One of the tensions that drives
The Tattooist of Auschwitz is the fact that Gita refuses to tell Lale her last name, insisting that she’ll give him this information when they finally leave Birkenau. The danger of doing this, of course, is that it’s been an ongoing possibility that she could be taken away without telling Lale her last name, making it impossible for him to find her in the aftermath of the Holocaust. In this moment, though, Gita manages to tell Lale her last name at the very last possible moment, but this small piece of certainty likely does little to alleviate the more distressing fact that the Nazis have taken her away from Lale, thrusting them both into an unknown and unsettling future—a future in which it’s not clear whether or not they’ll ever be together again.