When Will There Be Good News?

When Will There Be Good News?

by

Kate Atkinson

When Will There Be Good News?: The Discreet Charm of the Bourgeoisie Summary & Analysis

Summary
Analysis
Instead of buying flowers and getting ready for her in-laws’ visit, Louise finds herself parked outside Alison Needler’s house. The phone call she’d gotten was from a hysterical Alison, thinking her husband had returned to finish them off, but it had been a false alarm. It isn’t the first time this has happened. Louise wishes she could introduce Alison Needler to Joanna Hunter, so that she could see it’s possible to survive trauma with grace.
Louise is both obsessed with her cases and determined to avoid her family. Alison Needler lives in a safe house to hide from her violent husband, who’d killed some guests at his daughter’s birthday party and has threatened to return and kill the family. Now Alison lives a fearful, secluded life. Louise keeps an eye on her; she has a shepherding instinct similar to Jackson’s.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Louise thinks back to yesterday, when she told Joanna that Andrew Decker has been released from prison. Joanna had held herself together. Louise explained that Decker is living with his mother in Doncaster and will be monitored. She warns Joanna that the press will probably make a big deal of Decker’s release and possibly hunt down Joanna as well.
Joanna displayed poise when presented with news of the murderer’s release. Louise sees a contrast between Joanna’s outward display of courage and Alison’s shrinking terror.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Louise had been vaguely aware of the Mason case as being in the category of “guys who attacked women and children.” These are different from men who attack women alone or children alone. The Needler case is one of these, too. David Needler had shot his mother-in-law and sister-in-law at his seven-year-old daughter’s birthday party, killing a neighbor as well before fleeing. The difference with Andrew Decker was that he didn’t destroy his own family, he destroyed somebody else’s: “Men like Decker were inadequates […] maybe they just couldn’t stand to see people enjoying the lives they never had.”
Louise is preoccupied with the stories of women who’ve been threatened by men. She sees Andrew Decker as an anomaly, though, because there was no clear motive for him to kill the Masons. Louise’s categorization of Decker as an “inadequate” misfit echoes her feelings about her own life and inability to maintain or enjoy a “normal” life. In the novel, many characters are “misfits” in this way; the difference between them seems to lie in their survival strategies.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Family Theme Icon
Quotes
Louise hopes that if she ever finds herself in a situation like this, she won’t run or hide, but will stand and fight. That’s not possible if you’re trying to protect children, as Gabrielle Mason had found out. Louise wishes for some utopia where women can walk without fear.
Louise avoids ties with others partly because she wants to be able to fight if she’s cornered, not flee. If she has to protect helpless loved ones, then she’s effectively defenseless herself. She sees family as a barrier to survival, pointing to her reluctance about her marriage.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Family Theme Icon
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Sitting in Joanna Hunter’s tasteful living room, listening to her talk about her home-grown winter flowers, Louise feigns interest and thinks about Patrick. He had shared the gardening with his first wife, Samantha—“the first Mrs. deWinter.” Louise marvels at the loveliness in Joanna’s life. “You can’t get over something like that,” she later tells Patrick. “No, but you can try,” he replies.
Louise thinks back to her meeting with Joanna Hunter, whose life is so carefully, tastefully put together. It reminds her of Daphne duMaurier’s novel Rebecca, in which Mr. DeWinter’s dead wife figuratively haunts his second wife. Louise feels that way about Samantha. Patrick has been through trauma himself, but unlike Louise, he believes it’s possible to move past it—at least to a certain extent.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Appearances vs. Reality Theme Icon
Family Theme Icon
Joanna had shown Louise a photo of her mother, her siblings, and herself thirty years ago. Her father, Howard Mason, had remarried four times after the murder, eventually becoming more famous for his dead wives than for his writing. Louise wonders how the later wives had felt about the first. After talking with Joanna, Louise tracks down a secondhand copy of Howard’s first book, The Shopkeeper, and reads it late into the night. The book is an attack on his provincial upbringing and sounds “spiteful” to Louise.
