The Rainbow presents sex and love as vital, primal forces that shape the lives of the Brangwen family across generations. Rather than treating them as separate experiences, Lawrence intertwines sex and love, and, indeed, several of his characters have a difficult time distinguishing between love and lust. Tom Brangwen’s love for Lydia is rooted in a deep, physical attraction, but their sexual connection evolves into something more profound over time. Their initial encounters are passionate and intense, highlighting the power of sexual desire as a binding force. Yet, as their relationship matures, the sexual aspect of their marriage transitions into a deeper, more enduring love. For Lawrence, sex is not merely a physical act, but a way for Tom and Lydia to communicate and connect on a fundamental level. Through their sexual bond, they find a way to transcend the barriers between them and build a more intimate relationship.
In contrast, Ursula Brangwen’s relationship with Anton Skrebensky reveals the confusion between love and lust. Their initial sexual encounters are passionate, driven by physical attraction and a shared desire to escape from the constraints of everyday life. For Ursula, sex serves as a way to explore her identity and assert her independence, while for Anton, it offers a sense of release. However, as their relationship continues, it becomes clear that their connection is built more on fleeting lust than enduring love. Ursula senses that something essential is missing—an emotional and intellectual bond that goes beyond mere physical desire. Their relationship ultimately illustrates that while sex may provide momentary fulfillment, it cannot by itself sustain the deeper emotional connection necessary for love to flourish.
Love and Sexuality ThemeTracker
Love and Sexuality Quotes in The Rainbow
He did not know her any better, any more precisely, now that he knew her altogether. Poland, her husband, the war—he understood no more of this in her. He did not understand her foreign nature, half German, half Polish, nor her foreign speech. But he knew her, he knew her meaning, without understanding. What she said, what she spoke, this was a blind gesture on her part. In herself she walked strong and clear, he knew her, he saluted her, was with her. What was memory after all, but the recording of a number of possibilities which had never been fulfilled? What was Paul Lensky to her, but an unfulfilled possibility to which he, Brangwen, was the reality and the fulfilment? What did it matter, that Anna Lensky was born of Lydia and Paul? God was her father and her mother. He had passed through the married pair without fully making Himself known to them.
But he was strange and unused. So suddenly, everything that had been before was shed away and gone. One day, he was a bachelor, living with the world. The next day, he was with her, as remote from the world as if the two of them were buried like a seed in darkness. Suddenly, like a chestnut falling out of a burr, he was shed naked and glistening on to a soft, fecund earth, leaving behind him the hard rind of worldly knowledge and experience. He heard it in the huckster’s cries, the noise of carts, the calling of children. And it was all like the hard, shed rind, discarded. Inside, in the softness and stillness of the room, was the naked kernel, that palpitated in silent activity, absorbed in reality.
Their children became mere offspring to them, they lived in the darkness and death of their own sensual activities. Sometimes he felt he was going mad with a sense of Absolute Beauty, perceived by him in her through his senses. It was something too much for him. And in everything, was this same, almost sinister, terrifying beauty. But in the revelations of her body through contact with his body, was the ultimate beauty, to know which was almost death in itself, and yet for the knowledge of which he would have undergone endless torture. He would have forfeited anything, anything, rather than forego his right even to the instep of her foot, and the place from which the toes radiated out, the little, miraculous white plain from which ran the little hillocks of the toes, and the folded, dimpling hollows between the toes. He felt he would have died rather than forfeit this.
Tom Brangwen had served her. He had come to her, and taken from her. He had died and gone his way into death. But he had made himself immortal in his knowledge with her. So she had her place here, in life, and in immortality. For he had taken his knowledge of her into death, so that she had her place in death. “In my Father’s house are many mansions.”
She loved both her husbands. To one she had been a naked little girl-bride, running to serve him. The other she loved out of fulfilment, because he was good and had given her being, because he had served her honourably, and become her man, one with her.
He seemed simply acquiescent in the fact of his own being, as if he were beyond any change or question. He was himself. There was a sense of fatality about him that fascinated her. He made no effort to prove himself to other people. Let it be accepted for what it was, his own being. In its isolation it made no excuse or explanation for itself.
So he seemed perfectly, even fatally established, he did not asked to be rendered before he could exist, before he could have relationship with another person.
This attracted Ursula very much. She was so used to unsure people who took on a new being with every new influence. Her Uncle Tom was always more or less what the other person would have him. In consequence, one never knew the real Uncle Tom, only a fluid, unsatisfactory flux with a more or less consistent appearance.
“Why?” he asked, “why don’t you want to marry me?”
“I don’t want to be with other people,” she said. “I want to be like this. I’ll tell you if ever I want to marry you.”
“All right,” he said.
He would rather the thing was left indefinite, and that she took the responsibility.