Dorian Gray Character Analysis

“He is all my art to me now.”

“If it were only the other way! If it were I who was always young, and the picture that was to grow old!”

“I have seen her in every age and every costume. Ordinary women never appeal to one’s imagination. They are limited to their century.”

“I am changed, and the mere touch of Sybil Vane’s hand makes me forget you and all your wrong, fascinating, poisonous, delightful theories.”

“So I have murdered Sybil Vane,” said Dorian Gray, half to himself, “murdered her as surely as if I had cut her little throat with a knife. Yet the roses are not less lovely for that.”

“One day, a fatal day I sometimes think, I determined to paint a wonderful portrait of you as you actually are, not in the costume of dead ages, but in your own dress and in your on time.”

And, certainly, to him Life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation.

What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood?

The coarse brawl, the loathsome den, the crude violence of disordered life, the very vileness of thief and outcast, were more vivid, in their intense actuality of impression, than all the gracious shapes of Art, the dreamy shadows of Song.

If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets.

“You would sacrifice anybody, Harry, for the sake of an epigram.”

“It is not in you Dorian to commit a murder. I am sorry if I hurt your vanity by saying so, but I assure you it is true. Crime belongs exclusively to the lower orders. I don’t blame them in the smallest degree. I should fancy that crime was to them what art is to us, simply a method of procuring extraordinary sensations.”

His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, unripe time, a time of shallow moods and sickly thoughts.

“He is all my art to me now.”

“If it were only the other way! If it were I who was always young, and the picture that was to grow old!”

“I have seen her in every age and every costume. Ordinary women never appeal to one’s imagination. They are limited to their century.”

“I am changed, and the mere touch of Sybil Vane’s hand makes me forget you and all your wrong, fascinating, poisonous, delightful theories.”

“So I have murdered Sybil Vane,” said Dorian Gray, half to himself, “murdered her as surely as if I had cut her little throat with a knife. Yet the roses are not less lovely for that.”

“One day, a fatal day I sometimes think, I determined to paint a wonderful portrait of you as you actually are, not in the costume of dead ages, but in your own dress and in your on time.”

And, certainly, to him Life itself was the first, the greatest, of the arts, and for it all the other arts seemed to be but a preparation.

What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood?

The coarse brawl, the loathsome den, the crude violence of disordered life, the very vileness of thief and outcast, were more vivid, in their intense actuality of impression, than all the gracious shapes of Art, the dreamy shadows of Song.

If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets.

“You would sacrifice anybody, Harry, for the sake of an epigram.”

“It is not in you Dorian to commit a murder. I am sorry if I hurt your vanity by saying so, but I assure you it is true. Crime belongs exclusively to the lower orders. I don’t blame them in the smallest degree. I should fancy that crime was to them what art is to us, simply a method of procuring extraordinary sensations.”

His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, unripe time, a time of shallow moods and sickly thoughts.