The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle

by

Haruki Murakami

Themes and Colors
Reality and Subjective Experience Theme Icon
Free Will Theme Icon
Desire and Irrationality Theme Icon
The Personal Impact of War Theme Icon
Social Alienation Theme Icon
LitCharts assigns a color and icon to each theme in The Wind-Up Bird Chronicle, which you can use to track the themes throughout the work.
Social Alienation Theme Icon

Social alienation is a pervasive theme in The Wind-Up Bird Chronicle, as many characters grapple with feelings of detachment, isolation, and a sense of disconnection from society. Toru Okada, in particular, is the archetype of the socially alienated person. After quitting his job, Toru becomes increasingly isolated from the outside world. He withdraws into a state of introspection and detachment, disconnected from the societal expectations and norms that once defined his identity. Because he does not follow societal norms, other characters repeatedly judge Toru. Although she does not mean to be especially hurtful, May Kasahara regularly comments on how “weird” Toru is because he socially isolated and regularly engages in behavior others would classify as odd, such as meditating in a well. Additionally, Toru’s brother-in-law, Noboru, looks down on Toru and ridicules him because—according to Noboru—Toru has not made anything of his life. Meanwhile, Noboru himself is socially isolated. Despite being a powerful politician, Noboru does not have friends and family that he cares about or who care about him. He operates in his own alien world and never shows vulnerability to others.

Various other characters also grapple with their own sense of displacement and disconnection. Toru’s wife, Kumiko, becomes involved in secretive activities that distance her from Toru emotionally. Similarly, May exhibits a rebellious and withdrawn demeanor, which causes her to struggle to form meaningful connections with others. Later in the novel, readers learn that May’s behavior is the result of a tragedy she witnessed, which ended in the death of her boyfriend. Each character’s alienation is unique but shares a common thread of yearning for authentic human connection. The near-universal nature of alienation in this novel suggests that it is a fundamental part of the human experience.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Social Alienation ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Social Alienation appears in each book of The Wind-Up Bird Chronicle. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
book length:
Book
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
1.10
1.11
1.12
1.13
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
2.10
2.11
2.12
2.13
2.14
2.15
2.16
3.1
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
3.10
3.11
3.12
3.13
3.14
3.15
3.16
3.17
3.18
3.19
3.20
3.21
3.22
3.23
3.24
3.25
3.26
3.27
3.28
3.29
3.30
3.31
3.32
3.33
3.34
3.35
3.36
3.37
3.38
3.39
Get the entire The Wind-Up Bird Chronicle LitChart as a printable PDF.
The Wind-Up Bird Chronicle PDF

Social Alienation Quotes in The Wind-Up Bird Chronicle

Below you will find the important quotes in The Wind-Up Bird Chronicle related to the theme of Social Alienation.
Book 1, Chapter 1 Quotes

I wish I had a scalpel. I’d cut it open and look inside. Not the corpse. . .the lump of death. I’m sure there must be something like that. Something round and squishy, like a softball, with a hard little core of dead nerves. I want to take it out of a dead person and cut it open and look inside. I always wonder what it’s like. Maybe it's all hard, like toothpaste dried up inside the tube. That's it, don't you think? No, don't answer. It’s squishy on the outside, and the deeper you go inside, the harder it gets. I want to cut open the skin and take out the squishy stuff, use a scalpel and some kind of spatula to get through it, and the closer you get to the center, the harder the squishy stuff gets, until you reach this tiny core. It’s sooo tiny, like a tiny ball bearing, and really hard. It must be like that, don't you think?

Related Characters: May Kasahara (speaker), Toru Okada, Malta Kano
Page Number: 19-20
Explanation and Analysis:
Book 1, Chapter 2 Quotes

Is it possible, finally, for one human being to achieve perfect understanding of another?

We can invest enormous time and energy in serious efforts to know another person, but in the end, how close are we able to come to that person’s essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?

