The Time Traveler’s Wife

by

Audrey Niffenegger

The Time Traveler’s Wife: Chapter 5 Summary & Analysis

Summary
Analysis
Saturday, October 27, 1984 (Clare is 13, Henry is 43). Clare wakes up from a deep sleep when she hears her name being called outside. Suspecting it might be Henry, she runs out to the Meadow. She finds her father, Philip, and Mark in hunting gear, then she sees Henry standing next to them. They ask her what she is doing up, and she explains what she heard. She looks to Henry for an explanation, but he shakes his head at her. Clare knows they were looking at something on the ground, but nothing is there now. Her father tells her she is dreaming and sends her back inside. Henry smiles at her reassuringly as she leaves, but she can tell her father and brother are distressed. Back in her bed, Clare suspects something terrible has happened.
This scene is important foreshadowing for the climax of the novel. Clare is too young to understand what is happening, and Henry intentionally keeps her from investigating any further. His heavy-handed attempt to reassure her, combined with her brother and father’s hunting gear and horrified expressions, imply something truly critical has transpired. This experience is one piece of larger puzzle of what will come to pass, though it is too indistinct to draw any conclusions just yet.
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Monday, February 2, 1987 (Clare is 15, Henry is 38). Clare comes home after school and visits Henry in the Reading Room, a closed-off part of the basement she made so he could stay warm in the winter. Clare notices he looks exhausted and disheveled; she asks when he is from. Henry responds that he has traveled from 2001. Clare asks him why, but Henry only shares that it’s something tiring and important. Henry tells her she looks thin, and Clare assures him she’s fine. He explains he only worries because her mother Lucille used to nag her about her weight. Clare notices that Henry uses the past tense to refer to her mother and begins to panic despite his efforts to calm her.
Because Henry gives her so little information about himself and his life in the future, Clare becomes a keen observer. She watches Henry closely in order to determine his age, his health, and his mood. Whatever is bothering Henry in the future has eroded his usual guard, leading to yet another slip: referring to Clare’s mother in a way that makes it clear she is dead. Clare panics immediately because she is accustomed to serving as a main caretaker for Lucille when she has mental health issues.   
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Henry is livid at himself for giving away Lucille’s death. He wishes he could return to the present to ask grown-up Clare what he should say about her mother’s passing. He realizes he slipped and told her the truth because of his lack of sleep in the present, and he knows that Clare picks up on his attempts to cover it with a lie. Henry tries to comfort her, but Clare insists he tell her the truth immediately. Henry explains that knowing the future will only make things messy. Clare, growing more frantic, guesses that her mother dies by suicide. Henry is adamant that she does not. Clare continues to spiral nonetheless, which convinces Henry that he must be honest. He tells Clare that Lucille dies from ovarian cancer. Clare is relieved.
It takes an extreme situation and forceful insistence on Clare’s part, but Henry finally listens when Clare demands he tell her about the future. Even so, Henry tells her because he believes it would be better for her mental health to know for certain Lucille died of cancer than suspect she died by suicide. Essentially, Henry only acquiesces to Clare’s request because he decides it is necessary, not because he’s honoring her right to choose.
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Friday, June 5, 1987 (Clare is 16, Henry is 32). Clare waits for Henry in their usual spot. Earlier in the day she obtained her driver’s license, and she now plans to go to a party at Ruth’s house that evening. Henry arrives in the Meadow right before Clare needs to go inside. She notices he looks younger than usual this time. Clare demands a kiss to celebrate her license, and Henry concedes. He tells Clare that he is jealous; he can’t drive because it would be too dangerous if he disappeared. Clare then invites him to the party. Henry is hesitant, so she suggests he just wait in the car while she makes a quick appearance.
Ultimately, Clare is able to wear down Henry’s resolve to stay chaste because he is increasingly attracted to her the older she gets. He kisses her because he wants to, and he follows her to the party not to protect her but because he’s jealous. Again, it seems as though Henry breaks his rules about honoring the age of consent, not sharing unnecessary future details, and treating Clare according to her age when it suits him. Sometimes it aligns with Clare’s motives, but he rarely honors her wishes simply because she deserves to choose.
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At the party, Clare leaves Henry in the car parked down the road. She is worried to find there are more boys than girls, and they all appear to be drunk. She dodges unwanted attention from classmates who make fun of her for never dating. She finds Helen, and they go upstairs to join Ruth and Laura. They admire the boys swimming in the pool from their spot near the window. Helen asks Clare why she hasn’t had sex with anyone yet, and Ruth guesses that she’s waiting for a particular person. Helen leaves, saying she’s going to grab the ingredients to make bellinis.
The girls’ conversation about Clare’s virginity is another example of how Clare’s teenage experience differs from her peers’ experiences because of Henry. Clare’s friends struggle to understand her choices, but Clare is unable to truthfully answer because she must keep her relationship with Henry a secret. Not only does having Henry in her life keep her from typical teenage exploration, but it also impedes on her ability to be vulnerable around her friends.
