Welcome to the LitCharts study guide on Steven Amsterdam's Things We Didn’t See Coming. Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.
Things We Didn’t See Coming: Introduction
Things We Didn’t See Coming: Plot Summary
Things We Didn’t See Coming: Detailed Summary & Analysis
Things We Didn’t See Coming: Themes
Things We Didn’t See Coming: Quotes
Things We Didn’t See Coming: Characters
Things We Didn’t See Coming: Terms
Things We Didn’t See Coming: Symbols
Things We Didn’t See Coming: Theme Wheel
Brief Biography of Steven Amsterdam
Historical Context of Things We Didn’t See Coming
Other Books Related to Things We Didn’t See Coming
- Full Title: Things We Didn’t See Coming
- When Written: 2000s
- Where Written: Melbourne, Australia
- When Published: 2009
- Literary Period: Contemporary
- Genre: Novel, Speculative Fiction
- Setting: A bucolic country hamlet, a flooding cabin, a desert, a fire-ravaged oil town, and various others.
- Climax: As he copes with another bout of cancer, the narrator reunites with his off-the-grid father.
- Antagonist: An on-again-off-again girlfriend (Margo), an arrogant teenager (Jeph), a wealthy senator (Juliet), and the ever-changing national governments.
- Point of View: First Person
Extra Credit for Things We Didn’t See Coming
License to Steal. In the novel’s second vignette, Amsterdam writes about the narrator’s grandparents, who respond to losing their driver’s licenses by going on a stealing spree. That plotline is actually based on a true story—one Amsterdam read about in the newspaper (and desperately wanted to see on the big screen). Eventually, he got so caught up in writing the story that he turned a short story draft into a novel, using that human interest newspaper article as the seed for Things We Didn’t See Coming.
Excelling in Exorcism. In an interview shortly after the novel’s publication, Amsterdam admitted that he aims to subvert traditional expectations for apocalypse fiction by making crises palatable to readers. “The book is an exorcism,” he explains; “for the narrator, the trouble isn’t the plague. The trouble is that he’s got this irresponsible girlfriend.” Amsterdam attributes his human-sized view on disaster to his time working in palliative health care, where (as he says) medical emergencies are subsumed into everyday financial worries and family dramas.