White Teeth

by

Zadie Smith

White Teeth: Chapter 5 Summary & Analysis

Summary
Analysis
Per Alsana’s “instruction” to “look at the thing close up”—the narrator takes the story back to Archie and Samad’s wartime experiences. The two traveled in a five-man Churchill (a kind of tank) through Athens to Thessaloniki in Greece, accompanied by Roy Mackintosh, Will Johnson, and Thomas Dickinson-Smith, their fellow soldiers. Dickinson-Smith is a repressed homosexual who desires Samad, while Roy despises Samad for his “poncey-radio-operator-ways,” mocking him by calling him “Sultan.” Samad says that the term isn’t historically or geographically accurate, since he is from Bengal.
The novel plunges back in time to examine younger versions of Archie and Samad, suggesting that by looking at the past, Archie and Samad’s lives in the present can be better understood. It’s already clear, however, that Samad still faced just as much senseless racism in this very different context.
Themes
Race, Racism, and Multiculturalism Theme Icon
The Influence of History Theme Icon
Quotes
Archie’s brigade was meant to provide service across the army and from country to country—not to fight the war but to ensure that the war “ran smoothly,” and that roads of communication were communicable. Samad tells the other soldiers that he is educated and trained, and that he should be an officer, not a low-level soldier; his great-grandfather Mangal Pande was the “great hero of the Indian Mutiny,” a man who shot the “first hateful pigfat-smeared bullet.” Samad says that now India is full of idiots, and laments that his hand was crippled by a misfired shot in the trenches; since he is disabled, he has ended up in an uncelebrated part of the army that just builds bridges. Roy calls the brigade “the Buggered Battalion,” led by Dickinson-Smith, who has resigned himself to his own fate—to die in battle, like his other male relatives.
Throughout the novel, Samad fixates on the story of Mangal Pande, whose supposedly heroic legacy he hopes to live up to—he wishes to repeat the past in the present. Yet Pande’s legacy is disputed: it is not entirely clear whether he was the martyr Samad wants him to be, though Samad, whose actions in the war are not heroic, is very attached to the glorified version of Pande’s story.
Themes
The Influence of History Theme Icon
The soldiers swap tragic tales about their life: they are a “traveling circus of discontents roaming aimlessly through Eastern Europe.” On May 6, 1945, something in the tank blows up while the brigade is stationed in a town in Bulgaria. Samad and Archie go into town to seek assistance, and when they return, they find Roy, Will Johnson, and Thomas Dickinson-Smith dead; Dickinson-Smith seems to have killed himself before his attacker could. Since Archie and Samad are isolated in Bulgaria, they don’t know that the war has already ended. Samad tries to fix the destroyed tank radio, and Archie attempts to help: the two gradually become better friends.
Samad and Archie are forced to develop a friendship, despite their clear differences: Archie, a white man, has never encountered someone from Bangladesh before. The friendship between the two men persists throughout the novel, demonstrating that racial differences are not always divisive.
Themes
Female Independence Theme Icon
Samad and Archie interact with some of the town’s children, and they discover that one of them has dollar bills. The boy says that he got them from a man called “Dr. Sick,” who lives in a derelict house in the town. Archie and Samad settle into a routine, eating dinner in the old man Gozan’s kitchen-café every evening; they make a pretense of looking for the killers but soon abandon the mission, deciding to smoke cigarettes and chat outside instead. Their friendship “crosses class and color”: it is “the kind of friendship an Englishman makes on holiday, that he can only make on holiday.” Samad and Archie discuss women, and Samad admits that the woman he will marry—who will eventually turn out to be Alsana—is not yet born. Samad decides to “cement his friendship” with Archie by telling him the epic story of Mangal Pande, his relative. Samad implores Archie to “hold his judgment” if, when he returns to Britain, he hears someone speak of the East.
Again, the novel comments on racial divisions in British society. Samad and Archie develop the “kind of friendship an Englishman makes on holiday” because it is only on vacation—outside of England and the confines of his own familiar world—that an Englishman might be exposed to different cultures. This point suggests that England is in many ways xenophobic and confining, and that English people are prone to thinking of the East in simplistic ways: Samad argues that eastern countries are far more diverse and complex than English society believes them to be.
Themes
Race, Racism, and Multiculturalism Theme Icon
Quotes
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Samad has started taking morphine left in an abandoned church-turned-hospital in the town, and as he gets high, he reflects on the words left on the church by dissenters who were unwilling to pay a burial tax during a cholera epidemic. These people were locked in the church by a corrupt landlord and left to die. He feels a kinship with these “dead dissenters.” Archie says that if he knew he were going to die, he would spend his last hours “making love to a lady.” Samad tells Archie that they are “creatures of consequence,” and that their children will be born of their actions. He also tells Archie that he considers him his friend, and that they will meet and have dinner together in the year 1975.
