The Pickwick Papers

by

Charles Dickens

The Pickwick Papers: Chapter 13 Summary & Analysis

Summary
Analysis
The narrator provides an account of the town of Eatanswill, known for its deeply divided political scene, where everyone aligns themselves with one of the two main factions: the Blues and the Buffs. The citizens of Eatanswill take great pride in their town’s importance, and each man considers his political stance a matter of utmost significance. As a result, the Blues and Buffs find themselves constantly at odds, even over trivial matters. If the Buffs propose a new skylight in the market, the Blues vehemently oppose it, and if the Blues suggest a new pump for the High Street, the Buffs react with outrage. The rivalry runs so deep that shops, inns, and even the church itself have Blue and Buff affiliations.
Here, Dickens satirizes the petty and performative nature of 19th-century British politics through the fictional town of Eatanswill, where political divisions infiltrate every aspect of life, including commerce and religion. The exaggerated partisanship serves as a critique of how ideological zeal can reduce governance to absurdity, as citizens obsess over minor issues while losing sight of practical solutions. This setting reflects the rise of two-party politics in Britain during the 1830s, when fierce rivalries between Whigs and Tories often mirrored the kind of irrational loyalty Dickens portrays in Eatanswill.
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Quotes
Two newspapers fuel the political fervor: The Eatanswill Gazette and The Eatanswill Independent. The former champions the Blues, while the latter staunchly supports the Buffs. Both publications fill their pages with scathing articles, calling each other disgraceful and untrustworthy, which keeps the townspeople riled up. Amidst this charged atmosphere, Samuel Slumkey, the Blue candidate, faces off against Horatio Fizkin, the Buff candidate, in a highly contested election. Each candidate’s supporters claim that the eyes of all England are on Eatanswill, urging the town to choose the true defender of their values.
The rivalry between the two newspapers demonstrates the growing influence of the press in shaping public opinion, a significant development in Victorian society. By depicting each paper as unapologetically biased, Dickens critiques the media’s role in inflaming political disputes rather than fostering informed debate. The exaggerated importance placed on the Eatanswill election parodies the tendency of local events to assume an outsized importance in the minds of their participants.
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Pickwick and his friends arrive in the town during this period of intense excitement. They find the streets bustling with activity, as large blue flags fly from the Town Arms Inn, Slumkey’s headquarters. A crowd gathers below a man on a balcony who is loudly praising Slumkey. The man has difficulty making sure his praise heard because Fizkin has hired drummers to play nearby and drown him out. As Pickwick and his companions dismount from their coach, they are greeted by enthusiastic cheers from the crowd, even though the mob has little idea of who they are supporting. In the spirit of the moment, Pickwick joins the cheers for Slumkey.
The chaotic welcome Pickwick and his friends receive highlights the performative nature of political engagement in Eatanswill. The competing noises from the balcony exemplify how political discourse devolves into spectacle, with communication giving way to noise. Pickwick’s participation, despite having no stake in the election, shows that the enthusiasm for the election is rather infectious. Despite having no personal stake in what is going on, the Pickwickians immediately get swept up in the Eatanswill election.
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Seeking accommodations, Pickwick learns that Slumkey’s supporters dominate the available lodging. While looking for a place to stay, Pickwick and his friends meet Mr. Pott, the editor of The Eatanswill Gazette, who takes great pride in his influence over local opinion. Pott attributes the heated political atmosphere in town to his efforts, believing he has stirred the passions of the public through his articles.
Mr. Pott embodies the vanity and self-importance of the press, with his belief that his writings control public sentiment serving as a satire of editors who overestimate their influence. Dickens critiques how media figures inflate their importance by promoting division, suggesting that the press is more interested in stoking conflict than in fostering meaningful discourse.
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Pott invites Pickwick and Winkle to stay at his home, while Tupman and Snodgrass find beds at the Peacock Inn. At Pott’s house, they encounter Mrs. Pott, who expresses her frustration with her husband’s obsession with politics. At the Pott household, Pickwick endures a lengthy recitation of Pott’s past articles, while Mrs. Pott and Winkle talk. 
