The Shining

by

Stephen King

The Shining: Chapter 32 Summary & Analysis

Summary
Analysis
That afternoon, Jack brings a cot from the storage room so that Danny can sleep in Jack and Wendy’s bedroom with them. They figure Danny won’t want to sleep anytime soon, but he falls asleep early watching television, so Jack goes to work on his play. He doesn’t know why he ever thought the play was any good; it is complete garbage, and he doesn’t think he will ever finish it. In Jack’s sudden interest with the Overlook Hotel, he has begun to have conflicted feelings about his characters. Usually, Jack likes his characters (he once wrote a story about a child molester and even liked that character), but he is beginning to hate this play’s protagonist.
Jack hates the characters in his play because he has completely lost interest in it—he would rather abandon the play and focus all his energy on writing about the Overlook. This underscores the tight grip the hotel has on Jack. Jack’s play is an important part of his life, and he considers finishing it a major accomplishment. Now he seems to care very little about the play, which highlights the hotel’s control over him.
Themes
Fear, the Paranormal, and Reality Theme Icon
Wendy is talking to Jack, but he isn’t listening. She repeats herself. They must get Danny down the mountain, she says again. Jack asks Wendy how she expects him to do that. He says he can just change his clothes in the phone booth downstairs and fly Danny down like Superman. Wendy says she understands that they don’t have many options, but Danny was catatonic today and needs to see a doctor. Plus, there is clearly some sort of presence in the hotel, and she doesn’t want Danny anywhere near it. They have to get Danny out of here, Wendy says, and all Jack is doing is reading his play.
Jack is completely sarcastic and demeaning to Wendy. He is irritable—another symptom of his drinking—and is close to losing his temper. Wendy’s motherly instinct wants Danny out of the hotel, and she is still worried about his mental health. Normal children don’t slip into catatonic states. Wendy’s fear at this point—her fear for Danny, of the hotel, and of Jack—is intensifying.
Themes
Fear, the Paranormal, and Reality Theme Icon
Precognition, Second Sight, and the Shining Theme Icon
Family  Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
“We have to get down, we have to get down,” Jack says, mocking Wendy. He says that he will explain again, since Wendy isn’t internalizing certain truths, “as the sociologists say.” They are snowed in, Jack says loudly with irritation. Wendy begs him not to wake up Danny. Jack apologizes for sounding angry. He isn’t mad at her, he says, but at himself. He is the one, after all, who broke the CB. Wendy begins to soften. She says she knows that she can difficult like her mother, but Jack must understand that getting over Danny’s broken arm is very difficult.  
Here, Jack is completely insulting to Wendy, mentioning sociology—Wendy’s field of study—and implying that she is stupid. Wendy has every right to be angry with Jack for breaking Danny’s arm, and she has every right not to trust him, but she must tread carefully. Wendy knows she must placate Jack and his temper, or it will get out of hand.
Themes
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Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Jack says that he can probably snowshoe Danny down the mountain, but it will takes days, and they might die of exposure. Plus, if Jack snowshoes Danny down the mountain, Wendy will have to stay behind alone, since she can’t snowshoe very well. Wendy agrees that staying in the hotel alone sounds awful, and Jack suggests they wait. A ranger is bound to check on them sooner or later, and when he does, they will go down the mountain then. Wendy asks how the ranger will get them down. A helicopter, Jack says, or a snowmobile. Wait, Wendy says. Don’t they have a snowmobile in the shed?
This passage speaks to the Torrances’ level of isolation: it is not only the snow that is blocking them in, the family is also isolated by distance and weather. Sidewinder is 40 miles down the mountain, which is tough in freezing temperatures, even on a snowmobile. Jack seems to have completely forgotten about the snowmobile because he doesn’t want to leave the hotel.
Themes
Isolation and Insanity Theme Icon
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If they have a snowmobile, Wendy says, they can get Danny down the mountain. Jack says he has never driven a snowmobile before, and Wendy says it can’t be that difficult. Plus, Jack had a Honda 350cc in college. Jack says it is possible, but he doesn’t know what kind of shape the snowmobile is in, and he doesn’t even know if it has gas, or a battery, or spark plugs. Wendy says they can siphon gas from the truck and the Volkswagen. Even the generator has gas, she reminds him, and the battery and spark plugs are probably in the shed, too. Jack says he will go out to the shed and check, but Wendy shouldn’t get her hopes up. He turns around and notices that Wendy has stripped off her shirt and is lying on the bed, playing with her breasts.
Jack is making every excuse he can think of to discourage Wendy’s snowmobile idea. He clearly doesn’t want to leave the hotel, and he doesn’t want Wendy and Danny to leave either. It’s unclear what, exactly, his intentions are at this point, but the fact that he is so adamant to stay at the Overlook suggests that he is prioritizing his connection to the hotel over his wife’s very legitimate concerns about their son’s mental health.