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While waiting in the car, Henry is surprised when Helen appears outside the window. She introduces herself, addressing him as “Clare’s boyfriend.” Helen insists that he come out and says she’s suspected his existence for a while. Henry insists that he’s merely a friend of Clare’s parents who has volunteered to be a designated sober driver. Clare arrives then, assuring Helen that Henry is not her boyfriend. The two drive away, leaving Helen behind. Clare, frustrated by the interaction, drives recklessly. Henry chastises her, but Clare reminds him that nothing bad can happen because he would know if it did.
Clare’s retort about Henry knowing about everything bad that will happen in her future hints at what is irritating her: the power imbalance between her and Henry due to Henry’s foreknowledge. It seems that she’s upset by Henry’s choice not to limit his involvement in her life in situations when he’s able to. He didn’t have to stop by the party this evening, but he chose to out of jealousy, prioritizing his own insecurity over Clare’s comfort.  
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Henry makes Clare pull over and promise not to do something so dangerous in the future because he loves her. This breaks Clare out of her rebellious attitude. She touches Henry intimately, but he removes her hand from his lap. They notice his hands are bleeding, and Henry realizes he dug his fingernails into his palm in fear while Clare was driving. Clare apologizes. Henry explains that he was in a bad car accident as a child. When they calm down and notice the late hour, Clare leaves Henry on the road and drives home.
Clare is wrong to put her and Henry’s life in danger by driving erratically, though it’s worth noting that her anger could conceivably be considered a valid emotional response to Henry’s invasion of her privacy. Meanwhile, Henry’s mention of a childhood car wreck hints at the accident that killed his mother. His choice not to elaborate on the accident spares Clare the hurt of knowing how her erratic driving has triggered Henry to perhaps relive that traumatic scene from his past.
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Sunday, September 27, 1987 (Henry is 32, Clare is 16). Henry arrives in the clearing where he finds Clare unusually quiet and largely unresponsive to his questions. He suspects she’s been crying. Finally, she asks him if he would hurt someone for her if she asked. Henry asks for more information, but Clare doesn’t want to talk about it. He remembers something that she told him in the future, and he asks if it’s about a classmate she went on a date with. Clare explains she went out with Jason to refute recent school gossip that she is a lesbian because she doesn’t date. Their date had been uneventful until she refused to make out with him. Instead of taking her home, he took her to an isolated cottage where he beat her and burned her with a cigarette.
Jason’s assault of Clare highlights the negative impact Henry has on Clare’s life. Though Henry didn’t trigger the assault directly, Clare’s choice to abstain from dating in order to wait for Henry alienates her from her peers and makes her a target for their cruelty and harm.
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This information infuriates Henry, who demands that Clare take him to Jason. In the car, Clare and Henry discuss the fact that Jason is much bigger than Henry. She pulls her father’s handgun from her purse. Henry removes the bullets, afraid he’d actually use them, and decides to use the gun as a threat. Clare tells Henry she wants to watch while Henry hurts Jason enough to scare him permanently. Henry is hesitant to inflict actual damage, but Clare’s pleas convince him.
Clare’s admission infuriates Henry because of what Jason did, but perhaps also because of how his own presence in Clare’s life indirectly brought on the assault.
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Henry and Clare arrive at Jason’s house and use the gun to force him into the car. They drive to the woods, where they start to duct tape him to a tree. Jason begins to have an asthma attack, so Clare goes to the car for his inhaler. Henry asks Jason why he hurt Clare. He explains that Clare toyed with his emotions, and Henry responds that Clare is too innocent to intentionally lead him on. After administering his inhaler, Henry resumes taping Jason to the tree while Clare cuts off his clothing. Jason is left fully covered in tape aside from his erection.
This complicated scene implicitly draws a parallel between Clare and Henry. Jason accuses Clare of leading him on, which Henry insists Clare is too innocent to have done. Henry, on the other hand, has arguably been manipulating young Clare’s emotions by feeding her knowledge about their future together—and he’s old enough to know how such knowledge might affect her.
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Clare laughs darkly at Jason’s state, and Henry hears in her tone the loss of her innocence. Clare uses a marker to write what Jason did to her on the duct tape. Henry then tells Jason that if he mentions anything about his being there, he will return for him. When Jason talks back, Henry kicks him in the groin. Clare and Henry leave after calling all Clare’s female classmates to come cut him down. On their drive home, Henry can tell he will disappear soon. Clare thanks him and kisses him goodbye.
Jason’s assault of Clare was obviously wrong, yet Clare demonstrates a capacity for cruelty too in her obvious enjoyment of getting revenge on him. It’s clear that seeing this darker side of Clare bothers Henry—he feels a time-traveling episode coming on, indicating his discomfort with accepting this aspect of Clare’s character. 