Samad’s fixation with history is made clear: he is obsessed with stories from the past, including the story of the dissenters in the church, and he believes strongly in the power of legacy. He also predicts—accurately—that the future will be influenced by the past when he tells Archie that they will remain friends after the war and that their actions will shape their children’s lives.
Themes
The Influence of History Theme Icon
In the morning, Samad and Archie are awakened by celebrating Russian soldiers: the war has been over for two weeks. Samad feels furious, since he thought he would have a glorious return to Bangladesh, but he hasn’t accomplished anything in the war. Archie speaks with one of the Russian soldiers, who are on their way to Poland to liberate the work camps; they have stopped in Bulgaria to catch a Nazi hiding in the town named Dr. Marc-Pierre Perret. Perret is a Frenchman who helped the Nazis with their sterilization program and euthanasia policy—he’s also known as Dr. Sick to the town children. Archie, who is wearing Dickinson-Smith’s uniform, is mistaken for a captain, and the Russian soldier asks him if he would like to lead the expedition to hunt down the doctor. Archie is hesitant, but Samad—also disguised as a captain—agrees.
Samad believes that capturing Dr. Perret will allow him to live up to the apparently heroic wartime legacy of his famous relative, Mangal Pande—thus repeating history and continuing the traditions of the past that he holds dear. Ultimately, though, it is Archie who is tasked with killing Dr. Perret, suggesting that Samad will inadvertently find himself aligned with the other version of Pande’s narrative, in which Pande fails to act heroically. The way Samad’s desires are thwarted shows how difficult it can be to shape the course of history, even when one is actively trying to do so.
Themes
The Influence of History Theme Icon
Though Samad is excited to lead the charge on Dr. Perret, Archie is frightened: he has never had a hero, and Samad is the closest thing to one he has ever experienced—though Samad is also a “raving lunatic,” high on morphine and screaming instructions to the drunken Russian soldiers. Later, Archie finds Samad sitting by himself in the dark, upset: he is coming down from a particularly “luscious, eloquent” high, and he believes that with his crippled hand and lack of wartime achievements, he is no longer the man he used to be. Samad tells Archie that he is “fit for nothing now,” and that he doesn’t know what he is going to do after the war. He wonders if he and Archie are effectively deserters—“hiding in a church while the world was falling apart around our ears.” Samad puts his gun into his mouth, and Archie tries to talk him down, telling him that by hunting the Nazi doctor, he has a chance to redeem himself.
Samad nearly gives in to an irrational impulse here, which again aligns him with the version of the Pande narrative in which Pande is described as foolhardy and ineffective. It seems that by fixating on recreating the past, Samad runs the risk of inadvertently living out its negative aspects rather than its positive ones.
Themes
The Influence of History Theme Icon
The men enter the house on the outskirts of town where Dr. Marc-Pierre Perret lives, and they find a pale, thin man around 25 years old, surrounded by paintings. He has blood-tinged tears rolling down his face, which he tells Samad are the result of “diabetic retinopathy.” The soldiers tell Dr. Sick that he will be brought to Poland to stand trial, and they march him out of the house. Later, they leave the doctor handcuffed to their jeep and go to the town café to drink and play poker. Samad wins easily, and he asks Nikolai Pesotsky, the Russian soldier, to give him Dr. Sick in exchange for all of the things the men have gambled and Samad has won. Nikolai gives Samad the keys to the jeep.
Dr. Perret is a recurring character who, by appearing both in this flashback and in contemporary scenes in the novel, represents the way in which evil—specifically the evil of racism, since Perret’s genetic experiments for the Nazis are designed to eliminate non-Aryan races—is not only a part of history but also a part of the present.
Themes
The Influence of History Theme Icon
Archie goes with Samad, insisting that they will dump Dr. Marc-Pierre Perret at the first barracks they come across, but Samad wants to kill the doctor. He says that the doctor, a eugenicist, “wants to control; to dictate the future,” but that a “race of indestructible men” is only possible through “faith.” Samad is not particularly religious, but he seizes on religion as a reason to punish Dr. Sick, and he tells Archie that it is his destiny to kill the Nazi. Samad taunts Archie, telling him that he doesn’t “stand for anything.” In response, Archie wrenches the doctor out of the car, and Samad hears a shot ring out a few minutes later. Archie returns to the car bleeding and limping, his face “lit up like a big baby, entering life head first.”
Though it seems as if Archie decides to act on Samad’s advice—by killing Dr. Perret—it is later revealed that he spared the doctor’s life, and that the doctor shot him in retaliation. Archie’s crucial decision controls the outcome of the novel, since Dr. Perret plays a major role in the narrative’s conclusion. Samad’s criticism of the doctor for wanting to “dictate the future” thus becomes somewhat ironic; by egging Archie on, Samad is really the one who controls the future—just not in ways that he intends.
Themes
The Influence of History Theme Icon
Quotes