Themes
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Family  Theme Icon
Isolation and Insanity Theme Icon
Jack and Wendy have sex, and afterward, as they lay in the dark, Wendy asks him what got Danny. Jack doesn’t exactly answer. He admits that there is something special about Danny, something the rest of them don’t have. “The most of us, beg pardon,” Jack says, correcting himself. Perhaps the hotel has something as well. Like what, Wendy asks, ghosts? Jacks says he doesn’t think the hotel has ghosts in a literal sense, but perhaps there is “residue” left from so many years and so many scandals.
Like Wendy, Jack is beginning to believe that Danny has a special power in his ability the shining. Jack’s correction, however, suggests that there are others who have the shining, perhaps even Jack himself. Jack implies that years of history, scandals, and death have left a permanent imprint in the hotel, like the multiple eras that exist side by side in the hotel. 
Themes
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Precognition, Second Sight, and the Shining Theme Icon
Time Theme Icon
Wendy reminds Jack of the ghost of room 217 and asks if he thinks Danny is going crazy. Jack doesn’t know. They know that Danny often falls into trances, and he definitely seems to have precognitive episodes, which, could possibly be part of his subconscious. But, Wendy says, Danny’s bruises are real. Jack agrees and can think of two explanations, neither of which involve ghosts or another person in the hotel. He says Danny’s marks could be a form of stigmata. Wendy asks if that is when people bleed on Good Friday, and Jack says it is something very close. People have studied the connection between the mind and body, and it is possible to make one’s heartbeat slow down or even to make one’s self bleed.
Jack knows perfectly well that Danny isn’t crazy and that his experience in room 217 was real, but he doesn’t calm Wendy’s fears. Instead, he leaves her wondering and tortures her. Clearly, finding out that there is definitely a ghost in 217 isn’t exactly comforting, but it will at least let Wendy know that Danny isn’t losing his mind. This can be seen as another form of Jack’s abuse. Instead of telling Wendy the truth, he offers a farfetched theory of stigmata and self-mutilation. 
Themes
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Precognition, Second Sight, and the Shining Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Wendy dismisses Jack’s idea of stigmata. Danny didn’t think the bruises onto his neck, Wendy insists. Jack says that it is also possible Danny gave himself the bruises. Not on purpose, Jack says, but Danny sometimes falls when he goes into a trance, and it is possible he hurt himself. Sure, Wendy says, she has seen him fall over in a trance before, too; however, Danny’s bruises look like fingers. Yes, Jack says, and Danny could have wrapped his hands around his own throat, too, especially if he had a vision in which he was strangled. 
Again, Jack knows perfectly well that Danny didn’t give himself the bruises. Jack saw the ghost in 217 turn the doorknob. If the ghost can grab a door, she can certainly grab Danny, but Jack doesn’t tell Wendy this. He seems to want to torture her, telling her one horrifying thing after another. This suggest that even when Jack seems sane and calm, he is still under the influence of the hotel.
Themes
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Precognition, Second Sight, and the Shining Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Wendy says again that they must get Danny down the mountain to a doctor. What Jack is explaining is schizophrenia, Wendy says, which is even scarier than ghosts. You can keep away from a ghost, she says, but how are they to keep Danny away from himself? Jack insists that he is only talking about a very limited kind of schizophrenia. After all, Danny does seem to be able to read minds. As Danny gets older, he will learn to control it better. If only Danny had listened and stayed out of the guest rooms, Jacks says.
Wendy’s fear that Danny has schizophrenia underscores how reality can be even scarier than the paranormal. Wendy is obviously afraid of the hotel, but she is truly frightened by the idea that Danny might be really sick and that there is nothing she can do about it. Jack, on the other hand, implies that Danny deserved to be scared to death because he disobeyed Jack, which further reflects Jack’s building insanity and abusive nature. 
Themes
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Precognition, Second Sight, and the Shining Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Wendy says that Jack can’t possibly be suggesting that Danny deserved what he got. If they stay, they will all be seeing things, Wendy predicts. Jack tells her not to be ridiculous, and she asks again if he saw anything in room 217. Jack says he saw nothing. She asks again if he really plans on taking them down the mountain on the snowmobile, and he tightly clenches his fist. “Stop nagging me!” Jack thinks to himself. Yes, he promises, and tells Wendy to go to sleep.
Jack again implies that Wendy’s fears are unfounded when he knows they are perfectly reasonable. He even lies when she asks him point-blank about room 217. Jack could turn everything around right here, but he doesn’t. Instead Jack snaps at Wendy, again showing his ugly temper and abusive nature.
