Tradition and the Individual Talent

by

T. S. Eliot

Tradition and the Individual Talent: Part 1 Quiz 10 questions

Test your knowledge of Part 1. Submit your answers to see your results and get feedback.
What is the general perception of the word "traditional" as used by the English, according to Eliot?
1 of 10
It is always seen as a positive term
It is often used critically or negatively
It only refers to innovative writing styles
It is synonymous with "modern"
According to Eliot, what common misconception do English readers have about their reading habits?
2 of 10
They believe they are more critical than they actually are
They think their critical approach is too harsh and unforgiving
They confuse their detailed analysis with a lack of creativity
They mistake their lack of critical analysis for spontaneity
What does Eliot mean when he talks about a poet's individuality?
3 of 10
He's referring to what makes a poet unique
He's referring to a poet's ability to reject social revolutions
He's referring to the elements of style that make a poet imitable
He's referring to a poet's knowledge of the past
How does Eliot differentiate between tradition and imitation in the context of poetry?
4 of 10
He equates tradition with the natural talent of the poet
He views imitation as a sufficient means to achieve poetic greatness
He implies that imitation is lazy and tradition requires hard work
He suggests that both tradition and imitation are easily accessible to all poets
What does Eliot mean by the "historical sense" that a poet should have?
5 of 10
It is the ability to differentiate sharply between ancient and modern writing
It involves seeing the past and present of writing as separate and sequential
It is the recognition that the past exists alongside and impacts the present
It emphasizes focusing solely on contemporary writing to stay relevant
What does Eliot suggest about the relationship between new poetry and its historical context?
6 of 10
Poets should be viewed and appreciated in isolation for their unique contributions to the poetic tradition
A poet's work gains meaning from past poetry while also impacting the broader tradition
The past should be reconceptualized so that it conforms to modern poetic standards
Historical context is irrelevant to understanding a poet's work
How is it the case that a poem can be unique and new but ultimately conform to tradition and the past?
7 of 10
Because there's no such thing as a truly unique poem
Because the only tradition in poetry is the tradition of radical conformity
Because tradition and the past are always unfolding and thus include the present
Because the poetic tradition is made up of works of true art and only that which is new is true art
How does Eliot conceptualize the "mind" of poetry in Europe?
8 of 10
As a dynamic and evolving mind that retains a memory of all past poetry
As an entity that selectively forgets past literary developments
As a static repository that keeps accumulating literary works without change
As a mind that constantly improves and perfects itself over time
How does Eliot address the concern that too much learning might inhibit a poet's instincts?
9 of 10
He agrees that learning should be avoided to maintain a poet's natural spontaneity
He acknowledges the risk but emphasizes balancing knowledge with necessary spontaneity
He argues that knowledge is essential, even if it suppresses a poet's instincts
He believes that poets should focus entirely on learning and disregard their instincts
What does Eliot suggest is necessary for a traditional poet in terms of personal sacrifice?
10 of 10
The poet must focus solely on personal experiences and interests
The poet must continually promote and prioritize their own personality
The poet should occasionally set aside personal interests for the sake of art
The poet must engage in a continual sacrifice of personality in favor of art