LitCharts assigns a color and icon to each theme in When Will There Be Good News?, which you can use to track the themes throughout the work.
Trauma, Survival, and Reckoning with the Past
Appearances vs. Reality
Lies and Deceptions
Family
Summary
Analysis
Reggie wakes Jackson with breakfast. Jackson was baffled last night when a taxi brought them to a house that’s mere yards from the train crash. Reggie, with her “overheated imagination,” has convinced Jackson to check out the whereabouts of Joanna’s mysterious aunt before going home to London. Jackson feels like “a tired old dog” and isn’t sure how he will manage. But he figures he has “enough women on his conscience without adding another one to the tally.” Reggie has withdrawn her life savings, and Jackson tells her that he’s rich and will pay her back.
The story backtracks to the day before, when Jackson was released from the hospital. He’s agreed to help Reggie with her investigation, in part because he’s known so many women whom he believes he’s failed to protect, and, true to his sheepdog instinct, he doesn’t want that to happen again in this case.
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A cranky woman at the car rental agency has to be talked into renting them the only vehicle that Jackson can drive one-handed, his other arm being in a sling. Reggie has dabbed makeup on Jackson’s many bruises, but Jackson still looks like a criminal on the run. They had considered taking the train instead, but as soon as they got to Waverley Station, Jackson had a panic attack. He’s beginning to remember bits and pieces from the crash. Reggie coaches him through it, telling him, “We’re all survivors, Mr. B.”
Reggie, so familiar with survival, touchingly helps Jackson through a panic attack when the memories of the crash come back to him. The two make a decidedly unlikely pairing as they negotiate an alternative way to England using Decker’s ID.
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Jackson and Reggie finally talk the rental agent into renting them the car, despite their lack of a credit card. Reggie helps him shift gears. He feels nervous with her there, “half child, half unstoppable force of nature.” Sadie curls up on the backseat. Reggie delights in navigating, but Jackson, hopped up on painkillers, is barely hanging on. When they reach the junction at Scots Corner, Jackson remembers passing this place on his way to Hawes the previous Wednesday. He’s back where he started. At that moment, he overcompensates on the turn, clips two cars, and winds up on the verge, facing the wrong direction.
Jackson, still scarcely recovered from the train crash just a couple of days before, makes it most of the way before causing an accident near the turnoff where he’d headed in search of his son just the week before. The memory of the previous week seems to jar him just enough to cause him to momentarily lose his bearings.
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A short time later, Jackson is taking a breathalyzer test while all the dazed but uninjured passengers sit by the road. Reggie gloomily concludes that she attracts bad things. The police officer inspects Jackson’s license and looks suspiciously at Reggie. Moments later, two officers flatten him to the ground. Reggie jumps up and down and yells, like “a Jack Russell fending off a pack of Dobermans,” but pretty soon Jackson is under arrest. “He couldn’t think why, but somehow it didn’t surprise him.”
Jackson’s use of Decker’s ID finally catches up with him when the police stop him. Reggie feels like she must have caused the accident, but that doesn’t stop her from aspirited attempt to disrupt Jackson’s arrest.
Jackson sits between two officers in the emergency room at Darlington. An officer explains that he’s under arrest for failure to comply with the conditions of his release from prison. Jackson feebly tries to explain that he’s not Andrew Decker. Suddenly his phone rings, and it’s Louise, but the officer takes it away from him before they can speak. Half an hour later, she appears in person and convinces the police to let her have him. Reggie appears and greets her. “We all know each other? How’s that for a coincidence?” Jackson says, “A coincidence is just an explanation waiting to happen.” Louise says, “Shut it, sunshine.”
The threads of the story catch up with one another as Jackson fields Louise’s phone call, and Louise shows up soon thereafter. Jackson deploys his favorite saying about coincidences, although in this particular case, the explanations—particularly of how Jackson got mixed up with Decker—are far from clear.