The Shining

by

Stephen King

The Shining: Chapter 44 Summary & Analysis

Summary
Analysis
Jack is dancing with a beautiful woman. He doesn’t know how long he has been drinking inside the Colorado Lounge. Time doesn’t matter anymore. Jack remembers talking to a comic from television’s infancy, and he saw men crossing the lobby in formal dress from the early 1900s. Japanese lanterns are strung everywhere, and the only sober part of Jack’s brain tries to tell him that it is 6:00 a.m. on a morning in December, but time is “canceled.” 
Jack’s disorienting feeling is a result of the Overlook Hotel’s warped and twisted sense of time. Jack is talking to a man from the 1930s, while watching men from the early 1900s. The Japanese lanterns are decorations from the masquerade ball in 1945, and all of this is unfolding at once, at 6:00 a.m. in December of 1975.
Themes
Fear, the Paranormal, and Reality Theme Icon
Alcoholism and Abuse Theme Icon
Time Theme Icon
Quotes
A poem pops into Jack’s head: “The arguments against insanity fall through with a soft shurring sound / layer on layer…” Jack can’t remember the poet, but it is something he read in his undergraduate. He laughs. The woman he is dancing with asks what is so funny. The band is playing some postwar music, but Jack doesn’t know which war. The woman is wearing a cat’s-eye mask, and she invites Jack up to her room. Over her shoulder, Jack can see Derwent, and a man dressed in a dog costume, Roger, is following him on all fours, obviously drunk and barking.
The poem that pops into Jack’s head is a poem written by King, a version of which also appears in King’s novel, Lisey’s Story. The poem clearly reflects Jack’s growing insanity, which is compounded by the disorienting nature of time. The woman is wearing a mask just like the one Wendy finds in the elevator, and Roger, Derwent’s drunk friend, is the dogman who stopped Danny at the stairs when he tries to go to Jack.
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Time Theme Icon
The band’s number ends, and the woman excuses herself. Jack nearly falls over a drink cart moving by. He apologizes, and the man pushing the cart asks if Jack would like a drink. Yes, he says, a martini. Jack asks the man what his name is, and he answers Grady. Jack asks if he is the caretaker, but Grady is confused. Jack is the caretaker, Grady says. He has always been the caretaker. At least since Grady was hired. The manager hired him the same day as Jack, Grady says, and he asks Jack if he remembers.
This is further evidence of Jack’s growing insanity, as he is now hallucinating that he is talking to Grady. Grady came to the hotel in the winter of 1970-1971, and Jack is in 1975, but since time unfolds all at once at the Overlook, Jack and Grady came to the hotel on the same day.
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Time Theme Icon
Jack mentions Ullman, but Grady corrects him. Not Ullman. The hotel. Grady suggests that Jack ask Danny about the hotel. Danny understands the hotel, even though he has been holding out on Jack. Grady says that Danny needs to be “corrected.” The boy “needs a good talking-to, and perhaps a bit more,” Grady continues. Grady says his own daughters didn’t like the hotel at first either, and they even tried to set it on fire, but Grady “corrected them.” When his wife resisted, he “corrected her,” too. Jack will have to do the same with Danny and Wendy.
When Grady says he “corrected” his wife and daughters, what he means to say is that he killed them. They wouldn’t willingly surrender to the hotel, just like Wendy and Danny won’t, so he murdered them and himself. When Grady suggests that Jack “correct” Danny, he is really telling Jack to kill him.
Themes
Fear, the Paranormal, and Reality Theme Icon
Family  Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Get the entire The Shining LitChart as a printable PDF.
The Shining PDF
Grady tells Jack that if he disciplines Danny, Wendy will fall in line. Jack asks why Wendy and Danny can’t just leave. After all, it is Jack the hotel wants, not Danny or Wendy. As Jack speaks, Derwent yells at Roger for peeing on the floor and the room erupts in laughter. Grady tells Jack that Danny has been calling out to Hallorann, calling him to the hotel to interrupt their plans. He further tells Jack that the scrapbook was left behind for Jack by the manager, who thinks Jack has a future with the hotel’s top management.
The hotel doesn’t really think Jack has a future in top management—it believes that Danny does. Grady is simply appealing to Jack, flattering him in a way, especially since he has struggled so much with his career lately, as a means to get ahold of Danny. The hotel would never allow Danny to just leave; it is determined to harness Danny’s shine to fuel its evil power.
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Quotes
However, Grady says, how far Jack goes in the hotel depends on Danny. Jack can’t understand why. He makes his own choices, Jack says. Grady says that Jack must do something about Danny and Wendy. A man who can’t manage his wife and son cannot manage the hotel. Jack shouts at Grady, telling him that he will take care of them, and the entire room is silent. Grady tells Jack to follow him, and he leads Jack to the mantle, where the clock sits below the glass dome, the elephant statues situated on either side. It is one minute to midnight.
Here, Grady implies that there isn’t a place for Jack in hotel management without Danny, which Jack seems to pick up on, because he quickly loses his temper. Grady continues to push Jack with coded talk of murder, and Jack snaps. The whole room is silent, because they are all waiting for Danny, which means they are waiting for Jack to kill him, and they know that Jack is hesitant to do so. 
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
“Midnight!” Derwent shouts. “Unmask! Unmask!” The clock chimes and the crowd cheers. Two figures, a father and son, come to the front of the clock as Strauss’s waltz plays. The father holds a roque mallet and begins to strike the son repeatedly. The son falls, and blood splatters the inside of the glass dome. Jack doesn’t believe what he is seeing. Clocks can’t bleed, he says to himself. He looks around the ballroom. It is empty. He looks back to the clock, feeling drunk. It is only the clock under the dome and the elephants. No blood.  
When Danny stood in front of the clock, the figures were boy and girl ballerinas. For Jack, the figures change and serve as a visual aid of what is expected of Jack. Jack is to kill Danny with the roque mallet, just like the figures from the clock. When everything disappears, Jack is left again feeling insane. However, the seed has been planted. Jack knows what is expected of him.
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Time Theme Icon
Jack walks through the dining room, stumbles and falls, striking his nose. Bleeding, he goes to the Colorado Lounge. It is empty, too, but the shelves are full. Relieved, Jack goes to the bar and yells for Lloyd. Silence. He yells for Grady. Silence. Jack gets up, intending to get his own drink, and tries to jump behind the bar. He falls forward, striking his head. Jack passes out. Outside, the snow continues to fall. It is 8:30 a.m., MST.
Jack is clearly drunk. He can’t walk a straight line, and he is stumbling everywhere. When Jack first came up from the basement to get at drink, it was 5:20 a.m. He has been hallucinating for nearly three hours.
Themes
Fear, the Paranormal, and Reality Theme Icon
Isolation and Insanity Theme Icon
Alcoholism and Abuse Theme Icon
Time Theme Icon