Writing between World War I and World War II, Hemingway was part of what is known as the Lost Generation. These writers are known as having become disillusioned with traditional American values (like work, savings, marriage, and domestic life) after experiencing war and feeling aimless, or “lost.” Their writing often featured themes relating to this worldview, such as loss, love, death, travel, angst, and decadence. Other examples of literature from the Lost Generation include Erich Maria Remarque’s
All Quiet on the Western Front (1928) and Hemingway’s
The Sun Also Rises (1926). “The Three-Day Blow” is one of several short stories featuring Hemingway’s semi-autobiographical alter ego, Nick Adams, that were published between 1925 and 1933, loosely based on Hemingway’s personal life experiences. “The Three-Day Blow” was originally published in
In Our Time, Hemingway’s first collection of short stories. “The Three-Day Blow” follows on from another short story called “The End of Something,” which depicts Nick’s breakup with Marjorie (which he dwells on after the fact in “The Three-Day Blow”).
Additional vignettes featuring the character of Nick were compiled and published posthumously in
The Nick Adams Stories. “The Three-Day Blow” also bears some thematic resemblance to Hemingway’s “Indian Camp” (another story following Nick Adams), which defines masculinity narrowly in terms of a man’s ability to mask his emotions, which is similar to how Nick and Bill conceive of it in “The Three-Day Blow.”