As seniors in high school, all four narrators of This Is Where It Ends face significant anxiety about leaving high school and beginning new lives as adults. While all the characters share the understandable fear that physically leaving their town will erode their most important emotional relationships, Tyler takes this philosophy to the extreme, attempting to enforce stability in his own life and exploding in catastrophic rage when those around him refuse to comply. In fact, one of Tyler’s chief motivations is his inability to face the challenges of growing up; this link between Tyler’s insistence on stasis in his own life and his transformation into a murderer argues that embracing change and uncertainty is not only an inevitable aspect of graduating high school, but a key aspect of developing a healthy adult identity.
At the beginning of the novel, each character is defined by his or her anxieties about life after graduation. Doing laps on the track, Claire wonders if she should join the army or (as her ex-boyfriend Tyler once suggested) become a teacher and stay in Alabama. Most importantly, she doesn’t know what she’ll do without her long-time best friend, saying that “life will be grayer without seeing Chris all day, every day.”
Autumn is desperate to leave home and escape her abusive Dad, but she also doesn’t know if she can make it in New York as a dancer. She’s also worried that in the coming upheaval, her girlfriend Sylvia will “realize that [Autumn] doesn’t deserve her” and break up with her.
Meanwhile, Sylvia has been accepted to Brown but fears that leaving for college will rob her of time with her Mamá, who is ill and dying. She also worries that telling Autumn—who is eager to leave town as well—about her own success will jeopardize their relationship.
Tyler shares these understandable fears, but unlike the others, he takes them to a psychopathic extreme. Tyler is especially resistant to change given a recent and drastic upset in his life: the death of his mother. It’s normal that he wants to cultivate stability, but the way he does so is destructive to those around him. While dating Claire, he tries to convince her to become a teacher and stay close to him, dismissing her thoughts about joining the army. Most notably, because he doesn’t want his sister to leave town, he sabotages Autumn’s career as a dancer by revealing her plans to their abusive father, who has forbidden her to dance. In order to keep his sister close, he knowingly exposes her to physical abuse. Several times during the shooting itself, he says that he’s motivated by anger over his sister’s decision to leave him. Claire also remembers him saying that “this school took everything away from me,” framing the natural changes of growing up as a deliberate act of aggression.
In contrast to Tyler, at the end of the novel, the surviving characters find themselves at peace with the uncertainty of the future, showing the best way forward towards a healthy adult identity. Becoming romantically involved with her best friend Chris over the course of the day, Claire realizes that important relationships can endure change and survive despite distance or the upheaval that will accompany graduation.
Worried about their impending separation, Sylvia and Autumn have always tried to remain together, both emotionally and physically. At the end of the novel, Autumn is sent to the hospital for surgery while Sylvia mourns her brother with the other students; Autumn’s serious injuries suggest that she might not be able to leave town with her girlfriend next year. Despite the threat of future separation, Sylvia feels newly connected to her and confident that their relationship can resist these new stressors.
While Tyler lets his uncertainty about growing up drive him towards murderous acts, the protagonists learn to accept the changes that growing up entails. Their new feelings of tranquility on subjects that were once major sources of worry indicates that they are on the way to (relatively) healthy and fulfilling adult lives.
Change, Uncertainty, and Growing Up ThemeTracker
Change, Uncertainty, and Growing Up Quotes in This Is Where It Ends
It’s as if all of Opportunity falls away. We’re lost between making a home and escaping one. It won’t be long before our secrets choke us, before she finally realizes I don’t deserve her and she leaves me too.
Before we broke up, Tyler told me the best part of high school was getting out ASAP. Still, I wish it didn’t have to end yet. It’ll be hard to say good-bye to our team, to our cadets, to each other. Life will be grayer without seeing Chris all day, every day.
Because what can I tell her? That I have the ticket out of town she’s been longing for? That I don’t even know what to do with it? Before Mamá fell ill, I would’ve leaped at this chance. But how can I leave now? Autumn would never understand.
The only things that give us purpose are the stories that tie us together. We all have so many secrets to keep. And I hold mine close.
I smiled sadly, not wanting to deny him his dream. Almost everyone in our class talked about leaving Opportunity, but even though Ty wasn’t happy here, he never did. Sometimes it felt as if he and I walked the same road, but each of us was going in a different direction.
This town—this school is taking everything away from me. My home. My mother. My sister. Why am I to blame?
I need to get to Sylv before Ty sees her. Because if he does, there will be nothing left. If she dies, I will never be able to tell her that she is the one who keeps me standing. That her lips taste like a promise. That she makes me want to be a better version of myself.
There are so many people here, and Chris is by my side, but I have never felt more alone. I wish my parents were here, but at the same time I’m not ready to face them.
You can’t always settle your life in one place. The world was made to change. But as long as you cherish the memories and make new ones along the way, no matter where you are, you’ll always be at home.
I hold on for one more moment. Then, around me, other lanterns are released. They float over our heads into the darkness, toward the promise of a new day.