Howard Mason tried to move on by remarrying, but apparently was never wholly successful. Louise is so obsessed with Joanna’s past that she unearths one of Howard Mason’s books for clues about her family life. Louise seems determined to uncover some clue as to how Joanna moved on and rebuilt her life.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Family Theme Icon
The Mason case keeps bringing up questions for Louise; Joanna in particular “had got under [her] skin. She had stood on the edge of the unknowable […] It gave her a mysterious power that Louise envied.” Andrew Decker had turned out to be a model prisoner and had gotten his university degree in philosophy. He’s only fifty now. Joanna decides to “escape for a bit” until the fuss surrounding his release dies down.
For Louise, Joanna symbolizes someone who has managed to pull together her life despite unthinkable tragedy. The reemergence of Decker into society threatens to unsettle Joanna’s position on that pedestal, however,
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Alison Needler, meanwhile, stays inside her house all day, only emerging to walk her children to school. She has multiple locks on all the doors and windows, a panic button, and an elaborate security system. She’s in a “safe house, but Alison would never be safe.” Louise thinks that Alison should get a big dog and hopes that David Needler comes back during the Christmas season so that the police can finally “shoot the bastard dead.”
Louise has a heavy sense of investment in the Needler tragedy; she wants to be there to finish things off, and perhaps to find closure for herself as much as for the Needlers. She also touches on the fact that “safety” has as much to do with a person’s mindset as with their external surroundings.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Appearances vs. Reality Theme Icon
Patrick calls, and Louise is shocked to realize it’s six o’clock, and her elaborate dinner plans are foiled. Patrick tells her she’s obsessed with the Needler case. Louise apologizes and promises to be home soon. Louise thinks about Jackson Brodie, who cares about missing girls and wants them all to be found. Louise “didn’t want them to get lost in the first place. There were a lot of ways of getting lost, not all of them involved being missing.” Louise feels a twinge of guilt for thinking about Jackson.
There are a lot of “lost girls” in both Louise’s and Jackson’s lives: Alison Needler, Jackson’s murdered sister, and Joanna’s mom, Gabrielle Mason, all being examples of women who are not literally “missing,” but whose disappearances nevertheless haunt the lives of those left behind. Louise is so focused on what’s missing that she has trouble meeting obligations to her very present family.
Themes
Trauma, Survival, and Reckoning with the Past Theme Icon
Family Theme Icon
When Louise gets home, she finds that Jackson has ordered Chinese food for her sister-in-law, Bridget, and brother-in-law, Tim. Louise thinks the Chinese food looks particularly sad on Patrick’s dead wife’s wedding china. Next to Samantha’s things, Louise’s things look like they belong to “a refugee who spent a lot of time in IKEA.” As Patrick pours Louise’s wine, she thinks he’s too good for her, and it makes her want to see how far she can push him.
Louise’s sense of unease and lack of belonging among her family is stark. She can’t provide a great meal for the guests; she eats off of Patrick’s dead wife’s dishes; she’s even uncomfortable with Patrick’s kindness to her, wanting to distance herself from it because she doesn’t believe she deserves it
Themes
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After dinner, Louise goes upstairs and takes her engagement ring out of its safe. She only wears it when they go out somewhere. She thinks of Jackson again, someone she could have imagined being a “comrade in arms,” but “they had been as chaste as protagonists in an Austen novel.” By the time she reluctantly rejoins the family downstairs, Patrick has just gotten a phone call. He cheerfully tells her that there’s been a train crash, and it’ll be “all hands on deck tonight.”
Louise doesn’t feel comfortable wearing her engagement ring, either—ostensibly because of the expense, but implicitly because she doesn’t feel worthy of it or of Patrick. Just as Jackson still thinks about her, Louise still thinks about him and wonders if they might not have made a better couple. Then the train crash happens, and even that doesn’t shake Patrick’s cheery exterior. The event erupts suddenly in their lives, suggesting that more things are going to be unsettled.
Themes
Appearances vs. Reality Theme Icon
Family Theme Icon