The Sculptor’s Funeral

by

Willa Cather

Harvey Merrick Character Analysis

The story focuses on Harvey Merrick, an acclaimed sculptor whose body is returning home to Sand City, Kansas, after a life spent pursuing his art in the Eastern U.S. Unlike most protagonists, Harvey is only described through anecdotes told about him, because he dies of tuberculosis prior to the events presented in “The Sculptor’s Funeral.” This story is unusual because the plot revolves around Harvey’s funeral, so the reader’s understanding of him is shaped by only other characters’ opinions of him, truthful or otherwise. However, Henry Steavens, Harvey’s apprentice, shares that it was his master’s dying wish that his body be returned home. Cather’s sole physical description of him depicts his lack of peace in death, lying in his casket, where Harvey’s face does not contain “that repose we expect to find in the faces of the dead.” Harvey is remembered fondly only by Steavens and by his childhood friend, Jim Laird. The townspeople of Sand City, including his parents Martin and Annie, use Harvey’s funeral as an occasion to get together and slander him for how they believed he failed, demonstrating the alienation of an artist by society. Symbolizing Harvey’s achievement as an artist, a palm leaf decorates his casket. So, although most people in his hometown are incapable of recognizing his success as a sculptor, their judgment is equally incapable of rendering him as any less of a renowned artist to the rest of the world.

Harvey Merrick Quotes in The Sculptor’s Funeral

The The Sculptor’s Funeral quotes below are all either spoken by Harvey Merrick or refer to Harvey Merrick. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Artist vs. Society Theme Icon
).
The Sculptor’s Funeral Quotes

The men on the siding stood first on one foot and then on the other, their hands thrust deep into their trousers pockets, their overcoats open, their shoulders screwed up with the cold […] There was but one of the company who looked as if he knew exactly why he was there, and he kept conspicuously apart.

Related Characters: Harvey Merrick, Jim Laird
Related Literary Devices:
Page Number: 197
Explanation and Analysis:

A number of lanky boys, of all ages, appeared as suddenly and slimily as eels wakened by the crack of thunder […] They straightened their stooping shoulders and lifted their heads, and a flash of momentary animation kindled in their dull eyes at that cold, vibrant scream, the world-wide call for men. It stirred them like the note of a trumpet; just as it had often stirred the man who was coming home tonight, in his boyhood.

Related Characters: Harvey Merrick
Page Number: 198
Explanation and Analysis:

The bearers carried the coffin along the narrow boards, while the undertaker ran ahead with the coffin-rests. They bore it into a large, unheated room that smelled of dampness and disuse and furniture polish, and set it down under a hanging lamp ornamented with jingling glass prisms and before a "Rogers group" of John Alden and Priscilla, wreathed with smilax. Henry Steavens stared about him with the sickening conviction that there had been some horrible mistake, and that he had somehow arrived at the wrong destination. He looked painfully about over the clover-green Brussels, the fat plush upholstery; among the hand-painted china plaques and panels and vases, for some mark of identification, for something that might once conceivably have belonged to Harvey Merrick. It was not until he recognized his friend in the crayon portrait of a little boy in kilts and curls, hanging above the piano, that he felt willing to let any of these people approach the coffin.

Related Characters: Harvey Merrick, Henry Steavens
Page Number: 200
Explanation and Analysis:

The sculptor’s splendid head seemed even more noble in its rigid stillness than in life […] It was as though the strain of life had been so sharp and bitter that death could not at once relax the tension and smooth the countenance into perfect peace—as though he were still guarding something precious, which might even yet be wrested from him.

Related Characters: Harvey Merrick
Page Number: 201-202
Explanation and Analysis:

He could not help but wonder what link there had been between the porcelain vessel and so sooty a lump of potter’s clay.

Related Characters: Harvey Merrick, Henry Steavens
Related Literary Devices:
Page Number: 203
Explanation and Analysis:

“Was he always a good deal of an oyster?” he asked abruptly. “He was terribly shy as a boy.”

“Yes, he was an oyster, since you put it so,” rejoined Steavens. “Although he could be very fond of people, he always gave one the impression of being detached. He disliked violent emotion; he was reflective and rather distrustful of himself—except, of course, as regarded his work. He was sure enough there. He distrusted men pretty thoroughly and women even more, yet somehow without believing ill of them. He was determined, indeed, to believe the best; but he seemed afraid to investigate.”

“A burnt dog dreads the fire,” said the lawyer grimly, and closed his eyes.