Themes
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Precognition, Second Sight, and the Shining Theme Icon
Alcoholism and Abuse Theme Icon
Jack lays in the dark thinking. Wendy never suggested what they might do when they finally get to Sidewinder with $60 and no car. She is afraid of ghosts but doesn’t seem to recognize how scary being broke and homeless will be. And what is Jack supposed to do? Explain to Al that ghosts are after Danny, so he had to shut down the boiler and leave the hotel to the elements and vandals? Blood begins to pour out of Jack’s clenched fists, and he thinks again about stigmata. Maybe he should explain to Al that he just had to kill Wendy. 
Jack’s insanity and rage are rising, and drawing blood from his clenched fists is proof of this. Under the hotel’s influence, Jack is now beginning to think more explicitly of killing Wendy, just like Grady killed his wife. This passage also underscores how terrifying reality can be. Once they get to Sidewinder, they will have zero options. They will have no money and no prospects, which is absolutely terrifying. 
Themes
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Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Thoughts of killing Wendy pop into Jack’s mind without warning. He imagines wrapping his hands around her throat and slowly choking the life out of her. He will “make her take her medicine. Every drop. Every last bitter drop.” Suddenly, Jack hears Danny make a noise in his sleep, and he goes to him. Jack is ashamed of himself. He should be thinking about Danny right now. He touches the boy’s forehead and feels a crippling sort of love for him. Jack goes back to bed and tries to sleep. He wonders what could possibly happen if they didn’t go down the mountain tomorrow. He would probably finish the play. One way or another, he will write an ending, and maybe he will even make a little money on it. Then, Stovington will give him his job back. With these thoughts in his mind, Jack drifts off to sleep.
The fact that the images of killing Wendy pop into Jack’s mind without warning suggests the hotel is somehow influencing his thoughts. However, Jack’s claim that Wendy will “take her medicine” again hearkens to Jack’s father and suggests Jack is just as abusive and mean as his father was. While the hotel is clearly manipulating Jack’s thoughts and emotions to some extent, his history of abuse means that he is not a wholly blank slate. Jack already has such inclinations—the hotel just pushes him toward them. Jack’s love for Danny is clear, but by the time Jack gets back to bed, he has talked himself out of leaving.
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Quotes
Jack wakes and is standing in the bathroom of 217. He wonders if he is sleepwalking again and begins to walk toward the bathtub, even though he doesn’t want to. He is afraid, but his mind tells him not to be afraid of a dream. He goes to the bathtub and rips open the curtain. In the tub is George Hatfield, naked with a knife stuck in his chest. He accuses Jack of setting the timer ahead and insists again that he doesn’t stutter. Jack says he set the time ahead for George’s own good. Plus, Jack adds, he happens to know that George cheated on his Final Composition. George denies cheating, but Jack says he can prove it.
George appears in the bathtub of 217, not Mrs. Massey, which implies that Jack is really haunted by his own actions of attacking and nearly killing George. Jack’s hatred for George is wrapped up in Jack’s own feelings of failure and inadequacy, and these same feelings are tied to his alcoholism. In short, Jack is afraid of himself—his temper and his alcoholism.  
Themes
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Alcoholism and Abuse Theme Icon
George puts his hands around Jack’s throat, and Jack reaches for the doorknob. The doorknob turns and he falls through the door; however, instead of room 217, Jack is standing in the basement. He begins to look through the boxes, yelling that he will find “it,” and pulls out a wasps’ nest and a ticking timer that has a bundle of dynamite connected to it by an electrical cord. George won’t be able to hurt him now, Jack thinks just as George appears again and wraps his hands around Jack’s throat. George insists again that he doesn’t stutter, and the electrical cord turns to a cane in Jack’s hand.
Jack has spent hours in the basement searching,—though for what, he doesn’t know. Here, here he finds is a wasps’ nest and a timer. Given the symbolic significance of wasps’ nests in the novel as a signal of impending danger, this suggests that Jack and his family are at risk and are running out of time. The electrical cord turns into a cane in Jack’s hand because Jack’s father beat Jack’s mother with his cane, and Jack is going to do the same to George.
Themes
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Jack beats George with the cane until George lets go of his neck, begging Jack to spare him. “Now you’ll take your medicine,” Jack says to George. “Now by God, won’t you.” George falls to the ground with his hands protecting his face and head, and Jack keeps beating him with the cane, only it has turned into a roque mallet, and the hard end is clotted with blood and hair. Jack suddenly realizes that it is not George before him but Danny. Jack’s realization comes a moment too late, and as he brings the mallet down on Danny’s head, something—or someone—in the hotel begins to laugh.
In this hallucination, Jack completely turns into his father, one of his greatest fears in life. Jack uses his father’s threat and his father’s weapon, but when the vision changes, Jack sees how this abuse looks in the next generation. The hotel seems to be using Jack’s abusive history to manipulate him and convince him to kill Danny. While Jack is clearly more comfortable with the idea of killing Wendy, he is also fighting the idea of killing Danny on some level.
Themes
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Family  Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon