Welcome to the LitCharts study guide on Philip Roth's The Plot Against America. Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.
The Plot Against America: Introduction
The Plot Against America: Plot Summary
The Plot Against America: Detailed Summary & Analysis
The Plot Against America: Themes
The Plot Against America: Quotes
The Plot Against America: Characters
The Plot Against America: Terms
The Plot Against America: Symbols
The Plot Against America: Theme Wheel
Brief Biography of Philip Roth
Historical Context of The Plot Against America
Other Books Related to The Plot Against America
- Full Title: The Plot Against America
- Where Written: New York City
- When Published: 2004
- Literary Period: Contemporary
- Genre: Historical Fiction; Alternate History
- Setting: Newark, New Jersey from June 1940–October 1942
- Climax: In the early days of October 1942, President Charles Lindbergh’s plane mysteriously disappears in flight between Louisville and Washington.
- Antagonist: Charles Lindbergh; Rabbi Bengelsdorf
- Point of View: First Person
Extra Credit for The Plot Against America
True Crime. The real-life disappearance of Charles Lindbergh Jr. made waves across the world and was called the “Crime of the Century”—the “Lindbergh kidnapping” case was closed in May of the same year when the child’s remains were discovered on the side of a highway in New Jersey. A German immigrant carpenter, Bruno Richard Hauptmann, was charged with the crime and eventually sentenced to death.
Fact or Fiction? In a lengthy, 27-page postscript to the novel, Roth includes a section of historical and biographical information on the major political and religious figures and ordinary people whose lives he fictionalizes in the pages of The Plot Against America. In providing factual information broken down by year about the presidency of FDR and the career trajectories of Charles Lindbergh, Fiorello La Guardia, Walter Winchell, and more, Roth wrote in The New York Times that he hoped to “establish the book as something other than fabulous”—in other words, he wanted to show how his fictional imaginings were underpinned and steered by the historical record.