Related Characters: Henry Steavens (speaker), Jim Laird (speaker), Harvey Merrick
Related Literary Devices:
Page Number: 204
Explanation and Analysis:

Steavens understood now the real tragedy of his master’s life; neither love nor wine, as many had conjectured; but a blow which had fallen earlier and cut deeper than anything else could have done—a shame not his, and yet so unescapably his, to hide in his heart from his very boyhood. And without—the frontier warfare; the yearning of a boy, cast ashore upon a desert of newness and ugliness and sordidness, for all that is chastened and old, and noble with traditions.

Related Characters: Harvey Merrick, Henry Steavens
Related Literary Devices:
Page Number: 205
Explanation and Analysis:

“That’s Harve for you,” approved the Grand Army man. “I kin hear him howlin’ yet, when he was a big feller in long pants and his mother used to whale him with a rawhide in the barn for lettin’ the cows git foundered in the cornfield when he was drivin’ ‘em home from pasture. He killed a cow of mine that-a-way once—a pure Jersey and the best milker I had, an’ the ole man had to put up for her. Harve, he was watchin’ the sun set acrost the marshes when the anamile got away.”

Related Characters: The Grand Army man (speaker), Harvey Merrick, Henry Steavens, Mr. Martin Merrick
Related Literary Devices:
Page Number: 207
Explanation and Analysis:

Was it possible that these men did not understand, that the palm leaf on the coffin meant nothing to them? The very name of their town would have remained for ever buried in the postal guide had it not been now and again, mentioned in the world in connection with Harvey Merrick’s.

Related Characters: Harvey Merrick, Henry Steavens
Related Symbols: Palm Leaf
Page Number: 204
Explanation and Analysis:

He remembered what his master had said to him on the day of his death, after the congestion of both lungs had shut off any probability of recovery, and the sculptor had asked his pupil to send his body home. “It’s not a pleasant place to be lying while the world is moving and doing and bettering,” he had said with a feeble smile, “but it rather seems as though we ought to go back to the place we came from in the end. The townspeople will come in for a look at me; and after they have had their say, I shan’t have much to fear from the judgment of God!”

Related Characters: Harvey Merrick (speaker), Henry Steavens
Related Literary Devices:
Page Number: 207
Explanation and Analysis:

“[…] you all hated Harvey Merrick more for winning out than you hated all the other boys who got under the wheels. […] Phelps, here, is fond of saying that he could buy and sell us all out any time he’s a mind to; but he knew Harve wouldn’t have given a tinker’s damn for his bank and all his cattlefarms put together […]

Brother Elder says Harve was too free with the hold man’s money—fell short in filial consideration, maybe. Well, we can all remember the very tone in which brother Elder swore his own father was a liar, in the county court […]

Harvey Merrick and I […] were dead in earnest, and we wanted you all to be proud of us some day. We meant to be great men. […] I came back here to practice, and I found you didn’t in the least want me to be a great man. You wanted me to be a shrewd lawyer—oh yes! Our veteran here wanted me to get him an increase of pension, because he had dyspepsia; Phelps wanted a new county survey that would put the widow Wilson’s little bottom farm inside his south line […]”

Related Characters: Jim Laird (speaker), Harvey Merrick
Page Number: 208-209
Explanation and Analysis:
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Harvey Merrick Quotes in The Sculptor’s Funeral

The The Sculptor’s Funeral quotes below are all either spoken by Harvey Merrick or refer to Harvey Merrick. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Artist vs. Society Theme Icon
).
The Sculptor’s Funeral Quotes

The men on the siding stood first on one foot and then on the other, their hands thrust deep into their trousers pockets, their overcoats open, their shoulders screwed up with the cold […] There was but one of the company who looked as if he knew exactly why he was there, and he kept conspicuously apart.

Related Characters: Harvey Merrick, Jim Laird
Related Literary Devices:
Page Number: 197
Explanation and Analysis:

A number of lanky boys, of all ages, appeared as suddenly and slimily as eels wakened by the crack of thunder […] They straightened their stooping shoulders and lifted their heads, and a flash of momentary animation kindled in their dull eyes at that cold, vibrant scream, the world-wide call for men. It stirred them like the note of a trumpet; just as it had often stirred the man who was coming home tonight, in his boyhood.

Related Characters: Harvey Merrick
Page Number: 198
Explanation and Analysis:

The bearers carried the coffin along the narrow boards, while the undertaker ran ahead with the coffin-rests. They bore it into a large, unheated room that smelled of dampness and disuse and furniture polish, and set it down under a hanging lamp ornamented with jingling glass prisms and before a "Rogers group" of John Alden and Priscilla, wreathed with smilax. Henry Steavens stared about him with the sickening conviction that there had been some horrible mistake, and that he had somehow arrived at the wrong destination. He looked painfully about over the clover-green Brussels, the fat plush upholstery; among the hand-painted china plaques and panels and vases, for some mark of identification, for something that might once conceivably have belonged to Harvey Merrick. It was not until he recognized his friend in the crayon portrait of a little boy in kilts and curls, hanging above the piano, that he felt willing to let any of these people approach the coffin.

