Washington Square arguably belongs to several genres of literature. At its core, the book is a novel of psychological realism, as are many of Henry James’s works. This is evident from its acute focus on the characters' psyches, as their internal struggles and complexities are laid bare for readers. The narrative pays careful attention to the development of relationships and to the motivations driving the characters' behavior.
In addition to this, the novel is also firmly rooted in the tradition of domestic fiction. After all, it’s named after the place where the protagonists live. Novels like this revolve around the intricacies of familial bonds and domestic conflicts, especially the complex dynamics of the Sloper household. When difficulties arise, they’re often portrayed through contrasting viewpoints. This gives readers insight into each character's perspective and demonstrates the nuances that different interpretations of events can provide. Domestic fiction like Washington Square in short, takes an in-depth look at familial obligations, loyalties, and the inherent tensions of family life.
However, amidst these layers, the book is also unmistakably a romantic tragedy. It depicts the emotional journey of Catherine Sloper, who, in her quest for genuine love from her family and her partner, faces deceit, rejection, and heartbreak. The novel spends much of its time unraveling the tension between societal expectations and personal desires. The somewhat ambiguous ending culminates with Catherine having gained experience but having also utterly failed romantically. The novel's plot thus centers around the consequences of troubled love affairs and ulterior motives.