LitCharts assigns a color and icon to each theme in Three Day Road, which you can use to track the themes throughout the work.
Isolation vs. Community
Racism and Assimilation
Language and Storytelling
Nature, War, and Survival
Summary
Analysis
Niska makes camp, and Xavier injects enough morphine to kill the pain, but not enough to kill him. He no longer has enough to commit suicide, and when it is gone, Xavier does not know what he will do. “I must figure out what happened to Elijah,” Xavier says to himself. Elijah will help Xavier—help him to “overcome the pain”—and Xavier will help Elijah overcome the “war madness that swallowed him whole.” Xavier thinks of Elijah’s stories. “He never lost his ability to talk,” and that is why no one noticed he had gone mad. “But I knew,” Xavier thinks.
This reflects the power of language. Through his ability to speak perfect English and his love for stories, Elijah fools his entire unit. He effectively distracts them by impressing them and entertaining them, and while they aren’t looking, he sneaks off and takes scalps. Elijah takes advantage of others through language, and it gives him power.
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Elijah slips through a “Hun trench” in late September. He can’t remember how he got there. “More and more” Elijah is “losing pieces of his day.” He is in a wrecked village, near Hill 70, and he has a thin piece of wire in his hands. Now he remembers. The snare. The village is a wonderful place for a rabbit run. He sets the wire. If a man as tall as Elijah runs through, he will surely be caught. “Here Fritzy, Fritzy, Fritzy,” Elijah calls. A German soldier runs through and catches in the wire, kicking and screaming, hanging by his neck. Elijah sneaks back through the trenches and back to his own line. He doesn’t tell anyone where he has been. “Who would believe it?” Elijah wonders.
The word “Hun” is a derogatory word for a German soldier, and it, too, reflects the power of language. By insulting and demeaning the German soldiers, the Canadians are given power over their enemy. It doesn’t amount to much, but it is enough to energize the soldiers and keep them going. Elijah’s madness and his morphine use are obviously worsening. He walks around in a medicated haze and kills in increasingly disturbing ways.
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One day, after morning “stand-to,” Elijah removes his sock, revealing a blackened foot. “Loot at that foot, Whiskeyjack!” McCaan yells and orders him to Driscoll. The medic gives Elijah whale oil to rub on his fit and tells him to change his socks twice a day. Driscoll hands Elijah a small bottle of pills and instructs him not to take them before patrol. “You’re looking rather anemic,” Driscoll says. “Are you eating properly?” “Just fine, sir,” Elijah says and “limps” away “whistling.”
Elijah’s drug use has become so bad that he isn’t taking care of himself. He isn’t changing his socks, doesn’t eat, and complains that he “never shits.” He is miserable and slowly falling apart, but he manages to keep up appearances, again finding power in language. Elijah is a skilled liar and has many people believing what isn’t true.
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Elijah and Xavier’s unit are ordered “over the top” near a town known as Lens. Elijah stands next to Xavier, smiling. Elijah “hums to himself a song that’s become popular with the soldiers” as he gets ready. He can feel the vibration of his hum in his chest “and then all goes still.” A “shrill whistle” breaks the silence, like the “call of some crazed bird,” and Elijah feels his “stomach drop.” The unit begins to run toward the German line, and Elijah and Xavier throw bombs into the machine-gun nests.
Here, Elijah hums songs popular with the soldiers, which also reflects his assimilation. He happily hums the same songs that Xavier refuses to sing. Elijah pumps himself up for battle by humming the wemistikoshiw songs, which again points to the power of language. What brings Xavier down is empowering to Elijah.
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The town is “blasted.” The soldiers keep advancing, including McCaan, Graves, Grey Eyes, and Thompson, who has just returned from the hospital. Breech orders Thompson to scout ahead with Elijah and Xavier and report back to him in thirty minutes. They find two snipers shooting up head; one from the ground and one from the steeple of a church. “Well, shoot them,” Elijah says to Xavier. Xavier drops them both quickly. Elijah moves toward the church. He tells Xavier to go back and update Breech and says he will hold their position with Thompson.
