Seventeen-year-old Emoni is passionate about food and cooking. Her grandmother, ’Buela, insists that Emoni’s talent borders on actual magic, as Emoni can intuit what flavors work well together and create dishes so good that they often make people cry. Because of this, Emoni is thrilled when her high school decides to offer a culinary arts elective—finally, she believes, she’ll be able to hone her skills and prepare for a career in the restaurant industry. However, Emoni is shocked when Chef Ayden, her teacher, insists on spending the first few weeks learning knife skills and safe food handling practices. When the class finally does begin cooking, Emoni is enraged on the day that Chef Ayden tells her to trash a recipe that she spiced differently than the recipe called for. Thus, much of Emoni’s journey centers around her struggle to marry her instincts and creativity with professional norms, something With the Fire on High suggests is necessary if Emoni is ever going to move beyond cooking as just a hobby.
At first, Emoni chafes under Chef Ayden’s tutelage. His admonishment that she can’t sneakily add ingredients to recipes because she may inadvertently poison a patron doesn’t seem reasonable when, in Emoni’s experience, her dishes consistently bring people to happy tears. But eventually, Emoni realizes that cooking Chef Ayden’s way doesn’t mean she can’t be creative—she just has to learn basics and professional norms first. After applying herself for months in his class, she spends her class trip to Spain apprenticing with Chef Amadí, who allows Emoni to make up recipes for the daily lunch special. Her creativity, Emoni realizes, is still an asset; her dishes in Spain still move patrons to tears. But she also knows that without the skills she learned from Chef Ayden, she’d never be able to singlehandedly plan, prep, and plate identical meals for 20 to 30 patrons in only a few hours, while also following professional food safety standards. Indeed, this experience leads Emoni to see Chef Ayden as one of her biggest allies and supporters, despite their rocky start: he makes sure she has the skills to help her talents shine in a professional setting, not just in her home kitchen.
Creativity vs. Professional Norms ThemeTracker
Creativity vs. Professional Norms Quotes in With the Fire on High
All I know is she cried into her plate that night. And so at the age of four, I learned someone could cry from a happy memory.
Ever since then ’Buela is convinced I have magical hands when it comes to cooking. And I don’t know if I really have something special, or if her telling me I got something special has brainwashed me into believing it, but I do know I’m happier in the kitchen than anywhere else in the world. It’s the one place I let go and only need to focus on the basics: taste, smell, texture, fusion, beauty.
I let go of a breath I didn’t know I’d been holding. I don’t know much about pathogens and storing sugar, but damn if I don’t know how to cook good food that makes people hungry for more, that makes people remember food is meant to feed more than an empty belly. It’s also meant to nourish your heart. And that’s one thing you won’t ever learn from no textbook.
He clears his throat and it seems almost like a memory has him choked up. “This is delicious, but I want to make sure you follow the ingredients list. If you work under a chef and they give you clear directions, it’s disrespectful to try and modify their recipe without first consulting them. Whether or not you think the flavors will work.”
“It’s not the recipe I gave you. It doesn’t have the same ingredients, and the cut on these is wrong.”
“It tastes good, it’s well-balanced like you tell us to do, and the presentation is flawless,” I say through my teeth.
He grabs a fork, stabs the dish, and pops it in his mouth. He’s quiet for a long moment. And I can tell he loves it. He shakes his head. “Cumin, basil, oregano.” His eyes pop open. “None of those ingredients were in the recipe. This isn’t the same dish at all. I can’t grade something that is more about creativity than execution. That wasn’t the point of today’s evaluation. So I won’t say it again: trash it.”
Chef Ayden isn’t angry with me. Chef Ayden thinks I could own or be head chef of a restaurant one day. Chef Ayden wants me to lead a fund-raising committee.
I’ve seen chefs on TV time and time again say they had to pay their dues. And I never knew exactly what that meant but now I think I get it. It’s about doing the grunt work behind the scenes, washing dishes, folding napkins, taking stock, before you ever touch a recipe. It’s about being the creative mind behind raising a shit-ton of money so you can go on a trip abroad.
Chili aioli would make this bomb. A sweet and savory bite. I almost walk to the spice cabinet, then stop myself.
That’s not the recipe.
“Can I tell you the oddest thing about your hen? I’ve been having a bad day. Everything was going wrong, including my stove not wanting to turn on, which is why I came out for dinner, on a Monday of all days! But from the first bite of your food…it reminded me of my favorite aunt. Sitting at her knee when she told me stories and shucked peas.” His voice gets rough at the end and I give his hand a small squeeze.
Although my food still doesn’t give me any memories, it has always been looking back; it’s infused with the people I come from. But it’s also a way for me to look forward: to watch the recipes that from my roots transform, grow, and feed the hungriest places inside of me.
“I understand. And although I’ll be attending Drexel’s Culinary Arts program on a part-time basis, it’s not too far from here, so I can go to classes in the morning and be here by the lunchtime rush. My family is helping me out to make sure. I can commit to the long hours.” I give her a soft shrug. “I want to stay in Philly and work in Philly and learn from a restaurant in Philly. Because I think I have a lot to offer my hometown and the places I’m from.”