The peephole leading from Noboru’s wall into Fusako’s bedroom represents the power of perspective and secret insight—specifically, it shows how knowledge can become a tool for domination. At the very beginning of the novel, Noboru angrily pulls the drawers out of his wall-mounted dresser and discovers the peephole hidden behind it. Looking through, he gains a new perspective on his mother: he sees a “mysterious chamber” full of exquisite imported furniture and clothing. But when he merely walks into his mother’s room, it looks “drab and familiar.” In other words, the peephole gives him special insight, a new perspective on something he already knew.
Later, he starts watching his mother undress and have sex with Ryuji through the peephole. He believes that this gives him knowledge about “the universal order” of the world. He’s referring to how human life comes from intercourse, but also to how he has access to his mother’s deepest secrets, which he views as the source of her power over him. In other words, he feels that his special insight gives him special powers that make him superior to others.
Fusako and Ryuji eventually discover the peephole. Distraught, they confront Noboru, but he isn’t afraid or sorry—instead, he’s proud, because he views his relationship with them like a war. To Noboru, Fusako and Ryuji are merely afraid of his secret weapon, which means that they acknowledge his superior power over them. When Ryuji decides to forgive Noboru—or make peace instead of war—Noboru decides that he must escalate the conflict and reassert his power over Ryuji by murdering him. The peephole was merely one tool in the endless war Noboru believes he’s waging against the world.
The Peephole Quotes in The Sailor Who Fell from Grace with the Sea
Noboru couldn’t believe he was looking at his mother’s bedroom; it might have belonged to a stranger. But there was no doubt that a woman lived there: femininity trembled in every corner, a faint scent lingered in the air.
Then a strange idea assailed him. Did the peephole just happen to be here, an accident? Or—after the war—when the soldiers’ families had been living together in the house…He had a sudden feeling that another body, larger than his, a blond, hairy body, had once huddled in this dusty space in the wall. […] He ran to the next room. He would never forget the queer sensation he had when, flinging open the door, he burst in.
Drab and familiar, the room bore no resemblance to the mysterious chamber he had seen through the peephole: it was here that he came to whine and to sulk.
And the zone of black. […] He tried all the obscenity he knew, but words alone couldn’t penetrate that thicket. His friends were probably right when they called it a pitiful little vacant house. He wondered if that had anything to do with the emptiness of his own world.
At thirteen, Noboru was convinced of his own genius (each of the others in the gang felt the same way) and certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man’s only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too: that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin. Therefore, his own father’s death, when he was eight, had been a happy incident, something to be proud of.
Assembled there were the moon and a feverish wind, the incited, naked flesh of a man and a woman, sweat, perfume, the scars of a life at sea, the dim memory of ports around the world, a cramped breathless peephole, a young boy’s iron heart—but these cards from a gypsy deck were scattered, prophesying nothing. The universal order at last achieved, thanks to the sudden, screaming horn, had revealed an ineluctable circle of life—the cards had paired: Noboru and mother—mother and man—man and sea—sea and Noboru…
He was choked, wet, ecstatic. Certain he had watched a tangle of thread unravel to trace a hallowed figure. And it would have to be protected: for all he knew, he was its thirteen-year-old creator.
“If this is ever destroyed, it’ll mean the end of the world.” […] I guess I’d do anything to stop that, no matter how awful!
The moment he huddled inside the chest he was calm again. The trembling and the trepidation seemed almost funny now; he even had a feeling he would be able to study well. Not that it really mattered: this was the world’s outer edge. So long as he was here, Noboru was in contact with the naked universe. No matter how far you ran, escape beyond this point was impossible.
Bending his arms in the cramped space, he began to read the cards in the light of the flashlight.
abandon
By now this word was an old acquaintance: he knew it well.
ability
Was that any different from genius?
aboard
A ship again; he recalled the loudspeaker ringing across the deck that day when Ryuji sailed. And then the colossal, golden horn, like a proclamation of despair.
absence
absolute
Obviously, his mother was not mistaken; and she had brushed against “reality,” a thing she dreaded worse than leeches. In one sense, that made them more nearly equal now than they had ever been: it was almost empathy. Pressing his palms to his reddened, burning cheeks, Noboru resolved to watch carefully how a person drawn so near could retreat in one fleeting instant to an unattainable distance. Clearly it was not the discovery of reality itself that had spawned her indignation and her grief: Noboru knew that his mother’s shame and her despair derived from a kind of prejudice. She had been quick to interpret the reality, and inasmuch as her banal interpretation was the cause of all her agitation, no clever excuse from him would be to any purpose.
To beat the boy would be easy enough, but a difficult future awaited him. He would have to receive their love with dignity, to deliver them from daily dilemmas, to balance daily accounts; he was expected in some vague, general way to comprehend the incomprehensible feelings of the mother and the child and to become an infallible teacher, perceiving the causes of a situation even as unconscionable as this one: he was dealing here with no ocean squall but the gentle breeze that blows ceaselessly over the land.
Though Ryuji didn’t realize it, the distant influence of the sea was at work on him again: he was unable to distinguish the most [exalted] feelings from the meanest, and suspected that essentially important things did not occur on land. No matter how hard he tried to reach a realistic decision, shore matters remained suffused with the hues of fantasy.
Noboru listened feeling as though he were about to suffocate. Can this man be saying things like that? This splendid hero who once shone so brightly?
Every word burned like fire. He wanted to scream, as his mother had screamed: How can you do this to me? The sailor was saying things he was never meant to say. Ignoble things in wheedling, honeyed tones, fouled words not meant to issue from his lips until Doomsday, words such as men mutter in stinking lairs. And he was speaking proudly, for he believed in himself, was satisfied with the role of father he had stepped forward to accept.
He is satisfied. Noboru felt nauseous.
“I’m sure you all know where our duty lies. When a gear slips out of place it’s our job to force it back into position. If we don’t, order will turn to chaos. We all know that the world is empty and that the important thing, the only thing, is to try to maintain order in that emptiness. And so we are guards, and more than that because we also have executive power to insure that order is maintained.”