Race and Identity Theme Analysis

In Mallard, nobody married dark. Nobody left either, but Desiree had already done that. Marrying a dark man and dragging his blueblack child all over town was one step too far.

The father now dead, the now-freed son wished to build something on those acres of land that would last for centuries to come. A town for men like him, who would never be accepted as white but refused to be treated like Negroes. A third place. His mother, rest her soul, had hated his lightness; […] Maybe that’s what made him first dream of the town. Lightness, like anything inherited at great cost, was a lonely gift.

But even here, where nobody married dark, you were still colored and that meant that white men could kill you for refusing to die. The Vignes twins were reminders of this, tiny girls in funeral dresses who grew up without a daddy because white men decided that it would be so.

“Don’t you have something brown?” her mother had asked, lingering in the doorway, but Desiree ignored her, tying pink ribbons around Jude’s braids. Bright colors looked vulgar against dark skin, everyone said, but she refused to hide her daughter in drab olive greens or grays. Now, as they paraded past the other children, she felt foolish. Maybe pink was too showy. Maybe she’d already ruined her daughter’s chances of fitting in by dressing her up like a department store doll.

She’d finished quick, the deputy said, laughing a bit in amazement, might have been a record. He pulled out the answer guide from a manila folder to check her work. But first, he glanced at her full application, and when he saw her address listed in Mallard, his gaze frosted over. He slid the answer key back in the folder, returned to his chair.

“Leave that there, gal,” he said. “No use wasting my time.”

If she hadn’t believed, even a bit, that spending time with Early was wrong, why hadn’t she ever asked him to meet her at Lou’s for a malt? Or take a walk or sit out by the riverbank? She was probably no different from her mother in Early’s eyes.

Stella needed to find a new job, so she’d responded to a listing in the newspaper for secretarial work in an office inside the Maison Blanche building. An office like that would never hire a colored girl, but they needed the money, living in the city and all, and why should the twins starve because Stella, perfectly capable of typing, became unfit as soon as anyone learned that she was colored? It wasn’t lying, she told Stella. How was it her fault if they thought she was white when they hired her? What sense did it make to correct them now?

“She don’t want to be found. You gotta let her go. Live her life.”

“This ain’t her life!” Desiree said. “None of it woulda happened if I didn’t tell her to take that job. Or drag her to New Orleans, period. That city wasn’t no good for Stella. You was right all along.”

Desiree only knew the failures: the ones who’d gotten homesick, or caught, or tired of pretending. But for all Desiree knew, Stella had lived white for half her life now, and maybe acting for that long ceased to be acting altogether. Maybe pretending to be white eventually made it so.

She passed through the perfume aisle with the confidence of a woman who could buy any bottle she wished. She stopped to smell a few, as if she were considering a purchase. Admired the jewelry in the display case, glanced at the fine handbags, demurred when salesgirls approached her. In the lobby, the colored elevator operator gazed at the floor when she stepped on. She ignored him, the way Stella might have. She felt queasy at how simple it was. All there was to being white was acting like you were.

Now, as he watched the photo, she watched him, trying to picture Therese. But she couldn’t. She only saw Reese, scruffy face, shirtsleeves rolled up to his elbows, that loop of hair always falling onto his forehead. […] She’d always known that it was possible to be two different people in one lifetime […].

“You should take that thing off,” she said. “If it hurts you. You don’t have to wear it here. I don’t care what you look like.”

She thought he might be relieved, but instead, a dark and unfamiliar look passed across his face.

“It’s not about you,” he said, then he slammed the bathroom door shut.

If he pitied her, he wouldn’t be able to see her clearly. He would refract all of her lies through her mourning, mistake her reticence about her past for grief. Now what began as a lie felt closer to the truth. She hadn’t spoken to her sister in thirteen years. Where was Desiree now? How as their mother?

She couldn’t tell what unnerved her more, picturing a colored family moving in or imagining what might be done to stop them.

She’d moved to Los Angeles for Blake’s job and sometimes she felt like she’d had no say in the matter. Other times, she remembered how thrilling the possibility of Los Angeles had seemed, all those miles between there and her old life. Foolish to pretend that she hadn’t chosen this city. She wasn’t some little tugboat, drifting along with the tide. She had created herself. Since the morning she’d walked out of the Maison Blanche building a white girl, she had decided everything.

“I’m not one of them,” she would say. “I’m like you.”

“You’re colored,” Loretta would say. Not a question, but a statement of blunt fact. Stella would tell her because the woman was leaving; in hours, she’d vanish from this apart of the city and Stella’s life forever. She’d tell her because, in spite of everything, Loretta was her only friend in the world. Because she knew that, if it came down to her word versus Loretta’s, she would always be believed. And knowing this, she felt, for the first time, truly white.

Only a lazy girl would get caught, and her daughter was clever but lazy, blissfully unaware of how hard her mother worked to maintain the lie that was her life.

“You know I don’t mean anything by it. I’m just saying. Your men usually like the light girls, don’t they?”

Years later, she would always wonder what exactly pushed her. That sly smile, or the way she’d said your men so casually, as if it didn’t include her. Or maybe it was because Kennedy was right. She knew how lucky Jude felt to be loved. She knew, even though Jude tried to hide it, exactly how to hurt her.

But sometimes lying was an act of love. Stella had spent too long lying to tell the truth now, or maybe, there was nothing left to reveal. Maybe this was who she had become.

“You shouldn’t tell people the truth because you want to hurt them. You should tell me because they want to know it. And I think you want to know now.”

The language bothered Stella most of all. You didn’t just find a self out there waiting—you had to make one. You had to create who you wanted to be.