The Westing Game

by

Ellen Raskin

The Westing Game: Chapter 14 Summary & Analysis

Summary
Analysis
As the sun comes out and the snow melts, the streets clear once again and the residents of Sunset Towers are no longer snowbound. Angela follows up on one of Sydelle’s old hunches about their clues relating to “hood space” and checks beneath the hoods of cars in the parking lot, but she finds nothing. Flora and Turtle drive together to their broker’s office to watch their stocks. Turtle is disheartened by their losses—but she knows that it takes “nerves of steel” to play the market, and that she mustn’t give up hope yet.
In the aftermath of the bombing, as the snow melts away, it seems the heirs have entered a new chapter in the game. Many pairs, such as these two sets of heirs, are taking one another’s ideas more and more seriously, investing faith in even the wackiest possibilities as they work together in pursuit of a common goal.
Themes
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Sandy returns a tip Ford gives him as he brings her car around—she has given him the entire $10,000 check, and he feels embarrassed accepting more. He explains that although he was fired from the Westing plant for trying to organize a union, he’s made a fine living for his family as a boxer. Ford now understands why Sandy has so many scars on his face and such badly-chipped teeth. Sandy excitedly tells Ford he’s made some headway on their clues. He believes that “skies” refers to Sikes, that “brother” refers to the Theodorakis brothers, that the “shin” in “shining” might refer to James Shin Hoo or Turtle’s shin-kicking, and that AM and BROTHER can be shortened to AMBER—as in Otis.
Ford is beginning to understand her mysterious partner better. It is significant that Sandy talks a lot about being fired for trying to start a union—he paints himself as a man who values the promises of collectivism and solidarity, yet when it comes to sharing clues and seeking information, he still keeps things relatively close to the chest. Sandy embodies the very values Westing wants to imbue in his heirs.
Themes
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Capitalism, Greed, and Inheritance Theme Icon
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Ford is impressed with Sandy’s work, but she points out that the clues ought to point to just one suspect—not six. Sandy laments that he can’t figure out why some of the heirs have been selected—especially himself, who has no connection to Westing. He suspects Westing is out to get somebody from the grave—and Ford agrees.
Ford and Sandy are working together and developing theories about Westing’s true motivations. They are trying to look beyond the heirs’ individual qualms with one another at the larger purposes for why they’ve all been called together in such a way.
Themes
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Grace and Hoo get into an argument about the costs of redecorating—Grace insists it will take at least half of their check to redo the kitchen, and Hoo becomes incensed and orders her out. Grace returns to her apartment—once there, she finds Crow, who is cleaning her apartment, having an argument with Otis about having lost their clues. Crow insists she remembers them by heart. Otis is concerned someone else will find them. Otis is in a bad mood, exhausted from the deliveries he’s making. He tries to close the window to keep out the draft, but Grace warns him that she can’t have a gas explosion in the apartment. “Boom!” shouts Otis angrily before stalking out of the apartment. On the way down, he brushes by Denton Deere in the hall.
This passage shows that in spite of the strides they’ve all made, many of the heirs are still experiencing setbacks and struggles when it comes to their ability to work together. Even as old suspicions are erased or overcome, new ones take their place.
Themes
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Downstairs, Denton meets with Chris. He insists he cannot help Chris with his disease—he’s only a plastic surgery specialist. Chris laboriously repeats the clues to Denton, desperate to have the intern help him play the game. All Denton wants is his half of the $10,000. He begs Chris to sign the check, but Chris refuses, knowing that as long as he holds out, Denton will have to keep coming back.
Denton and Chris enter an uneasy arrangement in this scene. They both want something from one another—yet each is hesitant to give what they must to get it. Denton and Chris should work together as a team, yet they cannot put aside their individual needs.
Themes
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Angela embroiders in the lobby, waiting for Denton to come downstairs and drive her to the hospital to visit Sydelle. Angela never learned how to drive herself because her mother insisted that she was pretty enough to never be without a man who would  chauffer her around. Theo comes into the lobby and excitedly tells Angela he’s found the source of the quote Turtle was curious about: “May God thy gold refine.” He opens up a library book and reveals the quotation comes from a verse of “America the Beautiful.” Denton comes out of the elevator and hurries Angela from the lobby, past Sandy, who whistles the song as the couple walks out.
Theo seems to make a break in the case, uncovering the connection between Sam Westing’s patriotism and a line from the will. Before Angela can properly make sense of Theo’s detective work, however, her fiancé whisks her away. Angela is clearly conflicted about her impending marriage—and by showing how her obligations to her fiancé distract her from the game, Raskin foreshadows Angela’s continuing dissatisfaction with the things her relationship requires of her.
Themes
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Quotes
At the hospital, Denton chides Angela for going to visit her “crazy partner” who made up her wasting disease. Angela insists that Denton is wrong about Sydelle. Noticing how troubled Angela is, Denton asks her what’s wrong. He asks her if something’s wrong with the wedding preparations—or if she doesn’t want to get married at all. Privately, Angela thinks about how she doesn’t want to get married—but that she feels that she could never tell Denton or her mother her true feelings.
This passage further confirms that even though Angela should be closer to Denton than anyone else in the world, she is still harboring huge secrets from him and presenting a false face to the one she should trust the most.
Themes
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A psychiatrist emerges from Sydelle’s room. Angela stands up from a bench in the hall to greet him. She asks how Sydelle is. The psychiatrist replies that Sydelle isn’t crazy—she just wanted attention. Angela asks if it’s normal to try to shock people into noticing you. The psychiatrist replies that no one was hurt by Sydelle’s actions and urges Angela to go in and visit with her. Angela goes into Sydelle’s room. Sydelle asks her what the doctors have said. Angela replies that while Sydelle’s wasting disease is incurable, she could still live for many years. Sydelle, satisfied, asks Angela to fetch her makeup. Angela, who has brought Sydelle’s makeup along inside her own tapestry bag, finds a confusing, cryptic letter and two clues inside the bag: THY and BEAUTIFUL. 
As Angela visits with Sydelle, she does her best to accept her partner in the way Sydelle wants to be seen. She doesn’t invalidate Sydelle’s disease, though it is fake, or make fun of her for her gaudy, attention-seeking crutches. Instead, she offers Sydelle the support and friendship she needs. Angela’s seemingly divine reward for her goodwill toward her partner is two more clues, though she doesn’t know who gave them to her or what they mean.
Themes
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