Related Characters: Toru Okada (speaker), Kumiko Okada
Page Number: 24
Explanation and Analysis:
Book 1, Chapter 6 Quotes

Meanwhile, I couldn't stand the sight of him—in print or on TV. He was a man of talent and ability, to be sure. I recognized that much. He knew how to knock his opponent down quickly and effectively with the fewest possible words. He had an animal instinct for sensing the direction of the wind. But if you paid close attention to what he was saying or what he had written, you knew that his words lacked consistency. They reflected no single worldview based on profound conviction. His was a world that he had fabricated by combining several one-dimensional systems of thought. He could rearrange the combination in an instant, as needed. These were ingenious—even artistic—intellectual permutations and combinations. But to me they amounted to nothing more than a game. If there was any consistency to his opinions, it was the consistent lack of consistency, and if he had a worldview, it was a view that proclaimed his lack of a worldview.

Related Characters: Toru Okada (speaker), Noboru Wataya, Kumiko Okada
Page Number: 75-76
Explanation and Analysis:
Book 1, Chapter 9 Quotes

“I'm only sixteen,” she said, “and I don't know much about the world, but I do know one thing for sure. If I'm pessimistic, then adults in this world who are not pessimistic are a bunch of idiots.”

Related Characters: May Kasahara (speaker), Toru Okada, Kumiko Okada
Page Number: 113
Explanation and Analysis:
Book 1, Chapter 12 Quotes

Some things I know, some things I don’t know. But you’d probably be better off not knowing, Lieutenant. It may be presumptuous of someone like me to say such big-sounding things to a college graduate like you, but a person's destiny is something you look back at after it's past, not something you see in advance. I have a certain amount of experience where these things are concerned. You don’t.

Related Characters: Mr. Honda (speaker), Toru Okada, Malta Kano, Tokutaro Mamiya
Page Number: 150
Explanation and Analysis:
Book 2, Chapter 3 Quotes

As I sat here looking at you […] I suddenly remembered the story of this shitty island. What I’m trying to say is this: A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself with its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it—even if the person himself wants to stop it.

Related Characters: Toru Okada (speaker), Noboru Wataya, Kumiko Okada, Malta Kano
Page Number: 202
Explanation and Analysis:
Book 2, Chapter 10 Quotes

Well that's what we were trying to do when we got married. I wanted to get outside myself: the me that had existed until then. And it was the same for Kumiko. In that new world of ours, we were trying to get hold of new selves that were better suited to who we were deep down. We believed we could live in a way that was more perfectly suited to who we were.

Related Characters: Toru Okada (speaker), May Kasahara, Kumiko Okada, The Miyawakis
Related Symbols: The Well
Page Number: 261
Explanation and Analysis:
Book 2, Chapter 12 Quotes

Perhaps the mark was a brand that had been impressed on me by that strange dream or illusion or whatever it was. That was no dream, they were telling me through the mark: It really happened. And every time you look in the mirror now, you will be forced to remember it.

Related Characters: Toru Okada (speaker), The Miyawakis
Related Symbols: The Well
Page Number: 287
Explanation and Analysis:
Book 3, Chapter 18 Quotes

That mark is maybe going to give you something important. But it also must be robbing you of something. Kind of like a trade-off. And if everybody keeps taking stuff from you like that, you’re going to be worn away until there’s nothing left of you.

Related Characters: May Kasahara (speaker), Toru Okada
Page Number: 463
Explanation and Analysis:
Book 3, Chapter 35 Quotes

I closed my eyes and tried to accept my impending death as calmly as I could. I struggled to overcome my fear. At least I was able to leave a few things behind. That was one small bit of good news. I tried to smile, without much success. “I am afraid to die, though,” I whispered to myself. These turned out to be my last words. They were not very impressive words, but it was too late to change them. The water was over my mouth now. Then it came to my nose. I stopped breathing. My lungs fought to suck in new air. But there was no more air. There was only lukewarm water.

I was dying. Like all the other people who live in this world.

Related Characters: Toru Okada (speaker), Noboru Wataya, Mr. Honda
Related Symbols: The Well
Page Number: 590
Explanation and Analysis:
Book 3, Chapter 38 Quotes

If it hadn’t been for you, I would have lost my mind long ago. I would have handed myself over, vacant, to someone else and fallen to a point beyond hope of recovery. My brother, Noboru Wataya, did exactly that to my sister many years ago, and she ended up killing herself. He defiled us both. Strictly speaking, he did not defile out bodies. What he did was even worse than that.

Related Characters: Kumiko Okada (speaker), Toru Okada, Noboru Wataya, Malta Kano, Mr. Honda, Cinnamon
Page Number: 602
Explanation and Analysis: