The Silence of the Girls

by

Pat Barker

The Silence of the Girls: Chapter 30 Summary & Analysis

Summary
Analysis
While Briseis works in one of the medical tents, news is continually arriving that the battle is going well for the Greeks. The wounded soldiers sing songs in celebration, including songs about Helen, whose husband Menelaus they believe will murder her, though perhaps he’ll “fuck her first.” Then, in the late afternoon, news arrives that the battle is going worse for the Greeks and that Hector has killed Patroclus. Briseis is incredulous at the news, even though she expected Patroclus would die when she saw him that morning in Achilles’s armor.
The songs that the soldiers sing about Helen recall scenes of Achilles playing songs about martial glory and heroic death. These songs emphasize that ancient Greek culture, as represented in the novel, is fundamentally misogynistic, patriarchal, and violent in its myths, legends, and cultural practices—as evidenced by the jokes about Menelaus “fuck[ing]” his estranged wife before murdering her. 
Themes
Mythology and Oppressed Perspectives Theme Icon
Briseis can’t leave the medical tents, but she later hears from Iphis that when Achilles heard Patroclus had died, he collapsed to the ground and started casting dirt into his own face and hair. Then, suddenly, the wind blew, clouds covered the sun, and Thetis appeared, walking up the beach toward Achilles. All the men ran for cover, terrified to see Achilles and Thetis speak.
The goddess Thetis physically appears in the novel rather than remaining a rumor or legend—which reveals that while The Silence of the Girls is a rewriting of the myths found in The Iliad from a female, enslaved perspective, it retains The Iliad’s matter-of-fact belief in the supernatural.
Themes
Mythology and Oppressed Perspectives Theme Icon
The Effects of Misogyny  Theme Icon
Slavery and Dehumanization Theme Icon