Again, Xavier hesitates when it comes time for him to kill. Elijah even reminds him to do it, which seems unneeded at this point, but Xavier is so resistant to killing that he needs this extra push. Still, Xavier is obviously a skilled shooter and has no trouble hitting his target, but he is still ignored by his officers and passed over for commendation, furthering underscoring the ongoing prejudice he faces.
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Alone for a moment, Elijah injects himself with more morphine. “The world shrinks back a little” and the pain in his bowels (“that have not been emptied for years, it seems”) subsides. The Germans appear to have retreated, and Xavier arrives with Breech and the rest of the unit. Suddenly, a German soldier wearing a rag around his face appears with a hose and a tank strapped to his back. “Lie down, Graves!” Elijah yells in Cree and flames explode from the end of the hose and “engulf Graves’s body.” A Canadian soldier shoots the German’s tank, and the man explodes.
In the heat of the moment, Elijah inadvertently speaks Cree instead of English, and Graves is killed. While this clearly isn’t Elijah’s fault, the language barrier hinders his ability to warn Graves of trouble. Elijah speaks English well, like “a bishop” Xavier notes, but his slipup here reflects his true identity as a Cree. Elijah likes to pretend he is completely comfortable with wemistikoshiw ways, but this suggests otherwise.
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By the end of the day, the Canadians have taken Hill 70 and are set to enter Lens. Elijah “dreams of Graves” and of Sean Patrick and Gilberto, too. In Elijah’s dream, Gilberto speaks to him with brains dripping out of his mouth. “Do what you can,” the dead Gilberto says. “There is nothing sacred anymore in a place such as this. Don’t fight it. Do what you can.”
Gilberto’s message seems to tell Elijah to keep killing. Since “nothing is sacred anymore,” he has nothing to worry about. He is surrounded by killing, so what he does makes little difference. Gilberto tells him not to “fight it,” which Elijah sees as permission to continue his blood lust.
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Elijah learns “to take pleasure in killing.” Xavier wants only to go home to Canada, but Elijah tries to convince him that “the freedom of this place will not present itself again.” Xavier knows Elijah speaks of the “freedom to kill,” but Xavier does not care to have that freedom. Their unit arrives in place called Passchendaele, and Elijah drags Xavier to a pub. “There are other Lisettes,” Elijah says. In the pub, Elijah and Xavier see another Indian. He’s Anishnabe, an Ojibwe, from the looks of it.
The war gives Elijah the freedom to kill without remorse or consequence, which to Elijah is the epitome of freedom. Of course, Elijah later learns that he isn’t as free as he thinks, but for now, to kill without restraint is Elijah’s only source of pleasure (besides morphine) and he will keep killing until Xavier stops him.
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“Wachay, wachay,” Elijah says to the Indian. The Indian, a corporal, looks at them. “Three Anishnabe in the same place,” he says. “Some things are beyond chance.” Elijah assumes the man is Peggy and says as much. “You mistake me for someone else,” he says. “There are more Anishnabe than you might guess who wander these battlefields. We all want to be warriors again.”
This is one of Boyden’s central arguments. Thousands of Indigenous men risked their lives during WWI, and they get little to no recognition. By writing Three Day Road, Boyden rights this wrong a bit and makes these brave soldiers visible.
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“My guess is that you are Whiskeyjack,” the Indian says, “and this drunk fellow beside you is Bird. […] Your reputation walks ahead of you,” the man says to Xavier. “From what I hear, you are one of the good ones.” The Indian asks Elijah how many kills he has. “One hundred ninety-four to date,” Elijah says proudly. “There is another one, a Métis,” the Indian says. “He’s from Alberta and the rumor is he has killed more than you, even.” Elijah is “sick of hearing about the feats” of other Indians. “What do you really want from me?” Elijah asks the Indian. “Think of me as your conscience,” the Indian says and smiles. “And you can be mine.”
The Indian is the only other soldier to give Elijah recognition for what he has done and the bravery he has displayed. Xavier is invisible to the white soldiers—he says he is a “brown ghost”—but the Indian sees him. The Indian also sees Elijah and implies that Elijah needs someone to be his “conscience.” There will always be someone who has killed more people, and the Indian tries to remind Elijah of this, but he clearly isn’t listening.