The interaction between Mr. and Mrs. Pott offers a domestic counterpoint to the public political chaos in Eatanswill. Mrs. Pott’s exasperation with her husband perhaps sheds critical light on how political obsession can disrupt personal relationships.
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The next morning, the town prepares for the election, with the sound of drums, trumpets, and the shouts of party supporters filling the air. Sam tells Pickwick about the tactics used to rouse voters, which include reviving drunks under the town pump. As the candidates prepare for the procession to the hustings, Perker, an old friend of Pickwick’s and Slumkey’s advisor, tells Slumkey about the importance of connecting with the public, including shaking hands with voters and kissing babies to win favor. Reluctantly, Slumkey agrees to Perker’s suggestions, knowing that public displays like this could sway undecided voters.
The revival of drunks under the town pump shows the farcical lengths to which political campaigns go to mobilize voters. Dickens satirizes the superficiality of political theater, where gestures like kissing babies take precedence over substantive engagement with policy. Perker’s coaching of Slumkey reveals how advisors guide politicians to prioritize appearance over authenticity. Because of this, the politicians, along with the rest of the populace, care about everything other than the actual issues at stake.
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Quotes
With great fanfare, Slumkey’s procession moves through the town, complete with flags, bands, and enthusiastic supporters. Slumkey, coached by Perker, takes every opportunity to interact with voters, even managing to kiss several babies, much to the delight of the crowd. However, the Buffs and the Blues soon find themselves clashing as their processions converge, leading to chaos. Pickwick, caught in the crowd, struggles to maintain his footing and ends up being pushed to the hustings, where he finds himself surrounded by angry supporters from both sides.
The convergence of the two processions seems like a clashing of two distinct ideologies, though in reality, Dickens suggests, ideology has very little to do with what is going on in the world. All of these people think they are fighting against a group that is opposed to them, but in the end they all become part of an unruly mob that is swept up in the moment and cares little about the actual issues that specific policies are supposed to address.
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On the hustings, Fizkin and Slumkey deliver speeches filled with promises to support the town’s prosperity and dedication to their voters. Both candidates claim to be champions of Eatanswill, each criticizing the other’s supporters as unfit for the duties of citizenship. Slumkey’s band plays loudly to drown out Fizkin’s speech, leading to physical scuffles between the two factions. The mayor struggles to restore order, threatening to take legal action against the candidates for their behavior. After much back and forth, eventually everyone calms down enough for the speeches to continue.
The speeches at the hustings are full of empty political rhetoric, as both candidates recycle the same platitudes while denigrating their opponents. The band’s attempt to silence Fizkin shows how political discourse is often more concerned with suppression than persuasion. Dickens’s portrayal of the mayor’s ineffectual attempts to restore order suggest that there is little desire on either side for a fair and reasonable election.
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After the speeches, a show of hands indicates support for Slumkey, but Fizkin demands a poll, prolonging the election process. Throughout the polling days, the town remains in a state of uproar, with voters indulging in the free drinks provided by both sides. The town’s streets become a stage for brawls and rowdy behavior, as party agents continue their efforts to sway the remaining unpolled voters. In the final hours, Perker manages to convince a group of undecided electors to cast their votes for Slumkey, securing his victory. The election ends with Slumkey declared the winner, much to his supporters’ delight. His triumph signals the end of the intense political battle, and the town’s celebratory cheers echo through the streets.
The chaotic polling process continues Dickens’s critique of electoral corruption, where bribes, free drinks, and coercion replace rational political engagement. The rowdy behavior of the voters suggests that elections, far from embodying democratic ideals, often devolve into spectacles of self-interest. Perker’s behind-the-scenes maneuvering to sway undecided voters emphasizes the role of manipulation in securing power, ultimately suggesting that to win at politics means sacrificing one’s ethical code.
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