he ultimately aims to harm Patrice for his own benefit (by making money off her performance), Jack claims to be helping her out and offering her something for her own good.
When Patrice brings up finding her sister again, Jack offers to help her look and says that she can stay in the dressing room at Log Jam 26. The whites of his eyes are yellow. Eventually, Patrice says that she’ll let Jack drive her where she wants to go. Jack says they’ll part ways if Patrice finds her sister, and if not, Patrice will do the waterjack show. As she goes to get in Jack’s car—the same car Earl had been driving before—she thinks that more new things have happened to her in the past day than in the rest of her life.
Jack continues his charade that he’s helping Patrice by taking her to different addresses to look for Vera. Patrice begins to understand that something’s really wrong, though, when she realizes that the car Earl drove to attempt to kidnap her is actually Jack’s.