The Turning

by

Tim Winton

The Turning: Family Summary & Analysis

Summary
Analysis
Leaper wakes up at four in the morning, loads his car with surfing gear, and sets off for White Point. Once out of the city, he pulls over to sleep in the back for a few hours. Leaper’s home is a mess, and he has been drinking in seclusion for some time; he has broken his own TV, too. Leaper reflects on why he is going to White Point. He feels that he has to leave the city, but is not sure what draws him there, either. Leaper considers his family: he is Max’s brother, Frank. Leaper has never met Max’s wife or daughters, and is far from excited about seeing Max. Nevertheless, Leaper thinks that surfing will be good for him, and is sober for the first time in days, and so he resolves to continue on to White Point.
The opening scene of this chapter depicts Leaper—the nickname of Max’s brother, Frank—in the aftermath of his controversial departure from football for unclear reasons, a source of great disappointment to his fans, and the subject of much speculation. Emerging out of a self-destructive drinking spree, Leaper goes to White Point, seemingly both to escape his current life and return to—or confront—his past.
Themes
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Addiction Theme Icon
Belonging and Escape Theme Icon
After two more hours of driving, White Point comes into view. Leaper is hungry but decides not to stop for breakfast. He drives past the bait shop his father used to own and heads toward the beach. No other cars are parked nearby, but he sees one surfer out already. Leaper gets out and puts his wetsuit on. He sees the caravan park water tower and reflects on his childhood there, where Max and his family still live. Leaper needs to urinate, but he is too tired to take the suit off again and, scared of attracting sharks by urinating in the ocean, just does it where he stands, bringing back memories of defecating himself at school. He sees that an osprey has nested in the water tower, a reminder of how long he has been gone. Leaper thinks about his childhood, his gift for football, and the way he was bullied by Max and other children.
Not only is surfing relaxing to Leaper, but it also gives him a sensation of newness, freedom, and possibility, as the beach’s symbolism would indicate. This forms a sharp and ironic contrast to the signs and symbols of his childhood that he sees all around him in White Point. As “Sand” foreshadowed, Max’s bullying of Leaper has deeply affected Leaper’s development.  
Themes
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Belonging and Escape Theme Icon
Leaper takes his board and swims out past the reef, reaching the other surfer: Max. They greet each other tersely. Max has visibly aged and asks Leaper how he is. Max angrily expresses his disappointment—and resentment—at both Leaper’s success and downfall in professional sports. As they surf, Leaper reflects on how Max treated him in childhood, and the way he tried to interpret Max’s cruelty as an expression of brotherly love. Their trip to see their father, when Max buried him in the sand, led to them living in White Point permanently: their mother never came back for the two of them. Leaper did not come back for their father’s funeral; their father never loved Leaper and let it show. Leaper is torn between his desire to confront Max and his despair that it will achieve anything, either in their relationship or for his own wellbeing.
Leaper’s recollections confirm that the trip he and Max took in “Sand” was in fact the start of a new, dismal life in White Point. Leaper left this life as quickly and as completely as he could, but evidently, he has not been able to so neatly resolve the psychological effects his childhood had on him.
Themes
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Belonging and Escape Theme Icon
Leaper fumbles a big wave, badly skinning his limbs. Max criticizes him, and quickly starts to berate him for walking away from his career. Max has no tolerance for Leaper’s excuses; he is both resentful that Leaper achieved success and that he threw it away. Leaper, too, is disappointed in himself, but also understands—and expresses—that Max is talking about himself and his own failures, too. Thinking about what happened to his career, Leaper concludes that his talent was connected to a free, unselfconscious attitude towards football; once he started to care about what other players, the coach, the media, and fans thought, he choked, losing his ability to play at all, let alone well. He admits to himself that he is in White Point for the same reason: to try to show Max that he does not care what Max thinks of him, and in doing so revealing just how much he does care.
Leaper’s reflections further emphasize the deep scars Max left on his psyche. To him, football was a mental and physical escape. Without having truly resolved his traumatic childhood, however, he is doomed to relive it in unexpected ways, as was the case on the football field. It becomes clear that confronting the past—and Max—is why Leaper has returned to White Point, even if he is not entirely aware of it.
Themes
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Belonging and Escape Theme Icon
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Despite his conclusions, Leaper wants to see Max’s his home and to meet his family. He asks Max to tell him about his wife and learns Raelene’s name. Max, however, is resistant, telling him not to come over. Leaper asks Max why he is not on the fishing boat, and Max admits that he was fired, saying “That’s women for ya.” Leaper is struck by how uncharacteristically fragile Max seems. He considers going to meet Raelene anyways, to satisfy his curiosity and defy Max, but questions why he should even bother. He wonders if he really wants to know her, or if he just wants to satisfy a perverse curiosity about the kind of woman that could marry a “bastard” like his brother.
Leaper’s attempts to learn about and meet Max’s family show how, after everything, he still craves Max’s approval and wants to be on good terms with him. Max’s gruff dismissal, which Leaper interprets as hostility toward him, is in fact most likely motivated by a sense of shame. Max does not want Leaper to see how horrifically he has treated Raelene, indicating that he, too, cares about Leaper’s opinion of him much more than either of them realizes.
Themes
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Leaper’s reflections are interrupted by a sudden movement. Max is pulled underwater and the water fills with blood: a shark has attacked him, he realizes. Max comes back up, clinging to his surfboard. Leaper is frozen until Max calls out to him. He paddles over and tries to pull Max onto his surfboard, but Max refuses to let go of his own. Leaper starts pulling Max back to shore, with difficulty. He realizes that the shark bit Max’s leg off: it is only still attached, barely, by the remains of his wetsuit. Max keeps kicking and struggling, making it more difficult for Leaper to move him.
The ambiguity of Leaper’s hesitance to help Max offers two interpretations: either Leaper is genuinely unsure if he wants to save his brother, or he is simply in shock. Leaper likely does not know how he feels. While he is not acting consciously, as he’s severely injured, even in a crisis Max makes it harder for Leaper to help him, and this is yet another expression of his deeply self-destructive behavior.
Themes
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Regret and Forgiveness Theme Icon
Leaper gets off his own surfboard and lifts Max onto it. As he tries to move the two of them to shore, Leaper tells Max why he lost his ability to play football: it was because of Max. Leaper tells him that every time he froze on the field, he felt Max “lurking at the back of [his] mind,” taunting and threatening him. As Leaper maneuvers the surfboard so that they can ride the swell back to the shore, Max goes limp. The wave crashes over them, pushing them down into the reef, but Leaper keeps holding tightly onto Max, “for longer than he should have.”
In a high-stakes, emotionally charged moment, Leaper feels contradictory emotions, and he expresses them in equally contradictory ways. Trying desperately to save Max’s life, he also realizes, however unconsciously, that this may be his last chance to confront Max. This leads him to tell Max the truth about the trauma he caused him and what it did to his career, even though Max likely cannot hear or understand him. Meanwhile, he clings to the apparently dying—or already dead—Max rather than saving himself; the story leaves it unclear whether either of them makes it back to shore.
Themes
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Regret and Forgiveness Theme Icon
Quotes