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Monday, September 28, 1987 (Clare is 16). When Clare returns to school, she can feel her classmates’ attention on her. Ruth makes sure Clare is okay before assuring her that she and the other girls went and cut Jason down like Clare asked. In French class, Clare considers the nonchalance with which Henry hurt her attacker. She worries that Henry relished in it the same way Jason had relished hurting her. She reminds herself of Henry’s goodness and that she was the one to insist he hurt Jason. On the way to gym class, Helen asks if Henry helped her, and Clare denies it. As they change, Helen and the other girls see Clare’s injuries and begin clapping in celebration of her revenge.
Clare’s discomfort at Henry’s willingness to commit violence indicates her maturity, but it also betrays her youthful lack of self-awareness—she herself seemed to take pleasure in seeing Henry hurt Jason, yet she doesn’t seem to register this hypocrisy. Henry, on the other hand, is an adult—and should have more control over his actions. Jason’s behavior was wrong, but responding to violence with more violence is an arguably flawed and inadequate response to injustice. 
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Wednesday, July 12, 1995 (Clare is 24, Henry is 32). Henry returns from somewhere else in time and rouses Clare from near sleep. She feels his hands on her, then his lips on the scar she still bears from Jason’s cigarette. Understanding that Henry has just returned from the woods that day, Clare thanks him. Henry tells her that he was happy to help, then he kisses her. Clare says that they shouldn’t talk about the incident ever again.
Note that the narration skips forward quite a few years here—Clare’s desire not to discuss the incident reflects the enduring trauma of the event. And the physical scar the event left on her body symbolizes the lingering influence the past experience has on the person Clare is today. For better or for worse, the past shapes the person one becomes in the present. 
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Sunday, September 11, 1988 (Henry is 36, Clare is 17). Henry and Clare enjoy a sunny September day in the Meadow. Henry has his head in Clare’s lap, and he is especially thankful for this serene visit because he and Clare are struggling through a challenging winter in his present. Clare, seeing Henry’s peaceful expression, decides to draw him. Henry studies her as she sketches him, noticing how absorbed she is in her task. Being the object of her intense focus makes him feel loved and reminds him of when they have sex in his present.  
Henry’s relationship with underage Clare continues to be complicated. While he doesn’t physically act on his attraction to teenage Clare (and while the attraction is rooted in his attraction to the grown woman she will be at their initial meeting in the library), he continues his presence in her life in a way some may consider an act of grooming. It's worth noting that the novel itself doesn’t seem to portray Henry’s behavior as predatory, however.
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Clare asks Henry what time he has come from and is surprised when he says 2000; she explains that he is usually visiting from later years when he arrives stressed. Henry responds that she must track his moods closely, and Clare agrees it’s all she can do when he withholds so much about the future. When she asks what he is afraid of, Henry admits that he is primarily concerned she will leave him in their present when she gets tired of his unpredictability. Clare stops drawing. She tells him that despite the fact he is constantly leaving her, she won’t abandon him. Henry reminds her that he doesn’t have a choice.
This scene further highlights the power imbalance at the heart of Henry and Clare’s relationship. Clare is responsible for monitoring Henry’s moods and must constantly wait around for him. She’s arguably performing the bulk of the emotional labor in the relationship, and it’s merciful of her to promise never to leave him. It also perhaps indicates the depth of her love for him, though whether such love is healthy is up to readers to decide. 
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When Clare shows Henry her finished drawing, he recognizes it as one that Clare has in her art studio in their future home. Clare begins to write the date, but Henry tells her not to because the one hanging by her desk is undated. She wonders if he ever notices that things have changed when he returns to the present. Henry indulges her curiosity, telling her to write the date after all. They joke that they’ve caused some horrible rift in time, and before long, Henry is gone.
This scene complicates the novel’s conception of free will. Henry instructs Clare not to sign the drawing in order to fulfill the image of the future that his foreknowledge grants him. Yet Henry is choosing to tell Clare not to sign the drawing when she otherwise would have, thereby meddling in the natural progression of events. Henry continues to struggle with his understanding of free will, at times wanting to leave things to chance and at other times trying to control the events of his life.
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Thursday, January 13, 2000 (Henry is 36, Clare is 28). When Henry returns to the present, he still wonders about the conversation he had with Clare in the Meadow. In Clare’s studio, he finds her working on sculpture that looks like a purple nest. The drawing is nowhere in sight at first, but Clare tells him it may have fallen. She finds it eventually, but there is no date on it. Henry panics, but Clare explains she cut the date off after their conversation in 1988 out of fear they really would affect the time continuum. Henry can’t say why, but this relieves his anxiety.
Clare’s choice to remove the date is yet another instance where she makes a compromise to ensure Henry’s comfort—perhaps at the expense of her own. Still, the novel doesn’t portray Clare’s act of compromise in a negative light; rather, it frames it as a touching indication of her love for Henry. 
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