Related Characters: Harvey Merrick, Henry Steavens
Page Number: 200
Explanation and Analysis:

The sculptor’s splendid head seemed even more noble in its rigid stillness than in life […] It was as though the strain of life had been so sharp and bitter that death could not at once relax the tension and smooth the countenance into perfect peace—as though he were still guarding something precious, which might even yet be wrested from him.

Related Characters: Harvey Merrick
Page Number: 201-202
Explanation and Analysis:

He could not help but wonder what link there had been between the porcelain vessel and so sooty a lump of potter’s clay.

Related Characters: Harvey Merrick, Henry Steavens
Related Literary Devices:
Page Number: 203
Explanation and Analysis:

“Was he always a good deal of an oyster?” he asked abruptly. “He was terribly shy as a boy.”

“Yes, he was an oyster, since you put it so,” rejoined Steavens. “Although he could be very fond of people, he always gave one the impression of being detached. He disliked violent emotion; he was reflective and rather distrustful of himself—except, of course, as regarded his work. He was sure enough there. He distrusted men pretty thoroughly and women even more, yet somehow without believing ill of them. He was determined, indeed, to believe the best; but he seemed afraid to investigate.”

“A burnt dog dreads the fire,” said the lawyer grimly, and closed his eyes.

Related Characters: Henry Steavens (speaker), Jim Laird (speaker), Harvey Merrick
Related Literary Devices:
Page Number: 204
Explanation and Analysis:

Steavens understood now the real tragedy of his master’s life; neither love nor wine, as many had conjectured; but a blow which had fallen earlier and cut deeper than anything else could have done—a shame not his, and yet so unescapably his, to hide in his heart from his very boyhood. And without—the frontier warfare; the yearning of a boy, cast ashore upon a desert of newness and ugliness and sordidness, for all that is chastened and old, and noble with traditions.

Related Characters: Harvey Merrick, Henry Steavens
Related Literary Devices:
Page Number: 205
Explanation and Analysis:

“That’s Harve for you,” approved the Grand Army man. “I kin hear him howlin’ yet, when he was a big feller in long pants and his mother used to whale him with a rawhide in the barn for lettin’ the cows git foundered in the cornfield when he was drivin’ ‘em home from pasture. He killed a cow of mine that-a-way once—a pure Jersey and the best milker I had, an’ the ole man had to put up for her. Harve, he was watchin’ the sun set acrost the marshes when the anamile got away.”

Related Characters: The Grand Army man (speaker), Harvey Merrick, Henry Steavens, Mr. Martin Merrick
Related Literary Devices:
Page Number: 207
Explanation and Analysis:

Was it possible that these men did not understand, that the palm leaf on the coffin meant nothing to them? The very name of their town would have remained for ever buried in the postal guide had it not been now and again, mentioned in the world in connection with Harvey Merrick’s.

Related Characters: Harvey Merrick, Henry Steavens
Related Symbols: Palm Leaf
Page Number: 204
Explanation and Analysis:

He remembered what his master had said to him on the day of his death, after the congestion of both lungs had shut off any probability of recovery, and the sculptor had asked his pupil to send his body home. “It’s not a pleasant place to be lying while the world is moving and doing and bettering,” he had said with a feeble smile, “but it rather seems as though we ought to go back to the place we came from in the end. The townspeople will come in for a look at me; and after they have had their say, I shan’t have much to fear from the judgment of God!”

Related Characters: Harvey Merrick (speaker), Henry Steavens
Related Literary Devices:
Page Number: 207
Explanation and Analysis:

“[…] you all hated Harvey Merrick more for winning out than you hated all the other boys who got under the wheels. […] Phelps, here, is fond of saying that he could buy and sell us all out any time he’s a mind to; but he knew Harve wouldn’t have given a tinker’s damn for his bank and all his cattlefarms put together […]

Brother Elder says Harve was too free with the hold man’s money—fell short in filial consideration, maybe. Well, we can all remember the very tone in which brother Elder swore his own father was a liar, in the county court […]

Harvey Merrick and I […] were dead in earnest, and we wanted you all to be proud of us some day. We meant to be great men. […] I came back here to practice, and I found you didn’t in the least want me to be a great man. You wanted me to be a shrewd lawyer—oh yes! Our veteran here wanted me to get him an increase of pension, because he had dyspepsia; Phelps wanted a new county survey that would put the widow Wilson’s little bottom farm inside his south line […]”

Related Characters: Jim Laird (speaker), Harvey Merrick
Page Number: 208-209
Explanation and Analysis: