In 1934, Paul Brunton (the pen name of British writer Raphael Hurst) published the book
A Search in Secret India about his time searching for spiritual insight in India.
A Search in Secret India became a bestseller in England and brought the Hindu teacher Ramana Maharshi widespread attention in the U.K. Somerset Maugham would later visit Ramana Maharshi in 1938, writing an essay about the meeting before using Ramana Maharshi as the basis for the character of Sri Ganesha in
The Razor’s Edge. In
A Search in Secret India, Brunton also describes an experience of spiritual illumination similar to the one Larry experiences in
The Razor’s Edge. I
n The Razor’s Edge, the novel’s protagonist Larry goes against social expectations in a search for spiritual meaning, which he ultimately finds in Hinduism. That narrative, and the novel’s thematic focus on spiritual meaning, anticipate several literary works of the 1950s and 60s, including works of the Beat Generation and Herman Hesse. Notable related works from the Beat Generation include Jack Kerouac’s
On the Road, in which the protagonist goes against 1950s social norms to search for spiritual fulfillment across the U.S., and
The Dharma Bums, in which Kerouac, an American, searches for meaning through Zen Buddhism. In his novel
Siddhartha, Herman Hesse, who was German and Swiss, tells the story of an Indian man seeking enlightenment in the time of Gautama Buddha. Hesse wrote the novel after immersing himself in Hindu and Buddhist texts and philosophy. A recurring protagonist in J.D. Salinger’s later work, Seymour Glass, bears a striking resemblance to Larry in
The Razor’s Edge; Seymour is an American who suffers from PTSD following his time in the military during World War II, and his traumatic stress leads him to seek meaning in Buddhism and Hinduism. Seymour Glass can be found in Salinger’s collections
Nine Stories,
Franny and Zooey, and
Raise High the Roof Beam, Carpenters and Seymour: An Introduction. It is also worth noting that many of these works by Western writers have received criticism for their depictions of Buddhism and Hinduism, portrayals that critics have described as superficial, inaccurate, culturally appropriative, or all three.